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Immaculate Click - We Made Us CD Cover Art
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Immaculate Click We Made Us CD

 Immaculate Click Discography of CDs

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We Made Us Music


Detailed We Made Us Music Information



Category Rap Albums
Label CD Baby
CD Universe Part number 7410336
Catalog number 123559
Discs 1
Release Date Mar 06, 2007
Immaculate Click We Made Us Songs


Immaculate Click We Made Us Album Track Listing



1.Lets Get It On
2.Make the World Go Round
3.Ganster
4.On a Mission
5.No Love
6.Wack Rappers
7.Head Crack
8.Come At Your Neck
9.Bitch Nigga
10.H.i
11.World of Sin
12.Ride Wit Us
13.Must Be Crazy
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Released a year after his previous EP (5150 Home 4 tha Sick, 1992) and a long five years since his one and only album to date (Eazy-Duz-It, 1988), It's On (Dr. Dre) 187um Killa was both a stopgap release for Eazy-E and a response to the runaway success of Dr. Dre's The Chronic (1992). Eazy had been lambasted on that Dr. Dre album (and especially in the "Dre Day" video), so it's no surprise that he returns the favor here on "Real Muthaphuckkin G's" and "It's On," dissing not only Dre but also Snoop Doggy Dogg. This ugly, mudslinging conflict aside, Eazy truly shines ...
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From the moment the grinding bass line comes pouring through the unassuming speakers, merged seamlessly with the flamboyant staccato of the snare and sharp zing of the strings, it's apparent that Big Yo (Marrio Marshall) is bringing something unique to Hip Hop-an unwavering sense of musicality. "I've been rapping since kindergarten," he says with a trace of laughter. "I even remember saying on career day that I wanted to be a rapper." Honing his skills on the microphone, the Memphis native teamed up with neighborhood friend and fellow aspiring rapper/producer, Tommy Wright III-who has since gone on to achieve local and regional success. He contributed production to Tommy's independent release, On the Run and found that his affinity for Hip Hop was not just a passing phase, but a culture and genre that he was willing to make sacrifices for. In 1996, he moved to Atlanta, drawn to the city's rich musical history, and quickly formed relationships with numerous area artists and producers. Joining forces with Fi Records in late 1999, a local label that had alliances with several established musicians, Big Yo found himself the house beatsmith, working with celebrated regional and national acts including, Lil Blunt (Bluntnatized), Sammy Sam (Still Intoxicated), Indo G, the Yin Yang Twinz and Ghetto Mafia. All the while, he was still creating and conceptualizing his own album, and making frequent guest appearances as an emcee on numerous projects. With his spitfire flow and heartfelt lyrics, soon it was apparent that he was just as dedicated to rapping as he was to producing tracks. "I try to avoid saying ...
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“OAKLAND’s BEST KEPT SECRET”Don’t Even (Kevin Stewart) and Epic (Anthony Msaky) may be considered fresh to Oakland’s hip hop scene although both have been practicing their craft for years. Progressing from turning out any and every crowd with their lyrical free styling skills, and battling all comers at open mike competitions, Don’t Even and Epic have signed a recording contract and as HazMat are going on tour performing recorded songs.We caught up with HazMat during a break at the studio and chatted with them about their growth as artists.So it seems like you two are moving from being "Underground Soldiers" to a more professional level?Epic: Yeah you can say that. The first phase of "craft construction" is done and we're stepping it up a level and raising the bar lyrically in 2006.Don't Even: The term "underground soldier" is basically saying my first love is underground music, but at the same time I know in order to be more successful I need to have some type of connection with the mainstream audience.Is HazMat filling a void in the Hip Hop scene? What does you music represent?Don't Even: I wouldn’t say were filling a void I would just say were bringing something new to the hip hop community and being were from Oakland CA a lot of people don’t even look at us as hip hop, but the HazMat Boyz are about to change all that. Were really not trying to represent any one or any thing all were trying to do is put new faces and a new spin on hip hop period. Were really not trying to represent the music were just letting our music represent us.Epic: I wouldn’t say filling the void; I would say starting a new venue because our music is educational dirt. Meaning while it still contains a rugged edge, it still has strong messages with in it. And we look at our music as being the cleansing element for the industry, which we see currently as being contaminated by a lot of toxic material. Do you have a particular message in mind when you write or are you inspired from hearing the beat?Epic: Well a beat can ignite powerful lyrics, but being a poetic individual writing comes natural. Beats are helpful but not required for me to write a hit.Don't Even: Me personally, I am beat driven, but at the same time I’m a poet so that really gives me a little but of an advantage because I could write with or without a beat. And seeing that poetry is my first love coming up with concept and ideas is nothing to me, but when I hear a beat especially if it’s tight man i have thousands of topics going to and fro and that when you get the best of me.What do you two bring to you live performance that distinguishes you from the "pack", in other words, what can I expect for my $20?Don't Even: All I can say is when you come and see a HAZMAT show your seeing just that, a show, unlike any other show and the reason why I say that is because I’ve been to a lot of shows, but you rarely see the artist go into the zone and what I mean by the zone is when you totally open up your third eye and are now acting, saying, and ...
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