| | Kuniko Kasuga Ribiyo Ichidai/Yumekaikyo CD - Import Kuniko Kasuga Discography of CDs
Ribiyo Ichidai/Yumekaikyo Music | List Price | $21.99 (You save $2.30) | | Category | World Albums, Japanese CDs | | Label | Phantom | | CD Universe Part number | 7407607 | | Catalog number | 670664 | | Discs | 1 | | Release Date | Apr 24, 2007 |
Kuniko Kasuga Ribiyo Ichidai/Yumekaikyo Songs | 1. | Love Potion |
| 2. | Sympathy |
| 3. | Love potion(insturmental) |
| 4. | Sypathy(insturmental) |
| Ribiyo Ichidai/Yumekaikyo Review
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Purchase Ribiyo Ichidai/Yumekaikyo CD To buy, Click on price to add to cart | Pink Martini Splendor In The Grass CD (2009) Digipak
Ribiyo Ichidai/Yumekaikyo album
$13.39 Pink Martini follow the around-the-world-in-a-dozen-songs thrills of HEY EUGENE! with SPLENDOR IN THE GRASS, a mellower, simpler set of small pleasures. These are relative terms, however; the group's music is still well-traveled, with China Forbes singing in five languages (English, Spanish, Neapolitan, French, and Italian) instead of the six or so on EUGENE!. However, Pink Martini opt for a more unified sound here, one that draws on the more straightforward lounge-pop of their debut, SYMPATHIQUE, and the mellowness of '60s and '70s pop. SPLENDOR IN THE GRASS' first half is especially smooth, opening with the beautifully soft Neapolitan ballad "Ninna Nanna" and the title track, on which Forbes sings "I think we should take it slow" over swooping strings, brass, and piano that resurrect the glory days of AM pop; that feeling is echoed by the cover of Joe Raposo's "Sing," the Sesame Street song that ...
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$42.69 Claude Challe's Buddha-Bar, Vol. II compilation has elements of Far Eastern spirituality, African song, European electronica, and Spanish spice. The first album, Buddha-Bar, is very mellow for the most part. Deepak Chopra and Demi Moore, far and away the most recognizable names on the album, do a spoken word ditty on love and self-worth. People who are not fans of new age doctrine will appreciate artists such as Oliver Shanti and Consuelo Luz, both of whom contribute songs that manage to sound musical, spiritual and ethnic at once. The second album varies from hallucinatory to groovy to fairly high-energy. "Tears Inshalla" will appeal to fans of Eastern-influenced trance. Lyrics are of almost no importance on the album. They do exist on most tracks, but they bounce around from English to Portuguese to Arabic. Bits and pieces and snatches of phrases come through here and there -- just enough to make a listener feel in sync with it all. This music is intended to be an ambient journey, and while a few of the tracks seem to stray off into Never Never Land, the majority of them should appeal to fans of worldbeat. ~ L. Katz
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Hailing from Atlanta, GA, the hardcore trio Lil Jon & the East Side Boyz are the premier practitioners of the southern rap sub-genre colloquially dubbed "crunk." The style is exemplified by forceful, primal beats, over-the-top, chanted vocals, and a bad-boy/party-hardy attitude that bypasses gangta cool in search of a pure visceral, hedonist high. Accordingly, there's little subtlety to be found on KINGS OF CRUNK, and rightfully so. Would you really want to hear a tender love ballad from leather-lunged badass Lil Jon? Wisely, Jon and his Boyz stick to their strengths, to such an extent that the weak of heart should have a physician on hand when listening to KINGS OF CRUNK, just in case they should be overcome by the sheer fierceness of it all.
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