| | Postman Pat & The Greendale Dragon CD - Import Postman Pat & The Greendale Dragon Discography of CDs
Postman Pat & The Greendale Dragon Music Postman Pat & The Greendale Dragon Songs | 1. | Greendale Village |
| 2. | What Can We Do |
| 3. | Ballard Of The Greendale Dragon, The |
| 4. | Come Along To The Carnival |
| 5. | Edge Of Greendale, The |
| 6. | Inside The Greendale Post Office |
| 7. | PC Selby & Ajay Get Very Frightened |
| 8. | A Nice Cup Of Tea |
| 9. | Carnival Of Carnivals |
| 10. | What's In His Bag |
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Postman Pat & The Greendale Dragon Review
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The finest example of perfect disco pop, and a record that should be prescribed to musical snobs and manic depressives. The album is a true ambassador of ...
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Adiitional personnel includes: Veit ...
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Though Yes's name quickly became synonymous with '70s prog rock, their 1969 debut is a far cry from the epic vistas they would later explore. Like many '60s bands, they covered the Byrds (the metaphysical "I See You") and the Beatles ("Every Little Thing"). Inspired by the likes of Vanilla Fudge and Rotary Connection, they turned these songs inside out, radically changing the tempos and creating their own elaborate arrangements. The end results often bore little similarity to the songs' original versions.
Guitarist Peter Banks (who eventually formed the very Yes-like aggregation Flash with Yes keyboardist Tony Kaye) has a much less cerebral approach than his successor Steve Howe. Though not as facile, Banks is alternately subtle and jazzy ("I See You") and electrifyingly riff-oriented ("Looking Around"). All the elements that would soon make Yes a household name were already in place, but YES is the sound of a great band gearing up for greater things. It's nevertheless an ultimately substantive and satisfying debut.
Though their name quickly became synonymous with '70s prog rock, Yes' 1969 debut is a far cry from the epic vistas they would later explore. Like many '60s bands, they covered the Byrds (the metaphysical "I See You") and the Beatles ("Every Little Thing"). Inspired by the likes of Vanilla Fudge and Rotary Connection, they turned these songs inside out, radically changing the tempos and creating their own elaborate arrangements. The end results often bore little similarity to the songs' original versions.
Yes' debut album is surprisingly strong, given the inexperience of all those involved at the time. In an era when psychedelic meanderings were the order of the day, Yes delivered a surprisingly focused and exciting record that covered lots of bases (perhaps too many) in presenting their sound. The album opens boldly, with the fervor of a metal band of the ...
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Originally released in 1989.
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"Songs for the Ages" is the first project from Christian Saxophonist Scott Snyder from Cincinnati, Ohio. Scott is a worship leader, professional sax player, Bible teacher, and elder in his church. He has a passion ...
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A very talented and subtle jazz singer, Kris Adams (who is based in Massachusetts) performs a wide variety of superior material on this set. Ranging from "The Peacocks," "It Could Happen to You," and "Falling in Love With Love" to Phil Markowitz's "Sno' Peas" (for which Adams wrote the lyrics), Abbey Lincoln's "Living Room," Steve Swallow's "Ladies in Mercedes," and "The 'in' Crowd," the singer is quite expressive in her interpretations while swinging. She is joined by a fine local rhythm section (Tim Ray or Steve Prosser are on piano) with occasional contributions from up to three horns. Well worth searching for. ~ Scott Yanow
Kris Adams has something that is the goal of all jazz singers, and it will make her the envy of most. That something is a personal sound. You will remember Adams' voice once you hear it, recognize it immediately and savor what you hear. The harmonic notions she investigates are daring, yet delivered with sure-footed certainty, charging hip blowing tunes and more intimate stories alike with a jolt of contemporary relevance." Bob Blumenthal, mulitiple Grammy winner (liner notes)Jerome Wilson of Cadence magazine writes, "Kris Adams has a lovely, malleable voice that can either come out as a wistful sigh or sharpen into a peircing soprano sax wail. She shows her ability to ride a Jazz rhythm by including several Jazz compostions in her set, Max Roach's and Abbey Lincoln's "Living Room," Phil Markowitz's "'Sno Peas," Jimmy Rowles' "The Peacocks" and Steve Swallow's "Ladies In Mercedes." Her voice struts and flies hauntingly over "Living Room" next to a brawny tenor solo by Dino Govoni. "Ladies" is a bubbly Latin number with rocking piano by Steve Prosser and Adams gliding through the Norma Winstone lyrics. "Falling In Love" has a head-bobbing blues pulse and an intriguing bass solo, while on "Weaver Of Dreams" Adams floats over an arrangement with sudden tempo shifts and horns out of a '50's Third Stream compostion. Adams is a lovely and nimble singer who can convey a song's message over complex musical accompaniment. She has very impressive versatility." (February 2003)"A very talented and subtle jazz singer, Kris Adams (who is based in Massachusetts) performs a wide variety of superior material on this set. Ranging from "The Peacocks," "It Could Happen To You," and "Falling in Love With Love" to Phil Markowitz's "Sno' Peas" (for which Adams wrote the lyrics), Abbey Lincoln's "Living Room," Steve Swallow's "Ladies in Mercedes," and "The 'in' Crowd," the singer is quite expressive in her interpretations while swinging. She is joined by a fine ...
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