| | Olivia Hime Palavras De Guerra CD - Import Olivia Hime Discography of CDs
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Our Price: $24.95  CDFor Sale Usually ships in 1-2 days
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Olivia Hime Palavras De Guerra Songs | 1. | Jogo De Roda |
| 2. | Ode Martima |
| 3. | Ieram |
| 4. | Tatuagem |
| 5. | Brbara |
| 6. | Fortaleza |
| 7. | Meu Homem |
| 8. | Corpo Marinheiro |
| 9. | ltimo Retrato |
| 10. | Em Tempo De Adeus / Tigrana |
| 11. | Corpo E Alma |
| 12. | Minha |
| 13. | Carta |
| 14. | ltimo Canto |
| 15. | Mscara |
| 16. | Entrudo |
| 17. | Esse Mundo Meu |
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Palavras De Guerra Review
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Purchase Palavras De Guerra CD To buy, Click on price to add to cart | Nini Rosso Il Silenzio CD (2007) (Import)
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Originally released on Swallow (6011) in 1965 and Swallow (6019) in 1974. Includes French and English translations.
If you want to go straight to the source and hear real Cajun music without any hint of crossover, look to the Balfa Brothers. Though they were a popular live attraction as early as 1948, Dewey, Will, Burke, Harry, and Rodney (with assistance from family friend Hadley Fontenot on accordion) didn't record their first LP until 1965. Their second followed a full nine years later. Both are included on this seminal Cajun disc, and the purity of the group's performances is stunning.
Theirs is an entirely acoustic sound, based on the jangling rhythm of the guitar, the sprightly tinkling of the triangle, and two wailing fiddles, alternately melancholy and joyous. Dewey Balfa, the band's de facto leader is possessed ...
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Kyosuke Himuro's In the Mood is a record that sounds better in description than upon actual playing. A successful solo effort by the vocalist of Boowy, the band that most J-rockers of the '90s and 2000s grew up listening to; a return to a harder edged sound after time spent wallowing in ballads; and a moderate attempt to upgrade the sound to the standards of 2006. What's not to like? Turns out, there's quite a lot: for starters, the shadow of the '80s still hangs heavy over the record, and not in a pretty, retro way. Himuro really knows his way around a hard rock riff, which he peppers with solos typical of the period, and he's also able to vary the tempo, mixing some breathers and a ballad between the faster tunes. But, for all that, In the Mood sounds restrained, and that's a terminal failure, because the whole point of '80s music was its naïve excess and extravaganza, and those are totally absent from the album, even though Himuro never loses the earnestness throughout all of the sentimental odes and speedy hymns he delivers. The attempts at modernization, meanwhile, are few and far between -- pretty literally, as they are limited to some uninspired Mike Shinoda-like rapping in the opener and a couple of emo numbers at the end of the album, both heavier and grimmer than the rest of the tracks, but appearing too late to make a difference. The biggest issue with In the Mood is, however, ...
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