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Peters, Duane - Live Fast... CD Cover Art
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Duane Peters Live Fast... CD

 Duane Peters Discography of CDs

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Die Hunns: Gabriel Shavone, Jack Kalrymple, Rob Milucky, Nate Shaw (guitar); Corey Parks (bass instrument); Jamie Reiding, Joel Ronombe (drums); Duane Peters.

Personnel: Duane Peters (vocals, drums); Corey Parks (vocals); Nate Shaw , Jack Dalrymple, Rob Milucky (guitar); Jamie Reidling (drums).

Recording information: Adamos; Duane's Garage.
Live Fast... Music


Detailed Live Fast... Music Information



List Price $15.98 (You save $4.03)
Category Rock/Pop Albums, Oldies CDs, Punk, Garage Band, Rock
Label Disaster
Orig Year 2007
All Time Sales Rank   119729  
CD Universe Part number 7390690
Catalog number 9041
Discs 1
Release Date Mar 27, 2007
Studio/Live Studio
Mono/Stereo Stereo
Producer Duane Peters; Duane Peters
Engineer Duane Peters; Jerry Adamo
Recording Time 37 minutes
Personnel Corey Parks - bass instrument
Duane Peters - vocals, drums
Gabriel Shavone
Jack Kalrymple
Jamie Reiding
Joel Ronombe - drums
Nate Shaw - guitar
Rob Milucky - guitar
Duane Peters Live Fast... Songs


Duane Peters Live Fast... Album Track Listing



Windows MediaRealAudio Media1.Back 'N' Black$0.99
Windows MediaRealAudio Media2.Live Fast... Die$0.99
Windows MediaRealAudio Media3.Ain't Talkin' 'Bout Love$0.99
Windows MediaRealAudio Media4.Nothin' Commin'$0.99
5.Marshal Law
Windows MediaRealAudio Media6.Hangin' Around$0.99
Windows MediaRealAudio Media7.Do You Want the Truth?$0.99
Windows MediaRealAudio Media8.Burn the Page$0.99
Windows MediaRealAudio Media9.Love and a Molotov$0.99
Windows MediaRealAudio Media10.Head On$0.99
Windows MediaRealAudio Media11.Atomic Cafe$0.99
Windows MediaRealAudio Media12.No Time$0.99
Windows MediaRealAudio Media13.Ain't It a Shame - (Outake Version)$0.99

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All songs written or co-written by Leonard Graves Phillips except "Golden Boys" (Smear), "Elevator (In The Brain Hotel)" (George Alexander) and "Pretty Ballerina" (Michael Lookofsky). Includes liner notes by Leonard Graves Phillips. Live Recording Engineers: John X, Pat Kraus, Brian Kehew (tracks 1-5, 7-11, 13-14); Brian Kehew (6, 12). Dickies LPs are like comets: rarely sighted, always great. The fourth LP over a 16-year career and first since 1989's Second Coming is another humorous punk-pop LP that brings huge smiles. If a little more spotty than Second Coming, there's still plenty of lip-smacking tunes highlighted by the band's obvious strength all these years, singer Leonard Phillips. His cartoonish delivery has sometimes obfuscated what a fine singer he actually is. You see that here on "Toxic Avenger," guitarist Stan Lee's Motörhead/Kiss/Queen/Ozzy ...
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Duane Peters does it old-school, creating lumpen greaser punk with tattoos down its arms and beer all over its breath -- with nary a whiff of social commentary. But while Peters has a nice pedigree for a punker heading toward his fourth decade, The Duane Peters ...
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Fans who think the blues has little more to offer than screaming guitars and over-amplified harmonicas have obviously never heard Lonnie Johnson (1889-1970). A New Orleans native who spent much of his youth in Europe and St. Louis, Johnson saw the blues through a jazz player's eyes, incorporating jazz's complex chording and hip attitude into a genre otherwise noted for its raw, unadorned passion. As a result of his masterful playing and distinctive approach, no lesser (and diverse) greats than ...
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It took what seemed like forever, but six years after they were all recorded, more or less, the various tracks by John Reis' nearly solo, mostly instrumental side project finally surfaced as a self-titled album. The couple of cuts that had already popped up on compilation releases reappeared here along with the rest, making for ten tracks of fine Reis goodness. The appearance of horns on "Trivial Pursuit" (some played by Jason Crane, otherwise the Back Off Cupids' drummer and only other member) inevitably calls Rocket From the Crypt to mind, but the Back Off Cupids are hardly Rocket redux. Neither is this simply Drive Like Jehu part two -- instead, Reis here emphasizes a generally quieter but no less tense approach, spiked with just enough aggressive energy to remind a listener that this is the guy partially responsible for modern epics like "Luau!" Certainly opening cut "Meek Inherits Space" has a subtle, threatening build, his overdubbed guitars and Crane's drumming feeling, indeed, like something taking off into the heavens. From there Reis tries out a variety of moods, from the percussionless chimes and moods which begin "Now We're Asian" to the exultant, anthemic conclusion of "I'm Stolen," with its main drive ...
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Willie Nelson Red Headed/To Lefty From Willie CD  (1999) (Import) Germany

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Hitting The Ground
Gordon Gano Hitting The Ground CD  (2002)

Live Fast... CD music
CD $9.79  Audio Samples
The Violent Femmes' punk-pop underground sound gave combative nobodies a voice in the '80s and '90s, thanks to Gordon Gano's playful twist on teen angst and panting sexual frustration. Two decades later, Gano was still the indie-rock artisan when he made his solo debut with Hitting the Ground. Gano's selection of songs were exclusively written for some of his heroes, not to mention some of indie-rock's finest like They Might Be Giants, Frank Black, and Mary Lou Lord. Hitting the Ground is flat-out clever, cool, and cocky. Cymbals and two-tone percussion shimmy and shake on the album title track. PJ Harvey is an uncanny match for Gano, for her wicked vocal stomp and distorted guitar work on this surf-styled number is equally fiery to his own sarcastic rendition. His frenzied punk howl of "Make It Happen" sticks with the winning formula, too. Ex-4 Non Blondes frontwoman Linda Perry carries the lovelorn torch song "So It Goes" beautifully, while John Cale remains unruffled on the piano-driven lounge cut "Don't Pretend." Gano's songwriting on these particular songs hit to the core of what we're all afraid to notice: Life sucks sometimes. He's always been painfully honest, whether he's been funny or crass about it. The funky "Catch 'Em in the Act" is classic Gano, with sexy, self-explanatory lyrics of male sexual adventure. Lou Reed's blues-tinged jams and sleek vocals point a finger at the paternal side of things, but humorously so. More than anything, it seems that Gordon Gano just wants to have fun. He's obviously had a blast with the Violent Femmes, but takes things in a personal direction on Hitting the Ground. What took him so long? That doesn't matter. Hitting the Ground is up to ...
Colors Of Latin Jazz: Musica Romantica
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Illustrator: Michelle White.
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Exoteric
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