| | 100 Best Sacred Works CD Various Artists CDS
| Category | Classical, Romantic Period, Oldies Collections, Chamber Music/Recitals, 20th Century Period, Box Sets, Classical Period, Baroque Period, Suite, Song, Prelude, Aria, Renaissance Period, Cantata, Motet, Mass, Duet, March, Oratorio, Hymn, Lied, Chorus, Medieval Period, Film Score, Psalm, Requiem, Chorale, Anthem, Chorale Prelude, Chant, Magnificat, Gloria, Te Deum, Vespers, Kyrie, Improvisation, Passion, Agnus Dei, Partsong, Stabat Mater, Recitative, Responsory, Sanctus, Credo, Communion, Benedictus |
100 Best Sacred Works Music | List Price | $19.98 (You save $6.49) | | Label | EMI Classics | | Orig Year | 4/3/2007 | | All Time Sales Rank | 1027  | | CD Universe Part number | 7394128 | | Catalog number | 89227 | | Discs | 6 | | Release Date | Apr 03, 2007 | | Recording Time | 7 29 | | Additional Info | Box Set |
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100 Best Sacred Works Songs | 1. Sub tuum praesidium, antiphon in mode 7 (1:03) | | Composer | Gregorian Chant | | Genre | Chant / Medieval Period | | Period | Medieval | | Country | Europe | | 2. Miserere mei Deus (Psalm 51), motet for chorus: vv. 1-4 & 17-20 (5:47) | | Common Name | Vv 1 4 & 17 20, Miserere Mei Deus Psalm 51 For Chorus | | Composer | Gregorio Allegri (1582 - 1652) | | Conductor | Stephen Cleobury | | Performer | Timothy Beasley-Murray (Treble) Gerald Finley (Cantor) | | Genre | Baroque Period / Motet / Psalm | | Date Written | 16th Century | | Period | Baroque | | 3. Veni Sancte Spiritus, isorhythmic motet for 4 voices, MB 32 (6:26) | | Catalog No. | MB 32 | | Composer | John Dunstable (circa 1390 - 1453) | | Genre | Medieval Period / Motet | | Date Written | circa 1410-1453 | | Ensemble | Hilliard Ensemble | | Period | Medieval | | Country | England | | 4. O nata lux de lumine, motet (hymn) for 5 voices, P. 209 (1:56) | | Catalog No. | P 209 | | Composer | Thomas Tallis (Composer) (circa 1505 - 1585) | | Conductor | Sir Philip Ledger | | Genre | Motet / Renaissance Period | | Date Written | 1575 | | Period | Renaissance | | Country | England | | 5. Verbum caro factum est, responsory motet for 6 voices (6:44) | | Composer | John Sheppard (Composer) (1515 - 1559) | | Conductor | David Wulstan | | Genre | Motet / Renaissance Period / Responsory | | Date Written | 1553-1558 | | Ensemble | Clerkes of Oxenford | | Period | Renaissance | | Country | England | | 6. Buccinate in neomenia tuba, motet for 19 voices (4:20) | | Composer | Giovanni Gabrieli (circa 1555 - 1612) | | Conductor | Denis Stevens | | Performer | Barry Rose (Organ) | | Genre | Motet / Renaissance Period | | Ensemble | String & Brass Ensemble | | Period | Renaissance | | Country | Italy | | 7. O Magnum Mysterium, motet for 4 voices (4:10) | | Composer | Tomás Luis de Victoria (1548 - 1611) | | Conductor | David Willcocks | | Genre | Motet / Renaissance Period | | Date Written | 1572 | | Period | Renaissance | | Country | Spain | | 8. Ave verum corpus (also anthem: "O Lord, God of Israel"), motet for 4 voices (SATB) (4:42) | | Composer | William Byrd (Composer) (1543 - 1623) | | Conductor | David Willcocks | | Genre | Motet / Renaissance Period | | Date Written | 1605 | | Period | Renaissance | | Country | England | | 9. Tu es Petrus, motet for 7 voices (from Motets Book I) (3:59) | | Composer | Giovanni Pierluigi da Palestrina (circa 1525 - 159 | | Conductor | David Willcocks | | Genre | Motet / Renaissance Period | | Date Written | 1569 | | Period | Renaissance | | 10. Missa L'Homme arme, for 4 voices: Kyrie (4:10) | | Common Name | Kyrie, Missa L'homme Arme For 4 Voices | | Composer | Guillaume Dufay (circa 1400 - 1474) | | Genre | Mass / Renaissance Period | | Date Written | circa 1460 | | Ensemble | Hilliard Ensemble | | Period | Renaissance | | Country | France | | 11. Missa Bell' Amfirit'altera, for 8 voices, H. viii/55: Gloria (4:19) | | Common Name | Gloria, Missa Bell' Amfirit'altera For 8 Voices | | Composer | Orlande de Lassus (1532 - 1594) | | Conductor | George Guest | | Genre | Mass / Renaissance Period | | Period | Renaissance | | 12. Mass "Euge Bone" for 6 voices: Credo (5:32) | | Common Name | Euge Bone Mass, Mass For 6 Voices | | Composer | Christopher Tye (1505 - 1572) | | Conductor | Sir Philip Ledger | | Genre | Mass / Renaissance Period | | Period | Renaissance | | 13. Missa Paschalis (i), mass for 4 voices: Sanctus (4:28) | | Composer | Heinrich Isaac (circa 1450 - 1517) | | Genre | Mass / Renaissance Period | | Ensemble | Hilliard Ensemble | | Period | Renaissance | | 14. Mass for 4 Voices (SATB): Agnus Dei (3:54) | | Common Name | Agnus Dei, Mass For 4 Voices | | Composer | William Byrd (Composer) (1543 - 1623) | | Genre | Mass / Renaissance Period | | Date Written | 1592-1593 | | Ensemble | Hilliard Ensemble | | Period | Renaissance | | Notes | Composition written: 1592-93.
