| | Akiko Vida CD - Import Akiko Discography of CDs
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Our Price: $33.85 CDFor Sale Usually ships in 1-2 days (Only 1 available)
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Additional Tracks Vida Music | List Price | $54.98 (You save $21.13) | | Category | Jazz Albums | | Label | MSI Music / Super D | | CD Universe Part number | 7401899 | | Discs | 1 | | Release Date | Apr 30, 2007 | | Additional Info | Import |
Akiko Vida Songs | 1. | Brazil (MP3) | $0.99 | |
| 2. | Batucada (MP3) | $0.99 | |
| 3. | Breathing Life (MP3) | $0.99 | |
| 4. | Meu Corao | |
| 5. | Payapta Turdi (MP3) | $0.99 | |
| 6. | Chega De Saudade (MP3) | $0.99 | |
| 7. | A Song For You (MP3) | |
| 8. | A Little Bruise (Arto E Eu) (MP3) | |
| 9. | Roda (MP3) | $0.99 | |
| 10. | Jardim Botnico | |
| 11. | Yin&Yang (MP3) | |
| 12. | Brazil (Big Band Version) (MP3) | |
| Vida Review
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Purchase Vida CD To buy, Click on price to add to cart | Gerald Wilson Detroit CD (2009)
Vida songs
$14.09 Audio Mixer: Todd Whitelock. Photographer: Raj Naik. Detroit comprises a six-composition suite commissioned for the 2009 thirtieth anniversary Detroit International Jazz Festival, played in the studio with musicians from composer/arranger Gerald Wilson's Los Angeles home or New York City area. Curiously, there are no Motor City-based players on the disc, but the themes are based in certain locales from the industrial Midwestern City that has fallen on hard economic times but played a pivotal role in the development of Wilson's highly developed skills as a composer, arranger, and bandleader. A quite spirited and energetic music is heard here from the 90-year-old Wilson, whose charm and wit would rival anyone many decades his junior. ...
| | Miles Davis Kind Of Blue CD (1959) Bonus Track; Remastered
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$6.29 (MP3 Available for Download) Personnel: Miles Davis (trumpet); Miles Davis; Julian "Cannonball" Adderley, Cannonball Adderley (alto ...
| | Poncho Sanchez Psychedelic Blues CD (2009)
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| | Armik Gypsy Flame CD (1995)
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| | Brian Bromberg It Is What It Is CD (2009)
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$14.29 Personnel: Brian Bromberg (upright bass, 5-string bass, fretless bass); Gary Meek (flute, saxophone, alto saxophone, tenor saxophone); Eric Marienthal (saxophone, alto saxophone, baritone saxophone); Gerald Albright (saxophone, alto saxophone); Richard Elliot (saxophone, tenor saxophone); Willie Murillo, Randy Brecker, Rick Braun, Tony Guerrero (trumpet); Dave Ryan (trombone); George Duke (piano, Fender Rhodes piano); Dan Siegel, Jeff Lorber (piano, ...
| | Marc Copland Night Whispers New York Trio Recordings: Volume 3 CD (2009) (Import) Germany
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$16.39 Personnel: Marc Copland (piano); Drew Gress (bass instrument); Bill Stewart (drums). From Erroll Garner to Cecil Taylor to Bill Evans, and from Chick Corea to Thelonious Monk, a wide variety of acoustic jazz pianists have thrived in the time-honored piano trio setting (piano, bass, and drums) over the years. It's a setting that has never gone out of style in jazz, and it's a setting that has served acoustic pianist Marc Copland well in his New York Trio Recordings series. The lineup has varied from one volume to the next; on New York Trio Recordings, Vol. 3: Night Whispers, Copland is joined by bassist Drew Gress and drummer Bill Stewart (whereas he was joined by bassist Gary Peacock and Stewart on Vol. 1 and by Peacock and drummer Paul Motian on ...
| | Eddie Condon Town Hall Concerts, Vol. 6 CD (1990)
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| | Dolmen Orchestra Sequenze Armoniche: Some Gregorian Reflections CD (2000)
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$17.99 from the vibrant Italian new music scene comes the Dolmen Orchestra, performing 76 minutes of music based on the famous Gregorian chant, played live by a 19-piece Apulian big band, featuring world famous soloists Michel Godard ...
| | Charles Gayle Time Zones CD (2006) Digipak
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| | Georg Ringsgwandl Alte Reisser - Verreckte Geschichten CD (2005) (Import)
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| | Wax Tailor Tales Of The Forgotten Melodies CDs (2005)
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| | Rev W Leo Daniels Use It Or Lose It CD (2002)
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| | Sarah Brightman Be With You CD (2007) (Import) Japan; Extended Play
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| | Soul Doctor That's Live CD (2008) (Import) Import
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| | Shannon Mcardle Summer Of The Whore CD (2008)
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$11.59 (MP3 Available for Download) Personnel: Shannon McArdle (vocals, guitar); Adam D Gold (various instruments); Philip McArdle (electric guitar); Margaret White (violin). Recording information: The Bunker, Brooklyn, NY. Photographer: Dave Ewald. Long-running indie rockers the Mendoza Line split in 2007, following the divorce of the band's primary singers and songwriters, Shannon McArdle and Tim Bracy. For her debut solo album following the band's split, McArdle has penned a deeply personal, sometimes acidic account of those upheavals with the provocative title SUMMER OF THE WHORE. A distaff alt-country-influenced take on Bob Dylan's BLOOD ON THE TRACKS or Richard and Linda Thompson's SHOOT OUT THE LIGHTS, SUMMER OF THE WHORE's lyrical intensity is set to McArdle's tense near-whispered vocals and hushed, spartan arrangements. The combination makes an album that sounds as if McArdle is ready to explode with some combination of rage and grief, but is, just barely, keeping herself composed. Highlights include the title track and the withering "Leave Me For Dead." Summer of the Whore is singer and songwriter Shannon McArdle's debut solo effort after the demise of the Mendoza Line and her messy marriage to ML's Timothy Bracy. That said, you already know what the album is about, something McArdle and her label, Bar None, play up in her press materials. (Indeed, a sticker on the front of the jewel case proclaims: "The Mendoza Line's former singer steps out and doesn't hold her feelings back.") In other words, this is a nakedly (no pun intended) confessional -- and sometimes vengeful -- record that covers the stages from the pain of the initial breakup through anger, depression, terror, rebound, lust, and something akin to redemption. Fair enough. She's made the transition from indie-flavored country music to a kind of washed-out indie rock; it's full of her small-voiced wordy lines and overly long songs that in their quiet way bludgeon the listener with the point of every song. That said, this blend of violins, modern sound effects, whispering cymbals, snares, and wispy guitars (both electric and acoustic) offers a significant departure -- but at the same time, hearing her own songs becoming more prominent on the Mendoza Line's last few recordings, it's an expected one. Some of the album's best tracks are "Poison My Cup" (which has pronounced drums, breezy electric guitars, and a multi-textured ambient backdrop), "Paint the Walls" (which could have been written and sung by Lucinda Williams if she were a pop singer), and the gloomy title track (which evokes the slow droning electric guitars of Crazy Horse while allowing McArdle's acoustic to guide the lyric to its searing revelation). There isn't anything here that feels inconsequential, unpleasant, ...
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