| | Var Klaus Lenz Modern Soul Band Var Klaus Lenz : Modern Soul Band CD Var Klaus Lenz Modern Soul Band Discography of CDs
Var Klaus Lenz : Modern Soul Band Music | List Price | $15.98 (You save $6.39) | | Category | Rock/Pop Albums, World CDs | | Label | Amiga | | CD Universe Part number | 7393034 | | Catalog number | 706496 | | Discs | 1 | | Release Date | Mar 09, 2007 |
Var Klaus Lenz Modern Soul Band Var Klaus Lenz : Modern Soul Band Songs | 1. | Heut Spielt Hier 'Ne Soulband |
| 2. | Mister Wonder |
| 3. | Zickenrock |
| 4. | Was Mir Fehlt |
| 5. | Manfred Mucke |
| 6. | Ideale |
| 7. | Die Nacht |
| 8. | Berliner Song |
| 9. | So Denkt Der Clown (Gewidmet Herman Van Veen) |
| 10. | Motorrennerrock |
| 11. | Himmel Und Holle |
| 12. | Alter Soul |
| 13. | Gemeinsamkeit |
| 14. | Hier Bin Ich Geboren |
| 15. | He Mann (Live) |
| 16. | Hallo, Alter Junge (Live) |
| 17. | Schlafen Gehen |
| 18. | Nelson Mandela |
| 19. | Soul Five |
| 20. | Reverend Lee |
| 21. | Reminiszens An D.E. |
| 22. | Song Of An Impatiencer |
| 23. | Fusion |
| 24. | Satrapen (Bonustitel) |
| 25. | Down Goes The River (Bonustitel) |
| 26. | Freedom Train (Bonustitel) |
| 27. | Sisyphos (Bonustitel) |
| 28. | Dancers (Bonustitel) |
| 29. | Ein Nachmittag In Berlin |
| 30. | Kleines Lied Fur Eric |
| 31. | Serenade Mysterioso |
| 32. | Watermelonman |
| 33. | Peace |
| 34. | Night In Tunesia |
| 35. | Preacher |
| 36. | Sister Salvation |
| 37. | You Come A Long Way From St. Louis |
| 38. | Blues March |
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Var Klaus Lenz : Modern Soul Band Review
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Lágrimas Negras (Black Tears) is a collaborative effort between the octogenarian Cuban piano master Bebo Valdés and the reigning Spanish flamenco cantador, Dieguito El Cigala. Recorded for Fernando Trueba and Nat Chediak's Calle 54 label, the sessions took place in Madrid between September and December 2002. Maestro Valdés (born in 1918), the father of the jazz pianist Chucho, has a long history as an innovator in Cuban music. He recorded the first Afro-Cuban jazz session in 1952, and was a tutor to the great bandleader Beny Moré, writing early charts for him. Valdés is also a ...
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Track Listing of songs: Amazing Grace; Three Waltzes: Skye Boat Song/Highland Cradle Song/Believe Me, All ...: Skye Boat Song / Highland Cradle Song / Believe Me, All My Endearing Young Charms; Medley: Corn Rigs/Waternish Point/Dallaghassie/Captain Horne: Corn Rigs-Waternish / Point-Dallaghassie / Captain Horne-Sleepy Maggie / Barbara's Jig-Pipe Major G. S. Allan; ...
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Recorded originally around 1968, this double album of Afghan music was remastered and re-released in the aftermath of the fighting in Afghanistan post-2001. The recordings themselves were luckily made before the bulk of the 20th century woes of Afghanistan, just predating the overthrow of Zahir Shah and the ensuing Soviet invasion, anti-Soviet fighting, civil war, and the Taliban's rise (and elimination of musical performance). The focus of the album is largely on folk performance, with only sparing attention paid to the musicians of Kabul and Herat, and somewhat more attention paid to the rural performers or urban-dwelling rural-styled performers. The first disc deals pretty exclusively with the Uzbek and Tajik immigrant cultures from the northern end of the nation, who share the bulk of their styles with their fully Central Asian or Persian counterparts, though there is some divergence between the performances given different events pre- and post-migration. The songs cover a good deal of ground geographically, hailing from the Kataghan region, ...
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On this 2005 album, Israeli jazz violinist Miri Ben-Ari reinvents herself as a funky, rap-loving performer. While such a career move might initially seem perplexing, it makes perfect sense when considering hip-hop's love of dramatic, string-heavy backing music. Those expecting an all-out rap album should take note--although THE HIP-HOP VIOLINIST features an army of guest stars (including Kanye West, John Legend, Anthony Hamilton, and Akon), Ben-Ari's expressive, Middle-Eastern-inflected violin runs remain the focus of the record.
Besides the fact that she's just so gosh darn beautiful, the hip-hop community took to Miri Ben-Ari because of her spirited playing that perfectly fit songs like Twista's "Overnight Celebrity," and in many ways it made them. Right from the title, The Hip-Hop Violinist relies too much on the gimmick of such a thing, and in the end comes off less satisfying than her jazz releases, which had more inspired tiles like Sahara and Temple of Beautiful instead of Female Israeli Jazz Violinist. Half of her guests can't help but dwell on her name, her beauty, and her quirky role in hip-hop, repeatedly giving props to her instead of offering anything substantial. Good news is Lil' Mo will have none of it, instead delivering the uplifting "Hold Your Head Up High" with a passion to which Miri's winding violin responds with spirit. "Chillin' in the Key of E" is intriguing Vivaldi meets Wes Montgomery meets hanging out downtown, and the Southern party anthem "4 Flat Tires" with Baby, Lil Wayne, and Six Shot makes up for a lot of filler. Hearing Doug E. Fresh's human beatbox accompany Ben-Ari's interpretive take on "Star Spangled Banner" is exciting and neither John Legend nor Kanye West damage their lofty status, but insights into Ben-Ari the artist are just too rare. Consider it a mixtape with Ben-Ari appearances ...
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Seven Devils:A haunting parade of spook songs unfit for the faint of heart. From within the darkened soundscapes, the fragile bones of fetching pop emerge, only to sink again into the plangent pond. Most of the music on this debut soundtrack was recorded with a Nagra mono reel to reel tape recorder documenting an orchestra of found sounds and a chorus of tortured voices. Sometimes uplifting, often chilling, like a ride on an old wooden roller coaster that should have been decommissioned decades ago, a bang worth taking for those with mettle.Knocker:Lost in the endless rolling corn rows of southwest Wisconsin, where everything and everyone ...
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