| | Bill & Gloria Gaither Present: South African Homecoming CD Bill & Gloria Gaither Discography of CDs
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Our Price: $15.05 CDFor Sale Usually ships in 1-2 days
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Recorded in December 2005, along with LOVE CAN TURN THE WORLD, this release finds renowned Christian leaders Bill & Gloria Gaither performing live in South Africa, along with many other spiritually minded artists. Highlights of this moving HOMECOMING celebration include the Gaither Vocal Band's harmonious "My Lord and I" and Lynda Randle's joyous "That's What Jesus Means to Me."
Director: Ben Speer.
Arranger: Anthony Burger. Bill & Gloria Gaither Present: South African Homecoming Music Bill & Gloria Gaither Present: South African Homecoming Songs Bill & Gloria Gaither Present: South African Homecoming Music Review Purchase Bill & Gloria Gaither Present: South African Homecoming CD To buy, Click on price to add to cart | Brothers Cazimero Cazimero Christmas Favorites CD (2000)
Bill & Gloria Gaither Present: South African Homecoming album
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Bill & Gloria Gaither Present: South African Homecoming CD music
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Bill & Gloria Gaither Present: South African Homecoming music CDs
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$16.29 Track Listing of songs: Disco Inferno; Freak, Le; Shake Your Booty; Born to Be Alive; Boogie Wonderland; Y.M.C.A; Never Can Say Goodbye; Stayin Alive; Fame; Hot Stuff; Do It Any Way You Wanna; Lady Marmalade; I Feel Love; Thats the Way; Think; You Should Be Dancing; Baby Love; Dancing in the Street; Stop in the Name of Love; Uptight; Papa Was a Rollin' Stone; Get Ready; Do You Love Me; War; You Keep Me Hangin' On; Don't Stop 'Til You Get Enough; Reach out I'll Be There; You Can't Hurry Love; Nowhere to ...
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Bill & Gloria Gaither Present: South African Homecoming songs
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Bill & Gloria Gaither Present: South African Homecoming songs
$16.15 Mimir is the highly adventurous, quietly experimental music of musicians Edward Ka-Spel of the Legendary Pink Dots, ubiquitous out-music guitarist Jim O'Rourke, Christoph Heeman, textures whiz Seeman, and Andreas Martin. There are six untitled tracks here, each one completely different than its predecessor. Track one is a gorgeous miniature ambient soundscape with violins, whirring sounds of wind coming through strings, and there's a gentle wash of keyboards and lots of well-placed silence. Track two, however, is a meditation on multi-tracking guitars that are playing a country shuffle not unlike moments in Bob Dylan's "Nashville Skyline Rag." Motion and travel are the themes as the guitars endlessly repeat open country themes that get underscored by unidentifiable sounds and noises and are extrapolated upon by still other guitars while never losing their central riff. The side closes with a fairly insistent, though dark and airy guitar/piano duet enhanced with streams of white noise and feedback Side two is a batch of electronically manipulated tape studies, where some instruments enter the fray, but mostly it feels like spliced and manipulated tape. And since there are no credits on the thing other than the band members' names, there is nothing to do but guess. It's compelling, however, in a nightmarish sort of way. These final three tracks create a different ...
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