Andrew Hill Compulsion CD

Jazz pianist Andrew Hill is usually identified with the 1960s avant-garde faction, but even within that crowd he was unique. Hill's approach embraced composition and harmony as much as it did freedom and fury. Like Thelonius Monk, he'd never unleash a downpour of notes when a few subtly well-placed ones could thunder just as powerfully. COMPULSION is a 1965 session featuring horn champions John Gilmore (rarely seen performing outside of Sun Ra's Arkestra) and Freddie Hubbard, the underrated drummer Joe Chambers, and a percussion section. Hill's lengthy, open-ended tunes inspire thought-provoking statements from all contributors.
Compulsion continues Andrew Hill's progression, finding the pianist writing more complex compositions and delving even further into the avant-garde. Working with a large, percussion-heavy band featuring Freddie Hubbard (trumpet, flugelhorn), John Gilmore (tenor saxophone, bass clarinet), Cecil McBee (bass), Joe Chambers (drums), Renaud Simmons (conga), Nadi Qamar (percussion), and, for one track, Richard Davis (bass), Hill has created one of his most challenging dates. The extra percussion is largely used for texture, as is the dueling bass on "Premonition," and that's one of the reasons why the record is so interesting -- it's a provocative, occasionally unsettling set of shifting tonal colors. Hill's compositions often seem more like sketches and blueprints than full-fledged songs. This, of course, is not a bad thing, since this approach allows the musicians room to improvise and discover evocative new sounds. Overall, Compulsion doesn't hold together as well as Black Fire or Point of Departure, but the session has enough fiery, challenging highlights to make it necessary for Hill fans. ~ Stephen Thomas ErlewineThe Wire (p.44) - "Hill's compositions are typically complex, both harmonically and metrically, and he exerted firm control over his ensembles..."