| | Guitars For Freedom Vol. 2-Guitars For Freedom CD - Import Guitars For Freedom Discography of CDs
The second all-star compilation by Angels On Earth / Green Dragon Productions to raise money for the victims of 9/11. Most tracks are instrumentals and some are previously issued alongside even more that are exclusively to this set. Axeman contributors include Steve Lukather, Andy Summers, Jimmy Page and Jeff Beck along with upstarts Greg Leisz, Peter Kern and Angelo Jannotti. Guitars For Freedom Vol. 2-Guitars For Freedom Music | List Price | $22.99 (You save $2.00) | | Category | Rock/Pop Albums, Rock CDs | | Label | Phantom | | CD Universe Part number | 7393360 | | Catalog number | 1054846 | | Discs | 1 | | Release Date | Mar 13, 2007 |
Guitars For Freedom Vol. 2-Guitars For Freedom Songs | 1. | In Remembrance |
| 2. | Brush With The Blues |
| 3. | Indian Summer |
| 4. | Emerald Eyes |
| 5. | Holiday In Venice |
| 6. | Saint ; The Rascal |
| 7. | Santo's Dream |
| 8. | Shades Of Autumn |
| 9. | Grace |
| 10. | Born In The Rain |
| 11. | Taste It |
| 12. | Apb Dedicated To My Angels |
| 13. | In My Life |
| 14. | Ambiguity |
| 15. | Son Of The Beach |
| 16. | Grey Breeze Where Once There Was Presence |
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Guitars For Freedom Vol. 2-Guitars For Freedom Review
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Unlike its 2002 predecessor Back in the U.S., Good Evening New York City doesn't cherrypick highlights from a tour, it commemorates a specific event: the inauguration of Citi Field -- the replacement for the now-defunct Shea Stadium, where the Beatles played a legendary show in 1965 -- in the summer of 2009. The circumstances may be different -- different enough to lead to a Billy Joel cameo on "I Saw Her Standing There," the piano man returning a favor from Paul, who played at Billy's Shea-closing shows in 2008 -- and McCartney might have two strong albums of new material to draw upon, but as an album, Good Evening New York City plays a lot like Back in the U.S. with a whopping 17 of its 35 tracks shared between the two titles. More importantly, the vibe is the same, with Macca delivering an expertly balanced and sequenced set with all the skill of the old pro that he is. Apart from the inclusion of "Mrs. Vanderbilt" and "I'm Down," there ...
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In the late '80s, Union Carbide Productions were an essential live rock & roll experience whose on-stage theatrics made anything happening in front of the stage seem pretty tame by comparison. The underground was a very self-conscious place, where nostalgia for anything prior to the Ramones revolution wasn't as celebrated as it was when Nirvana covered the Shocking Blue's "Love Buzz." There were exceptions, of course; the Cramps were self-exiled freaks whose outrageousness (and age) gave them license to pillage the '50s freely, but not many folks were really tapped into the '60s punk shamanism vibe of the Stooges with as clean a feed as these Swedes. The early UCP recordings bear this connection out best on "Ring My Bell" and the hilarious corporate hedonism of "Financial Declaration." Later, though, as they trudged on into the '90s, they embraced a jangling, folksy tenderness that they originally lampooned on earlier work, especially the ultra-snide "San Francisco Boogie." The rending of their high-octane fabric probably led to their demise after 1992's Swing. That's not to say that tunes like "Golden Age" are bad; they just signal some awkward growth within the Union Carbide ranks, growth that ultimately led to greater fruits for Björn Olsson and Ebbot Lundberg's next project, the Soundtrack of Our Lives. To be honest, though, there were plenty of "high-octane" moments on their later records, too, and Remastered to Be Recycled does a good job of capturing the full picture of this very dynamic and influential ...
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