| | Himetra World-Venus Part CD - Import Himetra World Discography of CDs
Himetra World-Venus Part Music | List Price | $46.99 (You save $14.14) | | Category | World Albums, Dance CDs, Japanese | | Label | Victor | | CD Universe Part number | 7411520 | | Catalog number | 726611 | | Discs | 1 | | Release Date | Jan 01, 2008 |
Himetra World-Venus Part Review
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As any quick perusal of old Top 40 rock & roll station playlists will attest, singles were where the shakin' action was, as rock & roll albums were scarce as hen's teeth back in those pre-Beatle days. But when the record companies decided to issue one, it was usually an artifact of high rockin' value and some major influence. Naysayers to the contrary, this debut album by the Northwest's first great rock & roll combo is just such an artifact. The Wailers dispensed crude, greasy, largely instrumental rock & roll music for those who came to shake it up and shake it down, and it's all on fine, rhythmic, open ...
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Although many fans have been waiting around for Interpol to replicate the magic of their 2002 debut TURN ON THE BRIGHT LIGHTS, the band deserves credit for not overtly aping the formula of that album. On 2007's OUR LOVE TO ADMIRE, as on the group's sophomore effort ANTICS, Interpol endeavor to stretch the fabric of their classic 1980s post-punk sound while leaning toward straightforward pop territory. They succeed, to a large degree, thanks to a major label budget (the band moved to Capitol for this release) and a strong batch of material.
None of this is to say that Interpol aren't still rooted in the dark dramatics of Joy Division, the band's primary influence, as the gloomy, churning "Pace is the Trick" and "Wrecking Ball" prove. But the upbeat feel of "The Heinrich Maneuver" and the thumping groove and catchy hooks of "No I in Threesome" show a fresher-faced Interpol, as do the ambitious production flourishes of tunes like opener "Pioneer to the Falls." The album's nicest surprise comes at the end: "The Lighthouse" is a spare, emotionally affecting song, lovely and haunting, illustrating--as the rest of the album does--the band's continued ability to captivate.
Though Our Love to Admire is technically Interpol's first major-label album, the way the band attempted to streamline the gorgeously dark atmospherics of Turn on the Bright Lights into something more marketable on Antics made that album feel more like their big-time debut than this album does. On Our Love to Admire, Interpol spends roughly half their time following Antics' gameplan of distilling their sound into readily accessible hooks, and the other half stretching their sound with deluxe arrangements and filligrees like strings, brass, and keyboards (all of which are used to grandiose effect on "Wrecking Ball"). Our Love to Admire's poppy tracks have been polished into black patent leather brilliance: "No I in Threesome"'s jaunty, ...
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