| | Nelly Furtado Loose CD - Import Nelly Furtado Discography of CDs
On her third studio album, LOOSE, Nelly Furtado largely abandons the bohemian vibe of previous outings, opting for an energetic, club-ready sound said to be influenced by the time she spent recording in Miami. The Canadian-born singer-songwriter approaches this significant change with wild abandon, as revealed on the sensual singles "Promiscuous," a remarkably catchy dance-pop tune that features Timbaland, and "Maneater," a leering, techno-tinged track. The percussive "No Hay Igual" finds Furtado delving into reggaeton, while "Te Busque" presents the soulful vocalist performing a melancholy duet with Colombian heartthrob Juanes. Though some Furtado fans may initially be perplexed by this dramatic sonic shift, repeated listens reveal the record's charms, particularly on the soaring, synth-laden opener "Afraid" and "All Good Things (Come to an End)," a thoughtful pop ballad co-penned by Coldplay's Chris Martin (who was once rumored to be her boyfriend). An unpredictable and assured album, LOOSE proves that Furtado can wander down unfamiliar stylistic roads and return with fascinating results.
Extremely limited International Tour Edition features exclusive artwork, a bonus track ('Somebody To Love') and a bonus CD featuring eight rarities and live tracks: 'Let My Hair Down', 'Undercover Runaway', 'Te Busque' (Spanish Version featuring Juanes), 'No Hay Igual' (featuring Calle 13), 'All Good Things (Come To An End)' (featuring Reamonn's Rea Garver) and live versions of 'Crazy', 'Maneater' and 'Promiscuous'. The Canadian singer-songwriter marks a stark change in direction away from the Folk-inflected Pop of her first two outings. On this release, she collaborates with Hip Hop/R&B producer Timbaland, and the result is a set of raw Electro-Funk, with Furtado laying down some of her most risqu‚ and explicit lyrics to date. Featuring guest vocals from Coldplay's Chris Martin, Latin American megastar Juanes and Timbaland himself. . Universal. 2007.Rolling Stone (p.94) - 3 stars out of 5 -- "Timbaland brings her back on LOOSE to scat her quirky high-school-musical vocals over his mostly Eighties beats..." Entertainment Weekly (p.68) - "Much of Furtado's charm comes from her low-key, girlish sensuality....The most striking songs are in Spanish." -- Grade: B- Q (p.112) - 3 stars out of 5 -- "[M]uch of it is an inventive, hip-hop-inflected delight." Q (p.118) - Ranked #55 in Q Magazine's "100 Greatest Albums of 2006." Mojo (Publisher) (p.100) - 3 stars out of 5 -- "'Promiscuous' features the booming tones of Mr. Land himself, alongside Furtado's breathy, come-hither vocals." Loose Review
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Purchase Loose CD To buy, Click on price to add to cart | Kiss Carnival Of Souls: The Final Sessions CD (1997)
Loose album
$5.55 CARNIVAL OF SOULS is the last studio recording with Bruce Kulick and Eric Singer before the return of original members Ace Frehley and Peter Criss.
Despite a 1996 press conference on the U.S.S. Intrepid that announced Bruce Kulick and Eric Singer were on a "paid temporary vacation," the two were dismissed months later after a reunion tour of the original make-up clad members proved wildly successful. As the sub-heading states, CARNIVAL OF SOULS is the last recorded efforts of Kulick and Singer with Gene Simmons and Paul Stanley. Drawing on music trends started as far back as the lean times of the '80s, CARNIVAL finds Kiss putting together a sound that draws from the dirge of Alice In Chains and the crunch of old-school Metallica.
Much more somber than prior Kiss albums, nihilism runs rampant on songs such as "Hate" and "I Walk Alone." The mid-paced tempos of "Childhood's End" and "I Will Be There" inject some variety into a mix that includes Middle Eastern guitar phrasing in "Seduction Of The Innocent." In addition to Kulick flexing his instrumental muscles, two songs he co-wrote, "In The Mirror" and "I Walk Alone," feature ...
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$9.99 On their singles and EPs, the Horrors proved they'd done their post-punk and freakbeat homework. With their debut album, Strange House, they push their sound forward, distill it to its rawest essence, and give it a few funhouse mirror twists and turns for good measure. Almost half of the songs on the album already appeared on previous Horrors releases, but the ever-so-slightly cleaner production here gives more definition to their black-on-black sound. The band kicks off Strange House by revisiting their cover of Screaming Lord Sutch's "Jack the Ripper," which begins at a zombie-slow pace, then suddenly speeds up halfway through, transforming into a hurtling roller coaster of a song that makes a great introduction to Strange House's mix of campy humor, energy, and menace. With its dive-bombing ...
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$199.05 Limited Edition UK pressing of Metallica's 2008 album housed inside a coffin box along with a LARGE T-shirt, bonus CD of demo version, a DVD of 'making-of-the-album' footage, a flag, guitar picks, a fold out poster along with a collector's credit card allowing the holder to redeem a free download of a special European show happening in September. Death Magnetic is the iconic Metal band's 10th studio album overall. and was produced by Rick Rubin. Formed in Los Angeles in 1981 by drummer Lars Ulrich and guitarist and vocalist James Hetfield, ...
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$9.99 Disc Two is an Enhanced CD, which contains both regular audio tracks as well as multimedia computer files.
When Goldfrapp's debut, FELT MOUNTAIN, appeared in 2000, no one was quite sure how to categorize the music, but that didn't stop fans and critics alike from gushing about it. A collaboration between singer-keyboardist-songwriter Allison Goldfrapp and composer/producer Will Gregory, Goldfrapp is rooted in the heavy-lidded, ambient soundscapes of trip-hop, yet exhibits an equal interest in various other styles ranging from jazz to cabaret to film music.
On FELT MOUNTAIN, Goldfrapp sometimes sounds trapped in an Ennio Morricone-styled tableau: all whistling and spooky wind-swept vistas. Elsewhere, the duo exudes the cool, tongue-in-cheek attitude of a Nancy Sinatra and Lee Hazelwood project. Yet Goldfrapp are more than just postmodern tricksters: their songs are substantive, and their productions and electronica-charged arrangements are never less than outstanding. This is the first (and will ...
| | Serge Gainsbourg Histoire De Melody Nelson CD (1971) (Import) United Kingdom
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$17.09 Brimming with lust, drama, and dark humor, HISTORIE DE MELODY NELSON is widely acknowledged as Gainsbourg's masterpiece. The 1971 release was criminally ignored outside France-despite the godfather of French pop's decade of cutting-edge songwriting. It's now something of a cult classic, and artists as diverse as Air, Nick Cave, and Portishead have all cited the album as an influence.
Don't be put off by the "concept album" tag. There are no goblins here. Instead, Gainsbourg concentrates on his favorite subjects-sex and death. The story line concerns a chance meeting between a middle-aged man and a teenage girl that develops into a passionate affair. Never one to shy away ...
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