| | Brandon Jenkins Unmended CD Brandon Jenkins Discography of CDs
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Our Price: $10.39  CDFor Sale Usually ships in 1-2 days
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Brandon Jenkins: Don Morris (bass guitar).
Personnel: Brandon Jenkins (acoustic guitar); Dave Perceful (acoustic guitar); Jared Tyler (lap steel guitar); Monte Gaylord (fiddle); Tex Wagonner (upright bass); Mark Meeker (drum); Travis Fite, Brian Lee, Mary Cogan (background vocals). Brandon Jenkins Unmended Songs Unmended Review
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JOHN "JUKE" LOGAN has, on multiple occasions over the past two decades, been the harmonica-player-of-choice for RY COODER, LOS LOBOS, ETTA JAMES, BO DIDDLEY, JOHN LEE HOOKER, LUCINDA WILLIAMS, DAVE ALVIN, LEON RUSSELL, films such as "CROSSROADS" (the Walter Hill feature about the blues) & "MIDNIGHT RUN", & TV shows such as "ROSEANNE" & "HOME IMPROVEMENT" & many others. LOGAN'S original compositions have been covered by many, recorded by the likes of JOHN MAYALL, The ...
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| | Albion Band Songs From The Shows CDs (1990) Remastered
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A pastiche of concert and studio recordings from The Albion's words-and-music presentations from 1977 to 1989, it's a nicely-crafted program, pleasantly strung together. ~ Danny Carnahan
2007 digitally remastered 2CD set that combines both of the individual albums together in one package. It's 42 tracks of both concert & studio recordings from a variety of sources: ...
| | Roger Miller King Of The Road CDs (1995) Box Set
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Principally recorded in Nashville, Tennessee between 1957 and 1985. Includes liner notes by Daniel ...
| | Defari Odds & Evens CD (2003)
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| | Tito Puente Dance Mania CD (1958)
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Recorded in New York, New York in November & December 1957. Includes liner notes by Domingo G. Echevarria and Harry Sepulveda.
Digitally remastered by Dick Baxter and Domingo G. Echevarria (1991, BMG/Studio ID, New York, New York).
A 24-bit digitally remastered French reissue of the 1958 album; housed in a digipak with original sleeve and booklet. Includes 3 bonus tracks 'El Cayuco' (alternate take), 'Estoy Siempre Junto A Ti' (alternate take-instrumental) & 'Estoy Siempre Junto A Ti' (alternate take). 2003.
These glorious cuts from 1957 hardly ...
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$9.79 | | Waterboys Karma To Burn CD (2005) Import
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KARMA TO BURN is the first live album by Celtic rockers the Waterboys. Taken from live performances recorded on tour in 2004 and '04, KARMA TO BURN is a definitive document of the band, capturing their energetic musicianship and excellent songcraft.
In 2001, Mike Scott decided to return to recording and performing under the Waterboys moniker. He released his first new-era Waterboys studio record, A Rock in the Weary Land, a good seven years after 1993's Dream Harder -- with some small contributions of some the more permanent Waterboys of the '80s and '90s. In between those records, Scott had recorded and performed solo in two different incarnations: one as an acoustic singer/songwriter (Bring 'Em All In), and one as a bandleader (Still Burning). And on 2005's Karma to Burn, the first ever official Waterboys live record, it's these two sides that he wants to capture. Where 1998's bootleg Live Adventures revealed a Mike Scott fronting a full band back in 1986, wanting to grasp the stars in the sky, Karma to Burn is, partially, a much more quiet affair. Culled from tours Mike and company made in 2003 and 2004, half the songs have a piano (Richard Naiff), acoustic guitar, and fiddle (Steve Wickham) setup, while on the other half the three core members are backed by then touring drummer Carlos Hercules and bass player Steve Walters. As a result, the record is a two-faced one: there's the rock band playing old and new Waterboys songs, and there's the acoustic trio playing material from Dream Harder, Universal Hall, and Scott's solo work. There are also two covers. Unfortunately, the record is too short too really show the two sides of the Waterboys: it plays off as just a rock show with some quiet tunes thrown in for good measure. It would have been wiser for Scott to release a double album, with one disc given wholly to his quiet side and one to his rock band persona. The 13-plus-minute guitar-heavy version of "The Pan Within," for example, is now followed by an intimate reading of "Open." As a consequence, both songs feel ...
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