| | Conspiracy Assassins Equal Opportunity Destroyer CD Conspiracy Assassins Discography of CDs
By the book technical metal from Denver, the Conspiracy Assassins offer little if anything new to the existing store of knowledge concerning contemporary death metal. The album's 11 songs sound pretty much exactly alike with the small exception of the relatively placid instrumental "Prelude To..." Furthermore, they sound more or less like seemingly dozens of other bands featuring grunty-growly vocalists, unison guitar riffing, a piledriving double-time drummer, and song titles as pointlessly evil-sounding as "Despotic Nepotist" and "Fecund Wound." Honestly, were these songs written with the help of Death Metal Mad Libs? Only the least discerning death metal fans will care about this utterly average release. ~ Stewart Mason
Audio Mixer: Dave Otero.
Recording information: Con-Ass Studios. Equal Opportunity Destroyer Music Conspiracy Assassins Equal Opportunity Destroyer Songs Equal Opportunity Destroyer Review
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Purchase Equal Opportunity Destroyer CD To buy, Click on price to add to cart | Slayer World Painted Blood CD (2009)
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Of the "big four" original thrash bands (the other three being Metallica, Anthrax, and Megadeth), Slayer was the least compromising and most consistent. As such, 2009's WORLD PAINTED BLOOD recalled more than the title of Slayer's 1986 masterpiece REIGN IN BLOOD; it shared the earlier album's ferocious aggression and trademark speed ...
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While Anvil never really got the chance to make a bid for mainstream success, and it's too late now -- they've got an affectionate documentary about themselves, the success of which has gotten them a deal to release this album, but the industry just doesn't make stars anymore, certainly not in metal. The best Anvil can hope for is that they'll be able to go out (or carry on for a few more years, if they choose to do so) with some self-respect. Luckily, THIS IS THIRTEEN is more than good enough to achieve that goal. The production by Chris Tsangarides, who ...
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All music written by Arthur Schwartz. All lyrics written by Howard Dietz.
This is a 1993 CD reissue of a 1963 Broadway cast album of Howard Dietz and Arthur Schwartz's flop musical loosely based on the life of actress Laurette Taylor and starring Mary Martin. It's one of those ...
| | Slade Feel The Noize CD (1994) Greatest Hits
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FEEL THE NOIZE is a 21-track greatest hits collection featuring the work of U.K. glam rockers, Slade, including "Cum On Feel The Noize," "Mama Weer All Crazee Now," and "Gudby T'Jane."
By no means the first (or last) ever Slade hits collection, Wall of Hits is nevertheless the only one you truly need, a solid roundup of every British Top Ten smash the band ever scored, plus a smattering of lesser-rated (but equally deserving) Top 20 entries, and only one track -- 1991's "Universe" -- that really doesn't belong. Neither has time taken any toll on the quality of the music. Whether causing roaring traffic to grind to a halt or bearing their souls in a ballad, the members of Slade not only made great records, they also tapped emotions -- wild and wacky, reflective and raw -- that make fans never tire of singing their songs. The statistics behind the track listing, meanwhile, are boggling. Between 1971 and 1975, Slade slammed 17 songs into the chart, including half a dozen number ones and six more that peaked between number two and number four. All but one (1975's number 11 underachiever "In for a Penny") are here. The group resurfaced in 1982 for a second bite at the cherry, and delivered "Run Run Away" and "My Oh My" (plus a hit reissue of "Merry Xmas Everybody"); then they came back again in 1991 with "Radio Wall of Sound." If Noddy Holder hadn't quit long ago, it would've taken a brave man indeed to bet against a fourth Slade revival in the first years of the present century. As it is -- well, like the song says, "Thanks for the Memory." ~ Dave Thompson
The finest collection ever assembled on Slade's hit-making heyday, Feel the Noize: The Very Best of Slade contains all of the group's hit singles from the early '70s, from 1971's "Get Down and Get With ...
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As Omaha, Nebraska creeps slowly closer to becoming to folksy singer/songwriters what Seattle was to grunge, with Saddle Creek as the movement's Sub Pop, Conor Oberst playing the roll of star-child Kurt Cobain and the Faint somehow wedged in by the media, expect to find Sidecho Records and Neva Dinova in the sidebar of some major media article. Not exploding on to the national stage, but in many ways more worthy than their civic counterparts. Guitarist/vocalist Jake Bellows has an enigmatic quality that is ...
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