Spanish Harlem Orchestra United We Swing CD

Spanish Harlem Orchestra: Ray de la Paz (vocals); Hector Colon (trumpet); Hector "Maximo" Rodriguez (bass guitar); Jorge Gonzalez (bongos); George Delgado, Pete Nater, Dan Reagan, Jimmy Bosch, John Walsh, Marcos Bermudez, Oscar Hernandez, Mitch Frohman, Willie Torres, Luisito Quintero.
Personnel: Willie Torres (vocals, guiro, maracas); Marcos Bermudez, Paul Simon (vocals); Mitch Frohman (flute, baritone saxophone); Pete Nater, Hector Colon, John Walsh (trumpet); Dan Reagan, Jimmy Bosch (trombone); Oscar Hernandez (piano); George Delgado (congas); Luisito Quintero (timbales); Kenny Baldwin (dancer).
Additional personnel: Paul Simon.
Audio Mixers: Dave Kowalski; Oscar Hernandez.
Recording information: Bennett Studios, Englewood, NJ (11/23/2006-11/26/2006).
Authors: Paul Simon; Rubén Blades.
Photographers: Mikki Allen Willis; Jerry Lacay.
Arrangers: Oscar Hernandez; Jose Febles; Gilbert Lopez; Angel Fernandez; Sonny Bravo.
With 2007's Grammy-nominated UNITED WE SWING, the Spanish Harlem Orchestra reinforces its revered reputation by offering up a lively set of salsa tunes. Led by pianist/arranger Oscar Hernandez, the horn-heavy New York City-based ensemble shines on exuberant tracks such as "Llego La Orquesta" and "Sacala Bailar," closing the album with a surprisingly simpactico collaboration with Paul Simon on his slice-of-city-life song, "Late in the Evening."
Spanish Harlem Orchestra's third release isn't appreciably different from their first two, but that's not a criticism: as before, the 13-piece collective delivers a nonstop volley of pure neo-retro salsa dura that couldn't possibly be improved upon. Led by pianist Oscar Hernández, SHO takes its cues from the heyday of Tito Puente, Machito, and the other revered Latino bandleaders of the mid- to late 20th century. The coordinated horn blasts snap in and out with regularity, the percussion is ceaselessly dizzying, the nuanced solos impressive, and the vocalists all engaging. Most of the tunes here are originals, and the arrangements, by Hernández, vocalists Willie Tórres, Ray de la Paz, and others, are polished to perfection. Paul Simon is the big-name guest star this time out, taking a lead vocal on the album closer, his own "Late in the Evening," repaying a favor to Hernández, who worked with Simon on the latter's ill-fated Broadway musical The Capeman. It's actually the weakest track on an album that otherwise has none, if only because it feels out of context. But not to worry: this is Latin dance music the likes of which is rarely heard anymore, and that in itself is worthy of celebration. This CD was nominated for a Grammy award in 2007 for Best Tropical Latin Album. ~ Jeff TamarkinDown Beat (p.66) - 4 stars out of 5 -- "Here, bandleader/pianist Oscar Hernandez leads his team into some wildly graceful attacks."
Dirty Linen (p.79) - "Through 123 stellar cuts, they offer a crisp and hip-swiveling array of percussion and horns that don't let up, throwing in a rumba and a mambo for good measure."
Global Rhythm (Publication) (p.59) - "[T]he battery of congas, bongos and timbales here is never short of explosive, the horns and vocals soar without fail, and the controlled flamboyance of Hernandez's piano decorates buoyantly cool bass."