| | Johnny Jones Can I Get An Amen? CD Johnny Jones Discography of CDs
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The Tennessee blues guitarist Johnny Jones emerged from the same 1950s Chicago scene that nurtured Muddy Waters and Howlin' Wolf, and also later worked with Junior Wells, Freddie King, and, briefly, a young Jimi Hendrix. Though he had mostly retired from active performing by the late 1970s, this 1998 live set finds him in Europe, in energetic form and with his stinging guitar technique still very much intact on songs such as the Chicago blues 'Don't Throw Your Love on Me So Strong," the slow blues of the title track, and the suggestive, New Orleans-style "Ain't Nothing a Young Girl Can Do."
Recording information: The Muhle Hunziken, Bern, Switzerland.
Editor: Fred James.
Personnel: Johnny Jones (vocals, guitar); Charles "Wigg" Walker (vocals); Billy Earheart (organ); Jeff Davis (bass instrument, background vocals); Fred James (guitar, background vocals); Andy Arrow (drums).
Liner Note Author: Fred James.
Johnny Jones Can I Get An Amen? Songs | 1. | Don't Throw Your Love on Me So Strong |
| 2. | Chip off the Old Block |
| 3. | Suspicion |
| 4. | Can I Get an Amen |
| 5. | Galloping Dominoes |
| 6. | I Was Raised on the Blues |
| 7. | I Done Did That Already |
| 8. | Herb Stuffing |
| 9. | I Can't Do That |
| 10. | Ain't Nothing a Young Girl Can Do |
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Can I Get An Amen? Review
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Purchase Can I Get An Amen? CD To buy, Click on price to add to cart | Tom Waits Early Years Vol. 2 CD (1993)
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Like its predecessor, The Early Years, Vol. 2 consists of demos recorded by Tom Waits in 1971, two years before he released his debut album, Closing Time. ...
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Ultradiscs are mastered from the original master tapes using Mobile Fidelity's proprietary mastering technique, then plated with 24-karat gold and housed in a stress-resistant lift-lock jewel box.
"You Can't Lose What You Ain't Never Had" and "The Same Thing" did not appear on the original version of FOLK SINGER. They were recorded at a separate session in April 1964, three months after FOLK SINGER was released.
The title and cover photo of this 1963 recording were an attempt to cash in on the burgeoning American folk revival, but this is pure acoustic blues. Muddy began his career as a Robert Johnson-style solo acoustic performer, and the tunes on FOLK SINGER hark back to those days. He's accompanied sparsely by Willie Dixon, drummer Clifton James and a young Buddy Guy, who provide a stark, deliberate backdrop for Muddy's rich vocal and expressive bottleneck guitar work. The richness of Muddy's baritone is showcased effectively here, with more room than usual for his voice to resonate.
The low-key setting allows Muddy to explore a fuller dynamic range as well. From the romantic yearning of "Long Distance ...
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Eric Sardinas is a good, even great, electric slide player, and his Dobro skills are equally as impressive. His band on Black Pearls, Paul Loranger on bass and Mike Dupke on drums, is also quite good. The songs, all written by Sardinas, sound good and rock hard, although you've heard all this said before. (Granted, blues feeds on recycled lyrics, and it is undoubtedly hard to find a new way to say "I've been down so long I'm gonna leave you.") The highlights here -- the cheerful pop-blues of "Big Red Line," the bluegrass-paced Dobro work on "Old Smyrm Road" -- come on songs that step a little bit outside the blues-boogie template. ~ Steve Leggett
Eric Sardinas is a good, even great, electric slide player, and his Dobro skills are equally as impressive. His band on Black Pearls, Paul Loranger on bass and Mike Dupke on drums, is also quite good. The problem here is the material. The songs, all written by Sardinas, are at the worst end of blues cliché. They sound good and rock hard, but in the end, you've heard all this said before, and probably better. Granted, blues feeds on recycled lyrics, and it is undoubtedly hard to find a new way to say "I've been down so long I'm gonna leave you," but it can be done (Otis Taylor comes immediately to mind). The highlights here -- the cheerful pop-blues of "Big Red Line," the ...
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Talk To Me is the title of the latest album from Philipp Fankhauser, the highly regarded blues artist based in Thun, Switzerland, and his first for Memphis International Records. Fankhauser is well known to European audiences but he is also familiar to North Americans as a result of his role as guest vocalist with the band of the late blues great Johnny "Clyde" Copeland. While the bulk of Talk To Me is comprised of l Fankhauser originals it does include two Johnny Copeland compositions and Shemekia Copeland, Johnny's daughter and a renowned star in her own right, penned the liner notes. "Philipp will always be very special to the Copeland family; his music is special for just about everyone," she wrote.The album includes a version of "Members Only," a song that was an R&B hit for Bobby Bland in the 1980s and produced for Fankhauser by Dennis Walker (Robert Cray, B.B. King, Maria Muldaur) with an appearance ...
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A grab bag of early-'60s Hopkins, four of the songs recorded solo in a Houston studio in July 1961, two recorded with bass and drums in New York in May 1964, and the other six recorded live as a solo in New York in December 1964. These were originally released on the following Prestige/Bluesville LPs: the 1961 cuts on Walkin' This Road by Myself, the two New York band songs on Down Home Blues, and the live New York tracks on My Life in the ...
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