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If a band that combines the shrill hectoring vocal tone of Flux of Pink Indians with the twee atonality of Henry Cow is your cup of tea, then you'll be thrilled to see the CD reissue of the Work's debut LP. It was originally released in 1982 and sounds it, but that's no criticism -- it's also avant-garde in a very distinctively British way, but that's no criticism either. What is a criticism is the fact that both "Flies" and "State Room" are avant-garde in really rather boring, aimless ways; it's also something of a criticism to say that "Like This" comes across as something that might have been Arnold Schoenberg's idea of pop music. But "Balance" is both weird and fun, with moments of frenetic polka-like punkiness and moments of strange (and kind of silly) quietude. Catherine Jauniaux's guest vocals are lots of good, squeaky fun, but ex-Henry Cow member Tim Hodgkinson is the one whose vocal style -- warbly, watery, unsteady -- really sets the tone for the album as a whole. The album's highlight track is probably "Brickyard," a rhythmically straightforward exploration of multi-layered percussion and guitar sounds and the kind of thing that really would have gotten Fred Frith going if Hodgkinson had brought in the charts during his Henry Cow days. If I keep bringing up Henry Cow, it may be because it seems like that band was doing all the things this band does best ten years earlier, and was doing them better. But that's not really a criticism either. Well, OK -- actually it is. ~ Rick Anderson
Audio Remasterer: Dominique Brethes.
Recording information: 50 Rue De Rittweger, Brussels, Belgium (09/1981-01/1982); Cold Storage Studios, London, England (09/1981-01/1982); Sunrise Studios, Kirchberg, Switzerland (09/1981-01/1982); Surrey Sound Studios, Leatherhead, Surrey, England (09/1981-01/1982).
The Work: Tim Hodgkinson (guitar); Rick Wilson, Bill Gilonis, Mick Hobbs (bass guitar).
Personnel: Mick Hobbs (vocals, guitar, ukulele, recorder, drums); Bill Gilonis (vocals, guitar, euphonium, Jew's harp); Tim Hodgkinson (vocals, saxophone, keyboards); Rick Wilson (vocals, drums); Catherine Jauniaux (vocals).
Work Slow Crimes Songs | 1. | Nearly Empty |
| 2. | Balance |
| 3. | Pop |
| 4. | Flies |
| 5. | Like This |
| 6. | Knives |
| 7. | Cain & Abel |
| 8. | State Room |
| 9. | Brickyard |
| 10. | Do It |
| 11. | Travail, Le |
| 12. | Maggot Song |
| Slow Crimes Review
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$13.65 Angela EasterlingBlackTop Road – Out July 14 – Produced by Will KimbroughThe genesis for Angela Easterling’s new album, BlackTop Road, actually started in 1791 in Greer, SC. That’s when her mother’s family started the farm that eventually, as farms go, was cut by a road that now bears their name. It’s not a new story, but it’s a personal story, acutely told by the angelic singer who started writing her second record when she returned home to South Carolina, and began putting together the pieces of place and family to better steer the future by. And, Easterling had only one producer in mind for the project --Will Kimbrough, a multi-award winning artist, musician and producer, known for his solo work and with folks such as Todd Snider, Rodney Crowell, Kate Campbell, and Jimmy Buffett just to name just a few.It was a shift from the shoestring budget of Easterling’s debut, Earning Her Wings, even though the record won raves - named the top Americana CD of the year by Smart Choice music and emerging on many top-ten lists, landing her on stages with music legend Ray Price, Suzy Bogguss, Radney Foster and Lori McKenna.But on BlackTop Road, Kimbrough assembled an A-list team -- including Al Perkins, Fats Kaplin, Ken Coomer, Anne McCue and Dave Jacques, with Kimbrough filling in the gaps.“I was very nervous about working with such an esteemed gathering of musicians, but Will was careful to make sure I was at ease and had fun throughout the whole experience,” shares Easterling. “He has great ideas but is always open and willing to try my ideas too, bringing out aspects of my songs I never would have even known were there.”About the sessions, Kimbrough says, "I produced Angela Easterling's record, but all I had to do is show up for class and play along. She is a powerful, focused artist who has done her homework: rock-n-roll, country, bluegrass, literature and French pop."Easterling’s songs run the range of emotions of a woman fully assessing her family’s past and present with a new life perspective, juxtaposing the personal with outside forces. Anger and fear of the mistreatment of her family and farm sear through the title track, and “The Picture” acknowledges remnants of America’s shameful past. “Big Wide World,” while playful, is an expression of a modern woman’s frustration, and the book The Lovely Bones provides the backdrop of the haunting “Field of Sorrow,” underscored by banjo and fiddle.She also explores place ...
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