Composition revised: United Kingdom. | | 15. Absalon, Fili Mi, motet for 4 parts (poss. spurious) (4:28) | | Composer | Josquin Desprez (circa 1455 - 1521) | | Genre | Motet / Renaissance Period | | Date Written | 1497 | | Ensemble | Hilliard Ensemble | | Period | Renaissance | | Country | France | | 16. Hosanna to the son of David, anthem for 6 voices (3:13) | | Composer | Orlando Gibbons (1583 - 1625) | | Conductor | David Willcocks | | Genre | Anthem / Renaissance Period | | Date Written | circa 1610 | | Period | Renaissance | | Country | England | | 17. Spem in Alium (also set as "Sing and glorify"), motet for 40 voices, P. 299 (10:23) | | Catalog No. | P 299 | | Composer | Thomas Tallis (Composer) (circa 1505 - 1585) | | Conductor | Andrew Parrott | | Performer | Alan Wilson (Organ) Wim Becu (Sackbut) Paul Nicholson (Organ) | | Genre | Motet / Renaissance Period | | Date Written | circa 1567 | | Period | Renaissance | | Country | England | | 18. Gloria, for 3 solo voices, chorus, trumpet, oboe, violin (ad lib), 2 violas, 2 cellos, strings & con (2:29) | | Composer | Antonio Vivaldi (1678 - 1741) | | Conductor | Stephen Cleobury | | Performer | Deborah Norman Sarah Fox | | Genre | Baroque Period / Gloria | | Date Written | 1715 | | Period | Baroque | | Country | Italy | | 19. Gloria, for 3 solo voices, chorus, trumpet, oboe, violin (ad lib), 2 violas, 2 cellos, strings & con (2:28) | | Composer | Antonio Vivaldi (1678 - 1741) | | Conductor | Stephen Cleobury | | Performer | Deborah Norman Sarah Fox | | Genre | Baroque Period / Gloria | | Date Written | 1715 | | Period | Baroque | | Country | Italy | | 20. Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14): Magnific (3:02) | | Common Name | Magnific, Magnificat For 5 Voices 5 Part Chorus Orchestra & Continuo | | Catalog No. | BWV 243 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Stephen Cleobury | | Genre | Baroque Period / Magnificat | | Date Written | 06/1733 | | Period | Baroque | | 21. Messiah, oratorio, HWV 56: For unto us a child is born (4:20) | | Common Name | Messiah Oratorio | | Catalog No. | HWV 56 | | Composer | George Frederick Handel (1685 - 1759) | | Conductor | Sir Charles Mackerras | | Genre | Baroque Period / Oratorio | | Date Written | 1741 | | Period | Baroque | | Country | England | | 22. Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7): Bereite dich, Zion (5:33) | | Common Name | Bereite Dich Zion, Weihnachtsoratorium Christmas Oratorio | | Catalog No. | BWV 248 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Sir Philip Ledger | | Performer | Dame Janet Baker [Mezzo Soprano] | | Genre | Baroque Period / Oratorio | | Date Written | 1734 | | Period | Baroque | | Country | Germany | | 23. Zadok the Priest, coronation anthem No. 1 for chorus & orchestra, HWV 258 (5:20) | | Common Name | Zadok The Priest Coronation Anthem 1 For Chorus & Orchestra | | Catalog No. | HWV 258 | | Composer | George Frederick Handel (1685 - 1759) | | Conductor | Stephen Cleobury | | Genre | Anthem / Baroque Period | | Date Written | 1727 | | Period | Baroque | | Country | United Kingdom | | 24. Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Cum Sancto Spiritu (4:25) | | Common Name | Cum Sancto Spiritu, Mass For For Chorus & Orchestra | | Catalog No. | BWV 232 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Eugen Jochum | | Genre | Baroque Period / Mass | | Date Written | 1748-1749 | | Period | Baroque | | 25. Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Et incarnatus est (4:30) | | Common Name | Et Incarnatus Est, Mass For For Chorus & Orchestra | | Catalog No. | BWV 232 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Eugen Jochum | | Genre | Baroque Period / Mass | | Date Written | 1748-1749 | | Period | Baroque | | 26. O Mensch, bewein' dein' Sünde gross, chorale prelude for organ (Orgel-Büchlein No. 24), BWV 622 (BC (5:25) | | Catalog No. | BWV 622 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | Peter Hurford (Organ) | | Genre | Baroque Period / Chorale Prelude | | Date Written | 1713-1715 | | Period | Baroque | | Country | Germany | | Venue | Martinikerk, Groningen, The Netherlands | | 27. Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166): Zion hört die Wächter singen (4:47) | | Common Name | Wachet Auf, Ruft Uns Die Stimme, Cantata, Cantata 140 | | Catalog No. | BWV 140 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Wolfgang Gonnenwein | | Genre | Baroque Period / Cantata | | Date Written | 11/25/1731 | | Ensemble | Consortium Musicum | | Period | Baroque | | Country | Germany | | 28. St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D (6:24) | | Catalog No. | BWV 244 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | John Nelson [Conductor] | | Genre | Baroque Period / Passion | | Date Written | 1736 | | Period | Baroque | | 29. Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174): Jesus bleibet meine Freude (J (3:31) | | Common Name | Herz Und Mund Und Tat Und Leben, Cantata, Cantata 147 | | Catalog No. | BWV 147 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | David Willcocks | | Genre | Baroque Period / Cantata | | Date Written | 07/02/1723 | | Period | Baroque | | Country | Germany | | 30. Thou know'st, Lord (2nd setting), anthem for chorus, slidetrumpets & organ, Z. 58c (2:22) | | Catalog No. | Z 58C | | Composer | Henry Purcell (1659 - 1695) | | Conductor | Sir Philip Ledger | | Genre | Anthem / Baroque Period | | Date Written | 1695 | | Ensemble | Philip Jones Brass Ensemble | | Period | Baroque | | 31. Hear my prayer, O Lord, anthem for chorus, violins & continuo, Z. 15 (unfinished) (2:14) | | Catalog No. | Z 15 | | Composer | Henry Purcell (1659 - 1695) | | Conductor | Sir Philip Ledger | | Genre | Anthem / Baroque Period | | Date Written | circa 1681 | | Period | Baroque | | Country | England | | 32. St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D (2:46) | | Catalog No. | BWV 244 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | David Willcocks | | Genre | Baroque Period / Passion | | Date Written | 1736 | | Period | Baroque | | 33. Crucifixus a 8 Voix (3:43) | | Composer | Antonio Lotti (1667 - 1740) | | Conductor | Sir Philip Ledger | | Genre | Baroque Period / Motet | | Date Written | circa 1690-1739 | | Period | Baroque | | Country | Italy | | 34. Messiah, oratorio, HWV 56: I know that my redeemer liveth (6:42) | | Common Name | Messiah Oratorio | | Catalog No. | HWV 56 | | Composer | George Frederick Handel (1685 - 1759) | | Conductor | Sir Charles Mackerras | | Performer | Elizabeth Harwood | | Genre | Baroque Period / Oratorio | | Date Written | 1741 | | Period | Baroque | | Country | England | | 35. Messiah, oratorio, HWV 56: Hallelujah Chorus (4:01) | | Common Name | Hallelujah Chorus, Messiah Oratorio | | Catalog No. | HWV 56 | | Composer | George Frederick Handel (1685 - 1759) | | Conductor | Sir Charles Mackerras | | Performer | Elizabeth Harwood | | Genre | Baroque Period / Oratorio | | Date Written | 1741 | | Period | Baroque | | Country | England | | 36. Requiem for soloists, chorus, and orchestra, K. 626: Introit. Requiem aeternam (4:27) | | Common Name | Introit Requiem Aeternam, Requiem For For Chorus And Orchestra | | Catalog No. | K 626 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Conductor | Franz Welser-Most | | Performer | Felicity Lott | | Genre | Classical Period / Mass / Requiem | | Date Written | 1791 | | Period | Classical | | Country | Austria | | 37. Requiem for soloists, chorus, and orchestra, K. 626: Kyrie (2:35) | | Common Name | Kyrie, Requiem For For Chorus And Orchestra | | Catalog No. | K 626 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Conductor | Franz Welser-Most | | Performer | Felicity Lott | | Genre | Classical Period / Mass / Requiem | | Date Written | 1791 | | Period | Classical | | Country | Austria | | 38. Requiem for soloists, chorus, and orchestra, K. 626: Lacrimosa dies illa (2:58) | | Common Name | Requiem For For Chorus And Orchestra | | Catalog No. | K 626 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Conductor | Franz Welser-Most | | Performer | Felicity Lott | | Genre | Classical Period / Mass / Requiem | | Date Written | 1791 | | Period | Classical | | Country | Austria | | 39. Vesperae solennes de confessore for soloists, chorus & orchestra, K. 339: Laudate Dominum (5:30) | | Common Name | Laudate Dominum, Vesperae Solennes De Confessore For For Chorus & Orchestra | | Catalog No. | K 339 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Conductor | Sir Neville Marriner | | Performer | Barbara Hendricks | | Genre | Classical Period / Vespers | | Date Written | 1780 | | Period | Classical | | Country | Austria | | 40. Regina coeli, antiphon for soprano, chorus & orchestra, K. 127: Regina coeli (4:04) | | Common Name | Regina Coeli, Regina Coeli Antiphon For Soprano Chorus & Orchestra | | Catalog No. | K 127 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Conductor | Peter Neumann | | Genre | Classical Period | | Date Written | 1772 | | Ensemble | Collegium Cartusianum | | Period | Classical | | 41. Mass No. 17 for soloists, chorus & orchestra in C minor (fragment, "Great Mass"), K. 427 (K. 417a): (4:57) | | Common Name | Great Mass Mass, Mass 17 For For Chorus & Orchestra | | Catalog No. | K 417A / K 427 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Conductor | Raymond Leppard | | Performer | Dame Kiri Te Kanawa | | Genre | Classical Period / Mass | | Date Written | 1783 | | Period | Classical | | Notes | Composition written: 1783.
