| | Les Marvellous Pig Noise Drole De Mammiferes CD - Import Les Marvellous Pig Noise Discography of CDs
Drole De Mammiferes Music | Category | Jazz Albums | | Label | Phantom | | CD Universe Part number | 7392455 | | Catalog number | 1045237 | | Discs | 1 | | Release Date | Feb 27, 2007 |
Les Marvellous Pig Noise Drole De Mammiferes Songs | 1. | Quand Le Soleil Descend |
| 2. | Ma Muse Est Le Blues |
| 3. | Cherche Mon Ame |
| 4. | Ce Soir Je Bois Du Noir |
| 5. | Droles De Mammiferes |
| 6. | J'avoue Qu'Ca Donne Du Mal |
| 7. | Au Milieu Du Silence |
| 8. | Mother Earth |
| 9. | La Culture |
| 10. | Something Don't Work |
| 11. | Think Abaout It (Intro) |
| 12. | Think About It |
|
Drole De Mammiferes Review
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Purchase Drole De Mammiferes CD To buy, Click on price to add to cart | Diana Krall Quiet Nights CD (2009)
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Diana Krall's first studio outing since she and husband Elvis Costello became the proud parents of twin boys, 2009's QUIET NIGHTS finds the jazz singer/pianist turning in a serene and pleasantly subdued set. Krall breezes through a few bossa nova standards, most notably "The Girl from Ipanema" (here gender-reversed to "The Boy...") and the title track (originally "Corcovado"), both penned by the legendary Antonio Carlos Jobim. QUIET NIGHTS isn't solely a Brazilian-themed outing, however, as Krall also spends plenty of time in the comfortable realm of the Great American ...
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How a good-looking Jewish boy from Brooklyn discovered the secret of success in an updated form of mariachi music is perhaps beyond our scope. Then again, it might not be such a mystery after all. Aside from the obvious example of exotica, much easy listening depends upon more than a touch of ethnicity to maintain its musical roots. What Herb Alpert found in Mexican street bands was a previously untapped source of south-of-the-border melody and rhythm. With its unlikely combination of Alpert's cool ...
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This 1989 recording, once available through the now-defunct, France-based Owl record label, has been brought back from the proverbial ashes by Sunnyside. Venerable modern jazz drummer Aldo Romano and highly regarded saxophonist Joe Lovano go for the gusto throughout these generally upbeat duets. Essentially, it's what many fans of these two important jazz musicians would ...
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Released just a year after Fallow Field, the Old Haunts' sophomore album, Fuel on Fire, serves up a more focused and nuanced version of their stomping, ...
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$15.75 | | Susan Getz Green Eyed Girl CD (2007)
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Susan Getz—Looking for the “Inevitable Note”Warm, direct jazz singer scores with heartfelt CD, The Green Eyed GirlWith her first CD, 2005’s Jazz Boxx, Susan Getz announced her herself on the jazz scene as a singer with a graceful, assured voice, denoting a quiet yet powerful inner strength and a refreshingly unique style. With the recent release of her newest effort, The Green Eyed Girl, Getz takes another step forward, establishing herself as an artist with a distinctive approach and the confidence to highlight a calm warmth over dazzle and flash. The Green Eyed Girl offers listeners instant delights and a clear view into Getz’s ever maturing-artistry. While Jazz Boxx consisted predominantly of covers, with four Getz originals mixed in, Green Eyed Girl reverses that formula. Getz displays her sure composer’s touch with eight originals, with a pair of covers to balance the mix.A varied, intriguing recordingGetz shows, as well, her delightful flair for skillfully blending musical genres. As she puts it, “This album is not straight jazz or pop or blues or rock but a kaleidoscope of hues and simple intimate songs. And yet the songs and arrangements are firmly based in jazz harmonies and chord colors.”This approach is immediately evident on The Green Eyed Girl’s opening track, the yearning ballad “Standing Before You Asking You to Share My Life.” Getz’s vocals gently blend nuances of desire and vulnerability, themes reinforced by twin keyboard voices: the gospel-tinged organ of David K. Matthews and David-Michael Ruddy’s lilting piano lines. There’s even a delightful “wedding version” of the tune at the end of the CD. “My songs are an ode to the American experience,” Getz explains. “Family and separation, travel and how it changes you, the restlessness of the heart. All of these were on my mind as I wrote this music.” The charming “Shadows” speaks to this notion directly. Getz sings the number in duet with her 15-year-old daughter, Caroline. It’s the song of a mother and daughter facing the bittersweet moment of moving away from each other, and the interplay between the singers is underscored deftly by sensitive support from trumpeter Erik Jekabson and saxophonist Dayna Stephens. It’s notable that Caroline Getz wrote the lines she sings, and we realize that it’s not only the parent who might long wistfully for the ability to “make time stop.” And so it goes throughout the CD. The shimmering, shifting tempos of “Little Blue Flowers,” the lovely straight-forward, self-portrait of the title track and the sassy New Orleans lift of “Honey Pie” are only a few of the highlights. The two covers blend in seamlessly, as ...
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