| | Chapman, Roger & The Shortlist Loft Tapes 3 CD - Import Chapman, Roger & The Shortlist Discography of CDs
 |
|
Our Price: $17.09  CDFor Sale Usually ships in 1-2 days
Our Price: $7.92
|  |
Former Family/Streetwalkers vocalist Roger Chapman and his backing band The Shortlist live at Dingwalls in 1996. Eight tracks including 'Habits Of A Lifetime', 'Cat Called Kokomo' and 'Kiss My Soul'. Mystic Records. Loft Tapes 3 Music | List Price | $17.99 (You save $0.90) | | Category | Rock/Pop Albums, Rock CDs, Blues | | Label | Phantom | | CD Universe Part number | 7391842 | | Catalog number | 1045042 | | Discs | 1 | | Release Date | Feb 27, 2007 |
Chapman, Roger & The Shortlist Loft Tapes 3 Songs Loft Tapes 3 Review
GuidelinesRemember to focus your comments on Chapman, Roger & The Shortlist Loft Tapes 3 CD - Import. Check our review guidelines for specific details regarding customer review policy. To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days. Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.
Purchase Loft Tapes 3 CD To buy, Click on price to add to cart | Kenny Wayne Shepherd 10 Days Out... Blues From The Backroad CD (2007) With DVD
Loft Tapes 3 album
 $21.79   
| | Buddy Guy Skin Deep CD (2008)
Loft Tapes 3 CD music
$10.39
| | Alvin Lee Pure Blues CD (1995)
Loft Tapes 3 music CDs
$10.65
| | Arthur Adams Stomp The Floor CD (2009)
Loft Tapes 3 songs
$13.55
| | Eric Clapton Blues CDs (1999)
Loft Tapes 3 album
$17.19
| | Keb' Mo' Slow Down CD (1998) Enhanced CD
Loft Tapes 3 CD music
$7.59
| | Davy Graham Hat CD (1969) (Import) Reissue; Australia
Loft Tapes 3 music CDs
$16.89 
| | Black Dahlia Murder Miasma CD (2005)
Loft Tapes 3 songs
$9.79 
| | Sarah Vaughan Memories CDs (2005) Box Set
Loft Tapes 3 album
$35.35
| | Karen Carroll Talk To The Hand CD (2005) (Import)
Loft Tapes 3 CD music
$36.79
| | Karen Manion Quintet Live At The Montreal Bistro CD (2006)
Loft Tapes 3 music CDs
$17.75
Karen Manion Jazz ~ Press Release 2008Toronto, Ontario, Canada karen@karenmanion karenmanion Karen Manion Jazz made a major impact on the Toronto scene with her second, independent cd entitled 'Live at the Montreal Bistro" released in 2006. Here's what the critics had to say...'And to think that because of some silly heart condition of mine I've recently acquired, I might have missed reviewing the towering talents of our northern neighbor - Canada's own jazz chanteuse Karen Manion. A true master of our beloved American Songbook, Karen brings individuality to the pop-jazz ...
| | Antoniuk, Jeff & The Jazz Update Here Today CD (2006)
Loft Tapes 3 songs
$15.19
"Here Today" is a burning CD by the hottest working jazz band in the Washington DC area. Saxophonist Jeff Antoniuk and his group, The Jazz Update, are a who's who of jazz names from the mid-Atlantic, with more than 100 albums recorded between them. "Here Today" shows the Update serving up their first group recording in fine style. Joined by stellar trumpet player Dave Ballou, the band constantly walks the tightrope between tradition and the 21st century. If you're looking for the state of acoustic jazz in the new millennium, The Jazz Update is a good place to start. By February the ...
| | Dean Brown Groove Warrior CD (2007) (Import)
Loft Tapes 3 album
$26.29
| | Hazel O'Connor Smile CD (1984) (Import) Bonus Tracks; United Kingdom
Loft Tapes 3 CD music
$15.65
When Hazel O'Connor first shot to fame in 1980 due to her starring role in the new wave movie Breaking Glass, it wasn't quite certain whether she was an actress who made music (never a good thing to music purists) or a musician who could act (never a good thing to movie aficionados). When she continued making music with albums like Sons & Lovers (1980) and Cover Plus (1981), those in the music world actually started paying attention. She was briefly saddled with the "female Bowie" tag (even using Scary Monsters cover artist Edward Bell for her album Sons & Lovers), but by the time Cover Plus moved only a modest amount of units, it seemed to be all over for the talented singer/songwriter. After three years of inactivity, O'Connor re-emerged with a new look and new musical direction. Gone were the Bowie-isms that plagued her earlier albums (which haven't dated all that well, actually), replaced with a soulful keyboard-laden sound. Working with her brother Neil (formerly of punk band the Flys) and producer Martin Rushent, O'Connor created an album that was not that different from the first two solo albums that Rushent had produced for Pete Shelley. The focus of Smile is on the songs, which are well-written slices of synth-laden pop that show a maturity in Hazel's songwriting skills. "Just Good Friends" and "Tell Me a Story" are probably the closest the album gets to her older material, melodically, although the simple arrangements allow the songs to breathe a bit easier. The haunting ballad "Cuts Too Deep" is stunning and should have been a massive hit in at least 13 countries. "Smile" has the same type of synth groove that dominated Pete Shelley's second solo album, XL-1. She turns Gershwin's "The Man I Love" into a quirky little ditty that sounds both dark and fun at the same time. "Bring It on Home to Me" becomes an upbeat Motown-influenced pop tune laced with nice keyboard work. Even fun tracks like "I Don't Know" and "Mystifies" may appear lightweight, but there's just enough meat on them to keep them from floating away. At points, she does seem to be trying too hard to be "current," but overall, Hazel O'Connor proves that she has talent to burn on Smile. ~ Steve "Spaz" Schnee
When Hazel O'Connor first shot to fame in 1980 due to her starring role in the new wave movie Breaking Glass, it wasn't quite certain whether she was an actress who made music (never a good thing to music purists) or a musician who could act (never a good thing to movie aficionados). When she continued making music with albums like Sons & Lovers (1980) and Cover Plus (1981), those in the music world actually started paying attention. She was briefly saddled with the "female Bowie" tag ...
|
|
|
|
 |
|
|
buttons below to play song samples
Adobe Flash
Email a Friend
