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Arise From Oblivion - Does Time Have An End? CD Cover Art
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Arise From Oblivion Does Time Have An End? CD

 Arise From Oblivion Discography of CDs

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Nigel Brewer began playing guitar in 1981 at the age of 14. He was given his frst electric guitar as a gift and enrolled in private guitar tuition by 1990 guitar player magazine soundpage winner Glen Kuykendall. Brewer later studied with D.C. area Guitar legend Michael Fath . Nigel's early fave and still an important infuence is Edward Van Halen. Nigel Discoverd the talents of Ozzy Osbourne guitarist Randy Rhodes a few monthes before a tragic plane crash took the young guitarists life on March 19, 1982. Rhoades remains as Brewer's most significant influence and has made a profound effect on his playng style.Later, Yngwie Malsteen, Vinnie Moore, Joe Satriani, and Dream Theater's John Petrucci would inspire Nigel Brewer to further refine his technique. In 1993 Nigel Brewer co-founded the Hard-alternative band Nemesis with drummer Andre Love, who had been been a member of Remission and Split Decision. Nemesis' most significant accomplishment was having an origional song titled "Some Friend" picked from over 500 local bands to be part of Baltimore radio station 98 Rock's (wiYY 97.9FM) Noise in the Basement compilation CD. This allowed Nemesis to perform at an all day Local Music Showcase at Merriwether Post Pavilion on June 18th 1994. This event was headlined by Joan Jett and The Blackhearts. !n June of 1996, Nigel Brewer left Nemesis to concentrate on his main musical interest at the time, instrumental rock. After much recording and recording, Brewer recorded his debut demo Journey Through A Dream, which received a rave review in The Shredzone web Magazine. The Arise From Oblivion project began in the spring of 2005 when Nigel Brewer began writing new composistions that seemed far better suited for traditional vocal led hard rock/metal songs than the guitar driven instrumental music that he had previously focused on. After spending a few monthes writing new material and demoing the songs in his home studio, Nigel once again teamed with drummer Andre Love whom he played with in Nemesis years before,(Love is currently the percussionist for One Slack Mind as well as his own project Soulcraft) and began the new project in june 2005.
Does Time Have An End? Music


Detailed Does Time Have An End? Music Information



Category Heavy Metal Albums
Label CD Baby
CD Universe Part number 7401503
Catalog number 121934
Discs 1
Release Date Feb 13, 2007
Arise From Oblivion Does Time Have An End? Songs


Arise From Oblivion Does Time Have An End? Album Track Listing



1.A New Day
2.Grip
3.In the Begining: Through Crimson Skies
4.Going Far Away
5.Somewhere In Time
6.Into The Infinite
7.Endless
8.Edge Of Forever
9.In the End: Eternal Solitude
10.Live Solo (recorded july 1992)
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"How many metal albums with programmed drums do you know that kick ass? Unless you're an industrial fan, my bet is "none." I believe Algorithms is my first-so convincing, in fact, that I didn't even realize it was a machine until the third listen or so! You've got to admire any young metallist who is so dedicated to making music that he can overcome the lack of a surrounding cast and label support and put out a credible record. Guitarist James Bakula has done just that.Mindsink is the progeny of the 26 year-old Bakula, who hails from Cleveland, Ohio. This is a one-man band, with Bakula singing; playing guitar, bass and keyboards; and programming the drums. In his own words, his style of music "lies in the progressive metal realm with a touch of new age/classical." What I hear is straight-up power/progressive metal. Algorithms is his third full-length, following The Complex in 2001 and Origin in 2000. While his reviews have been uniformly positive, he has yet to receive significant attention outside of his home city.In the opener, "Thunder Etiquette," he kicks off with some tasteful acoustic guitar before launching into a synth-driven, tom-pounding instrumental. Right off the bat, the drum programming is surprisingly ambitious...and competent. "The Better Half" begins with more interplay between guitar and synth before Bakula chomps into the first of many power riffs. His voice is good for someone who is new to the singing game-mid-register clean with a touch of snarl. During a progressive break, he creates great grooves with the drum machine, utilizing double bass, hi-hat work, the whole "kit" really. His ability to interpret what an actual drummer would play is amazing, and the sound quality is quite good. Some sections of the instrumental "Paths to Enlightenment (Pt. I)" will recall Symphony X, Vanden Plas and other great power/prog bands. Bakula's keyboard playing here is simple, but very creative melodically. This is much more groove than masturbation."Part II" of the song is next, and now Bakula comes in with the vocals. He does sound good, but the second vocal track adds little and lacks imagination-the arrangements still need some work. Wow, listen to that kick-ass crushing riff with the synth dancing off of it! That's heavy and totally satisfying. The title track begins with acoustic guitar, but only for a moment; then another pummeling riff comes down on us. Once again there are shifting rhythms as Bakula forges progressive structures and searing licks. This stuff really crushes, the kid has talent to burn. He's all over the place, but has the melodic sense to hold it altogether. I normally don't enjoy instrumentals, but metal ...
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