| | Art Pepper Meets Rhythm Section CD - Import Art Pepper Discography of CDs
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Our Price: $17.55  CDFor Sale Usually ships in 1-2 days
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Meets Rhythm Section Music | List Price | $21.98 (You save $4.43) | | Category | Rock/Pop Albums, Jazz CDs | | CD Universe Part number | 7407551 | | Catalog number | 0546740 | | Discs | 1 | | Release Date | Jun 18, 2009 | | Additional Info | Japan; Limited Edition |
Art Pepper Meets Rhythm Section Songs | 1. | You'd Be So Nice To Come Home To  | $0.99 | |
| 2. | Red Pepper Blues | $0.99 | |
| 3. | Imagination | $0.99 | |
| 4. | Waltz Me Blues | $0.99 | |
| 5. | Straight Life | $0.99 | |
| 6. | Jazz Me Blues | $0.99 | |
| 7. | Tin Tin Deo | $0.99 | |
| 8. | Star Eyes | $0.99 | |
| 9. | Birks Works | $0.99 | |
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Meets Rhythm Section Music Meets Rhythm Section Review
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Buy Meets Rhythm Section CD Purchase Meets Rhythm Section CD To buy, Click on price to add to cart | Egberto Gismonti: Saudacoes CDs (2009)
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Photographer: Milton Montenegro.
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A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff ...
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| | Chase/Ennea/Pure Music CDs (2008)
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This double-CD set is not only the best of Bill Chase's output but -- comprising all three of their albums -- virtually their complete finished studio work, before the plane crash that killed Chase and much of the group. The mastering on this Wounded Bird reissue is excellent, with a full solid bass sound topped by soaring highs on the brass and no compression to speak of. It's not as though this catalog has been overused, in terms of its master tape library -- apart from the hit "Get It On" -- but it's still good to know that the stuff has been well handled in terms of being digitalized. Additionally, the producers have reprinted Nat Hentoff's original essay about the group from their first album (and oh, for a time when college ...
| | David Bromberg My Own House/You Should See The Rest Of The Band CD (1999)
Meets Rhythm Section CD music
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As of the late 1990s, guitarist and fiddler David Bromberg was in musical semi-retirement, supplementing his day job (making his living buying and selling American-made violins) with the odd club gig. But in the 1970s, he had a thriving career as both a bandleader and a sideman, having played on seminal recordings by Bob Dylan, the Eagles, and Jerry Jeff Walker, among others. This disc includes two of his early albums: first, the acoustic and largely solo My Own House, on which he plays a program that ranges from traditional Scottish and American fiddle tunes through Delta blues and songs by Hoagy Carmichael and Phil Spector. Talk about Americana. The second album included on this disc couldn't be more of a contrast: ...
| | John Fahey Requia & Other Compositions For Guitar Solo CD (1967)
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| | Avishai Cohen Adama CD (1998)
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| | Peggy Lee Miss Wonderful CDs (2006)
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This is a wonderful four-disc collection of tracks from Peggy Lee's first solo stint with Capitol Records in the mid- to late-1940s, shortly after she left her spot as a singer with Benny Goodman's band in 1943, and her early sides for Decca Records, who signed her in 1952. While many would argue that her best work was done a decade later during her second go-round with Capitol, the selections here (many of them done with husband Dave Barbour and his orchestra) show an assured vocalist with a firm understanding of the pop side of jazz. Among the classic highlights included are her out-of-the-gate hit for Capitol, "Waiting for the Train to Come In," the 1948 smash "Mañana," "Golden Earrings," "Don't Smoke in Bed," "Black Coffee," and a stunning reading of "I've Got You Under My Skin." "Show Me the Way to Get Out of This World" (which leads off the third disc here) is a particular delight, with Lee's smooth phrasing sliding and descending effortlessly through the dwindling syllables of the chorus like a surfer shooting a rapids: "Show me the way to get out of this world/because that's where/everything is." Miss Wonderful is four discs and 104 tracks of cool, crafty, and undeniably sultry vocals by a masterfully nuanced singer. ~ Steve Leggett
(Budget priced 4-CD box set) This is a 103 track overview of one of the greatest female vocalists from any era. Peggy was held in high esteem by all the greats she worked with. Duke Ellington called her "The Queen" and rightly so. Her development from a
Liner Note Author: Joop Visser.
Recording information: Hollywood, CA (01/07/1944-06/03/1955); Los Angeles, CA (01/07/1944-06/03/1955); New York, NY (01/07/1944-06/03/1955).
Arrangers: Heine Beau; Dave Barbour; Bill May; Gordon Jenkins; Harold Mooney; Neal Hefti; Billy May.
Personnel: Peggy Lee (vocals); Ginny O'Connor, Bernie Parke, Les Baxter, Mel Tormé (vocals); Dave Barbour, Dick McDonough, Jack Lesberg, Art Ryerson, Al Hendrickson, Allan Reuss, Nappy Lamare, Sammy Davis, Jr., Sid Feller, Laurindo Almeida (guitar); Kathryn Tompson (harp); ...
| | Nils Petter Molvaer Streamer CD (2004)
Meets Rhythm Section songs
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Norwegian trumpeter Nils Petter Molvær's live recording Streamer was issued in Europe on the Sura label in 2004. Finally issued here in the United States in Thirsty Ear's celebrated Blue Series, it is Molvær's third U.S. CD, and it almost catches us up with his catalog (NP3 is still not in print in the U.S.). Streamer features material from Molvær's second album on ECM, Solid Ether, as well as NP3. Present here is the trumpeter's standard accompanying band which includes atmospheric guitar powerhouse Eivind Aarset, drum master Rune Arnesen, as well as sidemen DJ Strangefruit, and French electronic programmer Raymond C. Pellicer creating loops and interspersing samples and effects. The four cuts performed from NP3, "Frozen," "Marrow" "Little Indian," and "Simply So" differ substantially from their studio counterparts in that the rhythmic intensity on the former two are more dynamic, and on the latter two, the sounds and placements are more relaxed and organic. ...
| | In Hypnosis No More Discomfort CD (2008)
Meets Rhythm Section album
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