| | Cantores De Quilla Huasi Los La Compadera CD - Import Cantores De Quilla Huasi Los Discography of CDs
Cantores De Quilla Huasi Los La Compadera Songs | 1. | Companera |
| 2. | Cochero E' Plaza |
| 3. | En Los Nevados |
| 4. | Agitando Panuelos |
| 5. | Soy De Arbolito |
| 6. | Guitarrero |
| 7. | Olla I' Locro |
| 8. | Catamarca |
| 9. | Cantar De Los Arrieros |
| 10. | Cueca Del Reloj |
| 11. | Montonera |
| 12. | Guelta, Juera Y A La Empanada |
| 13. | Rio Rebelde |
| 14. | Camino De Carros |
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La Compadera Review
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This set by Swans and Angels of Light frontman Michael Gira and Windsor for the Derby frontman Dan Matz is a small wonder of sophisticated songsmithing and an exercise in complete collaboration -- something that (on this level at least) wasn't happening either in the pop or indie rock worlds at the time of this album's release. There is a relaxed, airy feeling in these songs, and a remarkable consistency of purpose and production in that they were recorded over two years at irregular intervals. There is the blissed-out drift and swoon in "Pacing the Locks," with Matz on lead vocals barely articulating his words above the guitars and Gira's layered backing chorus. And on "Is/Was," there is a long, sleepy/slippery guitar intro before a snare and a tambourine enter in the distance. Basses begin to interweave the folk-blues guitar line, as it drones into vocal. If Bob Dylan is making blues records from a school that never existed properly as blues, then these cats are making a mutated kind of modal blues that comes from the memory of a music never even heard.
Other standouts on the disc include the Mattel drum-machine hypnosis of "17 Hours," with its twin guitar ostinato and droning keyboard lines punctuating a chanted vocal by Gira. With more power it might have been a Swans tune, but there is a deviation in the rhythm that sounds like a steel drum filling in the phrases, though it may be a guitar; it's difficult to tell. There is a Middle Eastern atmosphere, as more droning instruments enter the mix, that is both astonishingly beautiful and texturally oppressive. Yet, this is balanced with the simplicity of "Quiet One," a poetic folk song that bears traces of medieval music from the British Isles and back-porch, late-night singalongs in a Tennessee holler, augmented by traces of reverb and effects, of ...
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DJs: Michael Mayer; Jörg Burger.
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