Composition revised: Germany. | | 42. Mass No. 15 for vocal soloists, chorus & orchestra in C major ("Coronation"), K. 317: Benedictus (3:16) | | Common Name | Coronation Mass, Mass 15 For Vocal Soloists Chorus & Orchestra | | Catalog No. | K 317 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Conductor | Eugen Jochum | | Performer | Edda Moser Dietrich Fischer-Dieskau Julia Hamari Nicolai Gedda | | Genre | Classical Period / Mass | | Date Written | 1779 | | Period | Classical | | Country | Austria | | 43. Exsultate, jubilate, motet for soprano & orchestra, K. 165 (K. 158a): Alleluia (2:56) | | Common Name | Alleluia, Exsultate Jubilate Motet For Soprano & Orchestra | | Catalog No. | K 158A / K 165 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Conductor | Georg Fischer | | Performer | Lucia Popp | | Genre | Classical Period / Motet | | Date Written | 1773 | | Period | Classical | | Country | Austria | | 44. Ave verum Corpus, motet for chorus, strings & organ, K. 618 (3:27) | | Catalog No. | K 618 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Conductor | Riccardo Muti | | Genre | Classical Period / Motet | | Date Written | 1791 | | Period | Classical | | Country | Austria | | 45. Die Schopfung (The Creation), oratorio, H. 21/2: With verdure clad (4:54) | | Common Name | Die Schopfung The Creation | | Catalog No. | H 21 | | Composer | Franz Joseph Haydn (1732 - 1809) | | Conductor | Sir Simon Rattle | | Performer | Philip Langridge Arleen Auger David Thomas [Bass] | | Genre | Classical Period / Oratorio | | Date Written | 1798 | | Period | Classical | | Notes | Composition written: 1798.
Composition revised: England. | | 46. Die Schopfung (The Creation), oratorio, H. 21/2: The heavens are telling (3:37) | | Common Name | The Heavens Are Telling, Die Schopfung The Creation | | Catalog No. | H 21 | | Composer | Franz Joseph Haydn (1732 - 1809) | | Conductor | Sir Simon Rattle | | Performer | Philip Langridge Arleen Auger David Thomas [Bass] | | Genre | Classical Period / Oratorio | | Date Written | 1798 | | Period | Classical | | Notes | Composition written: 1798.
Composition revised: England. | | 47. Mass for soloists, chorus, organ & orchestra in D minor ("Lord Nelson"), H. 22/11: Kyrie (4:25) | | Common Name | Lord Nelson Mass, Mass For For Chorus Organ & Orchestra | | Catalog No. | H 22 | | Composer | Franz Joseph Haydn (1732 - 1809) | | Conductor | Sir Neville Marriner | | Performer | Keith Lewis Christine Schonknecht Robert Holl Margaret Marshall | | Genre | Classical Period / Mass | | Date Written | 1798 | | Period | Classical | | Notes | Composition written: 1798.
Composition revised: England. | | 48. Mass for soloists, chorus, organ & orchestra in D minor ("Lord Nelson"), H. 22/11: Gloria in excelsi (3:26) | | Common Name | Lord Nelson Mass, Mass For For Chorus Organ & Orchestra | | Catalog No. | H 22 | | Composer | Franz Joseph Haydn (1732 - 1809) | | Conductor | Sir Neville Marriner | | Performer | Keith Lewis Christine Schonknecht Robert Holl Margaret Marshall | | Genre | Classical Period / Mass | | Date Written | 1798 | | Period | Classical | | Notes | Composition written: 1798.
Composition revised: England. | | 49. Mass for soloists, chorus & orchestra in C major, Op. 86: Kyrie (5:34) | | Common Name | Kyrie, Mass For For Chorus & Orchestra | | Composer | Ludwig van Beethoven (1770 - 1827) | | Conductor | Carlo Maria Giulini | | Performer | Marius Rintzler Theo Altmeyer Elly Ameling Dame Janet Baker [Mezzo Soprano] | | Genre | Mass / Romantic Period | | Date Written | 1807 | | Period | Romantic | | Country | Austria | | 50. Die Ehre Gottes aus der Natur ("Himmel ruhmen des ewigen Ehre"), song for voice & piano, Op. 48/4 (2:31) | | Composer | Ludwig van Beethoven (1770 - 1827) | | Conductor | Wilhelm Pitz | | Genre | Classical Period | | Date Written | 1800 | | Period | Classical | | Country | Germany | | 51. Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123: Gloria (17:12) | | Common Name | Missa Solemnis Mass, Mass For For Chorus & Orchestra | | Composer | Ludwig van Beethoven (1770 - 1827) | | Conductor | Jeffrey Tate | | Performer | Hans Tschammer Hans-Peter Blochwitz Carol Vaness | | Genre | Classical Period / Mass | | Date Written | 1819-1823 | | Period | Classical | | 52. Te Deum, motet for 8 voices, chorus & orchestra, H. 146: Prelude (1:47) | | Common Name | Te Deum Motet For 8 Voices Chorus & Orchestra | | Catalog No. | H 146 | | Composer | Marc-Antoine Charpentier (1643 - 1704) | | Conductor | Sir Philip Ledger | | Genre | Baroque Period | | Date Written | ?1692 | | Period | Baroque | | 53. Ave Maria, for voice & piano (after Bach's Prelude No. 1 from the Well-Tempered Clavier, Book 1) (3:14) | | Common Name | Ave Maria For Voice & Piano | | Composer | Charles Gounod (1818 - 1893) | | Performer | Dame Janet Baker [Mezzo Soprano] Sir Philip Ledger (Organ) | | Genre | Romantic Period | | Date Written | circa 1852 | | Period | Romantic | | Country | France | | Venue | King's College Chapel, Cambridge, Englan | | Recording Date | 1954 | | 54. Messe solennelle de Sainte Cécile for soloists, chorus, orchestra & organ in G major: Credo - openin (3:50) | | Common Name | Messe Solennelle De Sainte Cecile For For Chorus Orchestra & Organ | | Composer | Charles Gounod (1818 - 1893) | | Conductor | Georges Pretre | | Performer | Laurence Dale | | Genre | Mass / Romantic Period | | Period | Romantic | | 55. Messe solennelle de Sainte Cécile for soloists, chorus, orchestra & organ in G major: Sanctus (5:33) | | Common Name | Messe Solennelle De Sainte Cecile For For Chorus Orchestra & Organ | | Composer | Charles Gounod (1818 - 1893) | | Conductor | Georges Pretre | | Performer | Laurence Dale | | Genre | Mass / Romantic Period | | Period | Romantic | | 56. L' Enfance du Christ, oratorio for soprano, 2 tenors, baritone, 3 basses, chorus & orchetsra ("tril (4:14) | | Composer | Hector Berlioz (1803 - 1869) | | Conductor | Stephen Cleobury | | Genre | Oratorio / Romantic Period | | Date Written | 10/1850-07/1854 | | Period | Romantic | | Country | France | | 57. Te Deum, for tenor, 3 choruses, brass bands, organ & orchestra, H. 118 (Op. 22): Tu, Christe, Rex gl (5:38) | | Common Name | Te Deum For Tenor 3 Choruses Brass Bands Organ & Orchestra | | Catalog No. | H 118 | | Composer | Hector Berlioz (1803 - 1869) | | Conductor | John Nelson [Conductor] | | Performer | Marie-Claire Alain (Organ) | | Genre | Anthem / Romantic Period | | Date Written | 1849 | | Ensemble | Maitrise d'Antony | | Period | Romantic | | Country | France | | Venue | La Madeleine, Paris, France | | 58. Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48: Pie Jesu (3:29) | | Common Name | Pie Jesu, Requiem For 2 Solo Voices Chorus Organ & Orchestra | | Composer | Gabriel Fauré (1845 - 1924) | | Conductor | David Hill [Conductor] | | Performer | Nancy Argenta Stephen Farr (Organ) | | Genre | Requiem / Romantic Period | | Date Written | 1887-1900 | | Period | Romantic | | Country | France | | 59. Ubi caritas, motet for chorus, Op. 10/1 (2:40) | | Composer | Maurice Duruflé (1902 - 1986) | | Conductor | David Hill [Conductor] | | Genre | Motet | | Date Written | 1960 | | 60. Cantique de Jean Racine, for 4-part chorus & organ (or orchestra), Op. 11 (5:51) | | Composer | Gabriel Fauré (1845 - 1924) | | Conductor | David Hill [Conductor] | | Performer | Stephen Farr (Organ) | | Genre | Anthem / Romantic Period | | Date Written | 1865 | | Period | Romantic | | Country | France | | 61. Panis angelicus for tenor, organ, harp, cello & bass (4:56) | | Composer | César Franck (1822 - 1890) | | Conductor | Maurice Handford | | Genre | Aria / Communion / Romantic Period | | Date Written | 1872 | | Period | Romantic | | 62. Gloria, for soprano, chorus & orchestra, FP 177: Laudamus te (3:00) | | Common Name | Laudamus Te, Gloria For Soprano Chorus & Orchestra | | Catalog No. | FP 177 | | Composer | Francis Poulenc (1899 - 1963) | | Conductor | Georges Pretre | | Genre | Gloria | | Date Written | 1959-1960 | | Country | France | | 63. Vinea mea electa, motet for chorus (4 motets pour un temps de pénitence), FP 97/2 (3:49) | | Catalog No. | FP 97 | | Composer | Francis Poulenc (1899 - 1963) | | Conductor | Harry Christophers | | Genre | Motet | | Date Written | 1938 | | Ensemble | Sixteen | | Country | France | | 64. Suite Gothique, for organ, Op. 25: Prière à Notre-Dame (4:08) | | Common Name | Priere A Notre Dame, Suite Gothique For Organ | | Composer | Léon Boëllmann (1862 - 1897) | | Performer | Frederic Bayco (Organ) | | Genre | Romantic Period / Suite | | Date Written | 1895 | | Period | Romantic | | Country | France | | Venue | Holy Trinity Church, Paddington, London, | | 65. O sacrum convivium!, for voices, I/18 (5:10) | | Composer | Olivier Messiaen (1908 - 1992) | | Conductor | Terry Edwards | | Genre | Motet | | Date Written | 1937 | | Country | France | | 66. Requiem, for orchestra, organ & chorus; for organ & chorus; for small ensemble, organ & chorus, Op. (3:25) | | Composer | Maurice Duruflé (1902 - 1986) | | Conductor | Stephen Cleobury | | Performer | Peter Barley (Organ) Olaf Bar | | Genre | Requiem | | Date Written | 1947 | | Country | France | | 67. Requiem, for orchestra, organ & chorus; for organ & chorus; for small ensemble, organ & chorus, Op. (5:43) | | Composer | Maurice Duruflé (1902 - 1986) | | Conductor | Stephen Cleobury | | Performer | Peter Barley (Organ) Olaf Bar | | Genre | Requiem | | Date Written | 1947 | | Country | France | | 68. Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48: In Paradisum (3:43) | | Common Name | In Paradisum, Requiem For 2 Solo Voices Chorus Organ & Orchestra | | Composer | Gabriel Fauré (1845 - 1924) | | Conductor | David Willcocks | | Genre | Requiem / Romantic Period | | Date Written | 1887-1900 | | Period | Romantic | | Country | France | | 69. Mass for soloists, chorus & orchestra No.2 in E flat major, Op. 80: Sanctus (1:33) | | Common Name | Mass For For Chorus & Orchestra | | Composer | Johann Nepomuk Hummel (1778 - 1837) | | Conductor | Gerhard Wilhelm | | Genre | Classical Period / Mass | | Date Written | 1804 | | Ensemble | Werner Keltsch Instrumental Ensemble | | Period | Classical | | 70. Elijah (Elias), oratorio, Op. 70: O rest in the Lord (3:43) | | Common Name | Elijah Elias | | Composer | Felix Mendelssohn (1809 - 1847) | | Conductor | Rafael Fruhbeck de Burgos | | Performer | Dame Janet Baker [Mezzo Soprano] | | Genre | Oratorio / Romantic Period | | Date Written | 08/11/1846 | | Period | Romantic | | 71. Elijah (Elias), oratorio, Op. 70: And then shall your light break forth (3:19) | | Common Name | Elijah Elias | | Composer | Felix Mendelssohn (1809 - 1847) | | Conductor | Rafael Fruhbeck de Burgos | | Performer | Dame Janet Baker [Mezzo Soprano] | | Genre | Oratorio / Romantic Period | | Date Written | 08/11/1846 | | Period | Romantic | | 72. Stabat mater for 2 sopranos, tenor, bass, chorus & orchestra: Cujus animam (6:59) | | Common Name | Cujus Animam, Stabat Mater For 2 Sopranos Tenor Bass Chorus & Orchestra | | Composer | Gioachino Rossini (1792 - 1868) | | Conductor | Riccardo Muti | | Performer | Robert Gambill | | Genre | Oratorio / Romantic Period | | Date Written | 1841 | | Period | Romantic | | Country | Italy | | 73. Psalm 23 ("Gott ist mein Hirt"), for female voices & piano, D. 706 (Op. posth. 132) (4:58) | | Catalog No. | D 706 | | Composer | Franz Schubert (1797 - 1828) | | Performer | Sir Philip Ledger (Piano) | | Genre | Psalm / Romantic Period | | Date Written | 12/1820 | | Period | Romantic | | Country | Austria | | 74. Deutsche Messe (German Mass), for mixed chorus, wind ensemble & organ, D. 872: Heilig, heilig, heili (2:30) | | Common Name | Heilig Heilig Heili, Deutsche Messe German Mass For Chorus Wind Ensemble & Organ | | Catalog No. | D 872 | | Composer | Franz Schubert (1797 - 1828) | | Conductor | Wolfgang Sawallisch | | Genre | Mass / Romantic Period | | Date Written | 1826-1827 | | Period | Romantic | | Country | Austria | | 75. Ellens Gesang III ("Ave Maria"), song for voice & piano, D. 839 (Op. 52/6) (4:26) | | Common Name | Ave Maria Ellens, Ellens Gesang Iii For Voice & Piano | | Catalog No. | D 839 | | Composer | Franz Schubert (1797 - 1828) | | Conductor | Gerhard Schmidt-Gaden | | Performer | Anneliese Rothenberger | | Genre | Romantic Period / Song | | Date Written | 1825 | | Period | Romantic | | 76. Ave verum, motet for chorus, Op. 2/1 (2:35) | | Composer | Edward Elgar (1857 - 1934) | | Conductor | Christopher Robinson | | Performer | Harry Bramma (Organ) | | Genre | Motet / Romantic Period | | Date Written | 1887 | | Period | Romantic | | Country | United Kingdom | | 77. Nun danket alle Gott, marche triomphale (chorale improvisation) for organ (& brass ad lib), Op. 65/5 (3:36) | | Composer | Sigfrid Karg-Elert (1877 - 1933) | | Performer | Sir Philip Ledger (Organ) | | Genre | March | | Date Written | 1908-1910 | | Venue | King's College Chapel, Cambridge, Englan | | Recording Date | 1961-64 | | 78. Ave Maria (II), motet for chorus in F major, WAB 6 (3:11) | | Composer | Anton Bruckner (1824 - 1896) | | Conductor | Wilhelm Pitz | | Genre | Motet / Romantic Period | | Date Written | circa 1861 | | Period | Romantic | | Country | Austria | | 79. Evening Hymn for chorus & organ (6:06) | | Composer | Henry Balfour Gardiner (1877 - 1950) | | Conductor | Simon Halsey | | Performer | Thomas Trotter (Organ) | | Genre | Hymn | | Date Written | circa 1910 | | 80. Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem): Recordare (4:21) | | Common Name | Recordare, Requiem Mass For For Chorus & Orchestra | | Composer | Giuseppe Verdi (1813 - 1901) | | Conductor | Carlo Maria Giulini | | Performer | Nicolai Gedda Nicolai Ghiaurov Christa Ludwig | | Genre | Mass / Requiem / Romantic Period | | Date Written | 1874 | | Period | Romantic | | Country | Italy | | 81. Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem): Ingemisco (3:47) | | Common Name | Ingemisco, Requiem Mass For For Chorus & Orchestra | | Composer | Giuseppe Verdi (1813 - 1901) | | Conductor | Carlo Maria Giulini | | Performer | Nicolai Gedda Nicolai Ghiaurov Christa Ludwig | | Genre | Mass / Requiem / Romantic Period | | Date Written | 1874 | | Period | Romantic | | Country | Italy | | 82. Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem): Lux aeterna (6:52) | | Common Name | Lux Aeterna, Requiem Mass For For Chorus & Orchestra | | Composer | Giuseppe Verdi (1813 - 1901) | | Conductor | Carlo Maria Giulini | | Performer | Nicolai Gedda Nicolai Ghiaurov Christa Ludwig | | Genre | Mass / Requiem / Romantic Period | | Date Written | 1874 | | Period | Romantic | | Country | Italy | | 83. Ein deutsches Requiem (A German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: Wie lie (6:10) | | Common Name | Ein Deutsches Requiem A German Requiem For Soprano Baritone Chorus & Orchestra | | Composer | Johannes Brahms (1833 - 1897) | | Conductor | Klaus Tennstedt | | Genre | Requiem / Romantic Period | | Date Written | 1857-1868 | | Period | Romantic | | Country | Germany | | 84. Mass for tenor, baritone, bass, chorus & orchestra in A flat major ("Messa di gloria"): Gloria in ex (4:36) | | Common Name | Messa Di Gloria Mass, Mass For Tenor Baritone Bass Chorus & Orchestra | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Antonio Pappano | | Genre | Mass / Romantic Period | | Date Written | 1880 | | Period | Romantic | | 85. I Was Glad (Psalm 122), anthem for chorus & organ (or orchestra) (6:47) | | Composer | Hubert Parry (1848 - 1918) | | Conductor | Sir Philip Ledger | | Genre | Anthem / Romantic Period | | Date Written | 1902 | | Ensemble | Royal Military School of Music Band | | Period | Romantic | | Country | United Kingdom | | 86. The Armed Man: A Mass for Peace, for soloists, chorus & orchestra: Agnus Dei (3:40) | | Common Name | The Armed Man For Chorus & Orchestra | | Composer | Karl Jenkins (1944 - ) | | Conductor | Karl Jenkins | | Performer | Paul Beniston (Trumpet) | | Date Written | 1999 | | 87. Ave Maria, for chorus a cappella (after Bogoroditse D'vo) (1:58) | | Common Name | Ave Maria For Chorus | | Composer | Igor Stravinsky (1882 - 1971) | | Conductor | Stephen Cleobury | | Date Written | 1949 | | Country | Russia | | 88. Chichester Psalms, for boy soloist, chorus & orchestra: 1. Maestoso ma energico - Allegro molto (3:50) | | Common Name | Chichester Psalms For Boy For Chorus & Orchestra | | Composer | Leonard Bernstein (1918 - 1990) | | Conductor | Stephen Cleobury | | Performer | Rachel Masters (Harp) Daniel Sladden Peter Barley (Organ) John Bowley David Corkhill (Percussion) | | Genre | Psalm | | Date Written | 1965 | | Country | United States of America | | 89. Requiem for soloists, chorus & orchestra: Pie Jesu (2:51) | | Common Name | Pie Jesu, Requiem For For Chorus & Orchestra | | Composer | Andrew Lloyd Webber (1948 - ) | | Conductor | Kirk Trevor | | Performer | Jane Gilchrist Simon Gibson (Organ) | | Genre | Requiem | | Date Written | 1984 | | Country | United Kingdom | | 90. Voca Me (4:50) | | Composer | Robert Prizeman (1952 - ) | | Performer | Joseph Platt (Voice) Anthony Chadney (Voice) Christopher Robson (Voice) | | 91. Ave Maria (4:11) | | Composer | Tolga Kashif (1965 - ) | | Conductor | Philip Ellis | | Performer | Steve Price (Programming) Lesley Garrett | | 92. Mass for soloists & chorus in G minor: Kyrie (3:58) | | Common Name | Kyrie, Mass For Soloists & Chorus | | Composer | Ralph Vaughan Williams (1872 - 1958) | | Conductor | David Willcocks | | Genre | Mass | | Date Written | 1920-1921 | | Country | United Kingdom | | 93. Totus Tuus, for chorus, Op. 60 (8:56) | | Composer | Henryk Mikolaj Górecki (1933 - ) | | Conductor | Stephen Cleobury | | Genre | Chorus | | Date Written | 1987 | | Country | Poland | | 94. Magnificat, for chorus (6:22) | | Common Name | Magnificat For Chorus | | Composer | Arvo Pärt (1935 - ) | | Conductor | Stephen Cleobury | | Genre | Magnificat | | Date Written | 1989 | | Country | Estonia | | 95. Vespers (All-Night Vigil), for alto, tenor & chorus, Op. 37: Ave Maria (2:59) | | Common Name | Ave Maria, Vespers All Night Vigil For Alto Tenor & Chorus | | Composer | Sergey Rachmaninov (1873 - 1943) | | Conductor | Stephen Cleobury | | Date Written | 1915 | | Country | Russia | | 96. Song for Athene, for chorus (6:12) | | Composer | John Tavener (Composer) (1944 - ) | | Conductor | David Hill [Conductor] | | Genre | Chorus | | Date Written | 1993 | | Country | England | | 97. Nunc dimittis for voice, trumpet & strings (2:44) | | Composer | Geoffrey Burgon (1941 - ) | | Performer | Crispian Steele-Perkins (Trumpet) Paul Miles-Kingston (Treble) Martin Neary (Organ) | | Date Written | 1979 | | Country | United Kingdom | | 98. Requiem for chorus & orchestra: Requiem aeternam (5:39) | | Common Name | Requiem Aeternam, Requiem For Chorus & Orchestra | | Composer | John Rutter (1945 - ) | | Conductor | Stephen Cleobury | | Genre | Requiem | | Date Written | 1985 | | Country | United Kingdom | | 99. Agnus Dei, for chorus (arr. from 2nd mvt. of String Quartet), Op. 11 (7:45) | | Common Name | Agnus Dei For Chorus | | Composer | Samuel Barber (1910 - 1981) | | Conductor | David Hill [Conductor] | | Genre | Agnus Dei | | Date Written | 1967 | | Country | United States of America | | 100. The Armed Man: A Mass for Peace, for soloists, chorus & orchestra: Benedictus (7:37) | | Common Name | The Armed Man For Chorus & Orchestra | | Composer | Karl Jenkins (1944 - ) | | Conductor | Karl Jenkins | | Performer | Guy Johnson [Cello] (Cello) | | Date Written | 1999 |
Composers : Gregorio Allegri, Antonio Lotti, Johann Sebastian Bach, Samuel Barber, Ludwig van Beethoven, Leonard Bernstein, Johannes Brahms, Anton Bruckner, Geoffrey Burgon, William Byrd [Composer], Christopher Tye, Sir Edward Elgar, Gabriel Faure, Cesar Franck, Giovanni Gabrieli, Giovanni Pierluigi da Pal, Charles Gounod, Gregorian Chant, Guillaume Dufay, George Frideric Handel, Franz Joseph Haydn, Hector Berlioz, Heinrich Isaac, Henry Balfour Gardiner, Henryk Mikolaj Gorecki, Karl Jenkins, Johann Nepomuk Hummel, John Dunstable, John Sheppard [Composer], Josquin Desprez, Tolga Kashif, Leon Boellmann, Marc-Antoine Charpentier, Maurice Durufle, Felix Mendelssohn, Wolfgang Amadeus Mozart, Olivier Messiaen, Orlande de Lassus, Orlando Gibbons, Hubert Parry, Arvo Part, Francis Poulenc, Robert Prizeman, Giacomo Puccini, Henry Purcell, Sergei Rachmaninov, Gioachino Rossini, John Rutter, Franz Schubert, Sigfrid Karg-Elert, Igor Stravinsky, John Tavener [Composer], Thomas Tallis [Composer], Tomas Luis de Victoria, Ralph Vaughan Williams, Giuseppe Verdi, Antonio Vivaldi, Andrew Lloyd Webber Conductors : Harry Christophers, Stephen Cleobury, David Hill [Conductor], David Wulstan, Denis Stevens, Georg Fischer, Gerhard Schmidt-Gaden, Gerhard Wilhelm, Carlo Maria Giulini, Wolfgang Gonnenwein, George Guest, Maurice Handford, Jeffrey Tate, Karl Jenkins, Eugen Jochum, John Nelson [Conductor], Sir Philip Ledger, Raymond Leppard, Sir Charles Mackerras, Sir Neville Marriner, Riccardo Muti, Antonio Pappano, Andrew Parrott, Peter Neumann, Philip Ellis, Georges Pretre, Rafael Fruhbeck de Burgos, Sir Simon Rattle, Christopher Robinson, Simon Halsey, Klaus Tennstedt, Terry Edwards, Kirk Trevor, Franz Welser-Most, Wilhelm Pitz, David Willcocks, Wolfgang Sawallisch Ensembles : Clerkes of Oxenford, Collegium Cartusianum, Consortium Musicum, Hilliard Ensemble, Maitrise d'Antony, Philip Jones Brass Ensemble, Royal Military School of Music Band, Sixteen, String & Brass Ensemble, Werner Keltsch Instrumental Ensemble Genres : Agnus Dei, Anthem, Aria, Baroque Period, Cantata, Chant, Chorale Prelude, Chorus, Classical Period, Communion, Gloria, Hymn, Magnificat, March, Mass, Medieval Period, Motet, Oratorio, Passion, Psalm, Renaissance Period, Requiem, Responsory, Romantic Period, Song, Suite, Vespers Performers : Marie-Claire Alain, Alan Wilson, Elly Ameling, Anthony Chadney, Arleen Auger, Dame Janet Baker [Mezzo Soprano], Olaf Bar, Hans-Peter Blochwitz, Christine Schonknecht, David Corkhill, Crispian Steele-Perkins, Daniel Sladden, Deborah Norman, Dietrich Fischer-Dieskau, Edda Moser, Stephen Farr, Gerald Finley, Frederic Bayco, Lesley Garrett, Nicolai Gedda, Nicolai Ghiaurov, Guy Johnson [Cello], Hans Tschammer, Harry Bramma, Elizabeth Harwood, Barbara Hendricks, Peter Hurford, Jane Gilchrist, John Bowley, Joseph Platt, Julia Hamari, Keith Lewis, Laurence Dale, Sir Philip Ledger, Felicity Lott, Christa Ludwig, Marius Rintzler, Margaret Marshall, Paul Miles-Kingston, Nancy Argenta, Martin Neary, Paul Beniston, Paul Nicholson, Peter Barley, Philip Langridge, Lucia Popp, Rachel Masters, Robert Gambill, Robert Holl, Christopher Robson, Barry Rose, Anneliese Rothenberger, Sarah Fox, Simon Gibson, Steve Price, Dame Kiri Te Kanawa, Theo Altmeyer, Thomas Trotter, David Thomas [Bass], Timothy Beasley-Murray, Carol Vaness, Wim Becu
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