| | Radio No Jidainouta CD - Import Radio No Jidainouta Discography of CDs
Radio No Jidainouta Music | List Price | $42.99 (You save $2.24) | | Category | World Albums, Japanese CDs | | Label | Phantom | | CD Universe Part number | 7410675 | | Catalog number | 673877 | | Discs | 1 | | Release Date | May 15, 2007 |
Radio No Jidainouta Review
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Purchase Radio No Jidainouta CD To buy, Click on price to add to cart | Loreena McKennitt A Mediterranean Odyssey CDs (2009)
Radio No Jidainouta
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Loreena McKennitt's A MEDITERRANEAN ODYSSEY collection includes an 11-track anthology ...
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Radio No Jidainouta
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| | Serge Gainsbourg Histoire De Melody Nelson CD (1971) With Book; Deluxe Edition
Radio No Jidainouta
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Brimming with lust, drama, and dark humor, HISTORIE DE MELODY NELSON is widely acknowledged as Gainsbourg's masterpiece. The 1971 release was criminally ignored outside France-despite the godfather of French pop's decade of cutting-edge songwriting. It's now something of a cult classic, and artists as diverse as Air, Nick Cave, and Portishead have all cited the album as an influence.
Don't be put off by the "concept album" tag. There are no goblins here. Instead, Gainsbourg concentrates on his favorite subjects-sex and death. The story line concerns a chance meeting between a middle-aged man and a teenage girl that develops into a passionate affair. Never one to shy away from controversy, Gainsbourg plays his character with consummate sleaze. Remember, this man wrote the playfully obscene "Les Sucettes" for young, ...
| | Odetta Sings Dylan CD (1965)
Radio No Jidainouta
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Upon this album's release in 1965, Bob Dylan must have felt pretty good about himself. Odetta, one of the most indelible performancers of the folk revival (and the original inspiration for Dylan's embracing of folk), turned ...
| | Vas Feast Of Silence CD (2004)
Radio No Jidainouta
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On the fourth album from Vas, vocalist Azam Ali and her partner, multi-instrumentalist Greg Ellis, have moved away from the sparse musical arrangements of their past and have introduced a new, elaborate sound that incorporates every instrument in the world beat library. Often favorably compared to Dead Can Dance and Axiom of Choice, Vas evolves its sound on FEAST OF SILENCE in a way that's sure to please fans and introduce the duo to a whole new audience. Guitar, bass, and other instruments have been added to their signature mix of cello, world beat percussion, and Indian flute. In addition to the expansion of the instrumental repertoire, the music on FEAST OF SILENCE shows Middle Eastern and Eastern European influence in their compositions. "Bardo" is a particularly unusual track that combines ecstatic drumming with Egyptian vocal stylings ...
| | Steel Pulse True Democracy CD (1982) Bonus Tracks; Remastered
Radio No Jidainouta
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This 1982 release, Steel Pulse's first for Elektra, marks the band's move toward a more buoyant, pop-inflected sound. TRUE DEMOCRACY does not have the edgy roots feel of albums like HANDSWORTH REVOLUTION; instead, it demonstrates the group's synthesis of reggae rhythms with high production values and well-crafted melodies. But while the album's stylistic corners may be sanded for radio-ready accessibility, TRUE DEMOCRACY contains some of the band's boldest, most explicitly political songwriting.
The opener, "Chant a Psalm," invokes the names of biblical figures and puts the listener on notice of the album's conscious, spiritually minded tone. There are classic Rasta themes, such as "Worth His Weight in Gold," a song based on the teachings of Marcus Garvey, and songs that overtly address social and political issues. "A Who Responsible?" takes on the history of racial injustice, "Leggo Beast" is an indictment of prostitution, and "Man No Sober" looks at alcoholism. Yet for all its ...
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| | Mean Red Spiders Still Life Fast Moving CD (2002)
Radio No Jidainouta
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It seems that many favorite shoegazer/dream pop bands only have so many albums in them before the sound gets more straightforward. With Still Life Fast Moving, it's Mean Red Spiders' turn to strip away some of the swirling layers of sound found on the previous two albums -- consequently, if the most frequent comparison point for the band used to be My Bloody Valentine, there's a pretty good case to be made this time for Lush. Undoubtedly, a large part of this change is due to the fact that founding guitarist David Humphreys departed the group and was replaced by ex-Intersteller member Rob Boak. That's not to say that the change is really drastic; the songwriting style is very similar this time out, but whereas before the group wanted to hit you with a wall of sound, the playing is more refined. ...
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