Travis Boy With No Name CD

Boy With No Name Music

List Price	$8.98 (You save $0.49)
Category	Rock/Pop Albums, Alternative CDs, British, Rock
Label	Epic
Orig Year	2007
All Time Sales Rank	45111
CD Universe Part number	7411867
Discs	1
Release Date	May 08, 2007
Studio/Live	Studio
Mono/Stereo	Stereo
Producer	George Tandero; Travis; Steve Orchard; Mike Hedges; Nigel Godrich; Matthieu Clouard
Recording Time	52 minutes

Travis Boy With No Name Songs

	1.	3 Times and You Lose
	2.	Selfish Jean
	3.	Closer
	4.	Big Chair
	5.	Battleships
	6.	Eyes Wide Open
	7.	My Eyes
	8.	One Night
	9.	Under the Moonlight
	10.	Out in Space
	11.	Colder
	12.	New Amsterdam

Boy With No Name Music

Travis Boy With No Name Bonus Track; Japan		$40.75
Travis Boy With No Name		$28.89
Travis Boy With No Name		$35.69

To buy, Click on price to add to cart

Also Bought

Travis Man Who CD (1999)

Boy With No Name album

$8.25

THE MAN WHO was an astonishingly successful and critically praised follow-up to Travis's inconspicuous 1997 debut, GOOD FEELING. Amidst the upbeat but uninspired post-Britpop guitar scene, the ...

Also Bought

Chills Kaleidoscope World CD (1986) (Import) Import; Australia

Boy With No Name CD music

$23.75
KALEIDOSCOPE WORLD contains 10 bonus tracks and represents everything the band recorded through early 1986, including all of the LOST EP, and the I LOVE MY LEATHER JACKET/THE GREAT ESCAPE 12" KALEIDOSCOPE WORLD, The Chills' 18-track compilation culled from The Chills early and mid-'80s EPs and singles, is highlighted by the song "Pink Frost." The Chills' Martin Phillipps mixes up melodic pop with elements of garage rock and punk, creating songs with a sweet melancholy all their own. Phillipps has always been the focus of the Chills, writing and singing the band's songs. His group has also rivaled Menudo in its sheer number of personnel changes. In a just world, the Chills would have sold just as many records. KALEIDOSCOPE WORLD showcases the shifting line-ups and many moods of the early to mid-'80s Chills. "Rolling Moon" captures a mood of shambling joy, its simple, repeated keyboard riff sounding like a distant caravan crossing New Zealand's big-sky country. "Pink Frost" is undoubtedly one of the Chills' two or three finest songs, an eerie tale of finding one's lover dead and being stricken with waves of icy panic. Phillipps's ...

Also Bought

Wilco Sky Blue Sky CD (2007) Enhanced CD

Boy With No Name music CDs

$10.79

Of course this is still Jeff Tweedy's band, which means SKY BLUE SKY never strays too far from what has emerged as a basic Wilco template. The constantly shifting Chicago ensemble (in its umpteenth incarnation by the album's release) still displays an instrumental precision and studio professionalism while working within a newfangled roots template, and Tweedy himself remains as searching as always, both lyrically and musically. With nary a rave-up in sight, the album could be criticized for being overly serene, but in a career marked by nearly constant tumult and controversy, it's more appropriate to see this as Jeff ...

Also Bought

Killing Floor CD (1995) With Book; Limited Edition; Digipak

Boy With No Name songs

$16.65
The sheer toughness -- and overall derivative -- nature of Killing Floor's debut album, issued six months after Led Zeppelin's debut in 1969 on the Spark label, is a wondrous contrast to the overly slick treatment American blues were given by British artists. All of these tunes, with the exception of one, are revamped versions of songs from the blues canon with different words. The lone "cover" in the set was written by Willie Dixon titled "Woman You Need Love," the tune Zep ripped for "Whole Lotta Love." Despite the fact that this set was issued before by Repertoire, the Akarma version is definitive in that it features the original cover artwork in a heavy cardboard gatefold sleeve, and killer sound. This is a raw, immediate, overdriven, psychedelic blues record that offers an interesting historical counterpoint to the immediate impact of Page and Plant and Co., but it also offers a great contrast to the recent 1990s versions of American groups trying to rock up the blues in like style: Jon Spencer Blues Explosion immediately comes to mind. They also provide a heavier, less reverent, ...

Also Bought

Danny Kirwan Second Chapter CD (1975) With Book; Limited Edition; Digipak

Boy With No Name album

$19.79

The first solo album from Fleetwood Mac singer/songwriter Daniel David Kirwan has the future producer for Human League and Buzzcocks, Martin Rushent, utilizing those skills here, as well as engineering. The sound is crystal clear, and a feather in the cap for Rushent as well as Kirwan. It starts off with an uncharacteristic "Ram Jam City," which has more Lindsey Buckingham sounds than one would expect, especially since the two guitarists come from two different musical worlds. "Odds and Ends" is more lighthearted, the kind of music Paul McCartney toyed with on The White Album's "Rocky Raccoon." What Second Chapter immediately sets forth is the importance of Kirwan as a pop artist, and how, despite Fleetwood Mac's success after he left, his sounds could still have been beneficial to that supergroup. "Hot Summers Day" is a fine example of that, a beautiful song that could offset Buckingham's gritty ramblings. It would have made a nice counterpoint as Stevie Nicks complemented Christine McVie's tunes with her adventures, bringing an important change of pace to that popular band's hits. The jacket looks like a dusty old family album-style book holding Kirwan's Second Chapter. And the music reflects ...

Also Bought

Legend CD (2007) With Book; Limited Edition; Digipak

Boy With No Name CD music

$16.59
In some circles, Mickey Jupp is something of a minor legend, a roots rocker with excellent taste and a cutting wit, best heard on the songs "Switchboard Susan" and "You'll Never Get Me Up in One of Those," both covered by Nick Lowe. Basher's endorsement is a clear indication that Jupp is a pub rocker, a guy who specializes in laid-back good times, so it shouldn't come as a great surprise that his first band, Legend, was proto-pub, an unabashed celebration of old-time rock & roll, filled with three-chord Chuck Berry rockers and doo wop backing vocals. Nevertheless, listening to their 1970 LP is a bit of a shock, as it's completely disassociated with anything that was happening in 1970, even with Tony Visconti enlisted as their producer. Legend's sensibility is ahead of its time in its retro thinking, pointing the way to the rock & roll revival of the late '70s and not even that similar to the country-rock of Eggs Over Easy or Bees Make Honey, as this has little of the rustic feel of the Band: it's just straight-up oldies rock, a trait emphasized by those incessant doo wop harmonies that are on almost every cut on this LP (but do disappear on the bonus live cuts on the Repertoire reissue, possibly because they were too busy playing to harmonize). Those harmonies and the light, almost goofy, touch of Jupp's writing here distinguish Legend and also illustrate why they made no waves in 1970; it's hard to see the counterculture ...