| | Dog Day Night Group CD - Import Dog Day Discography of CDs
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Our Price: $15.69 CDFor Sale Usually ships in 1-2 days
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Based out of Halifax and featuring members of the Burdocks, Dog Day has a tight, loud and energetic vibe going on during the short but terribly sweet "Lydia" which sounds like a perfect melding of Placebo and the Velvet Underground. Singer Seth Smith has a great voice for these angular, urgent rock tunes, especially on "End of the World" that would fit just as well on an album by the Smiths as it would Forward Russia. And the album seems to get better with each song, with "Oh Dead Life" sparkling as if it was to be included on a tribute album to the Cure. This blueprint is revisited again on the crisply delivered "Sleeping, Waiting." Even when Dog Day slows things down with the lighter, dance-rock, synth-tinged ditty "Know Who You Are" it still easily shines. Another highlight is "Vow" which seems to hit another gear while being framed around the work of Nancy Urich and drummer Casey Spidle. Perhaps the biggest disappointment might be "Gayhorse" that doesn't quite live up to expectations. It's also the most experimental effort on the record. Thankfully, it's the exception to the rule as Dog Day return to form during the hook-filled title track. The album also doesn't simply mail in the closing tracks either, with "Great Pains" taking great pains to drive that point home. ~ Jason MacNeil
Audio Mixer: Bertil Mark.
Recording information: Common Ground, Halifax, Nova Scotia, Canada (2006).
Dog Day: Nancy Urich (bass guitar); KC Spidle (drums); Seth Smith, Crystal Thili.
Personnel: Seth Smith (vocals, guitar); Nancy Urich (vocals); Crystal Thili (organ, keyboards); Casey Spidle (drums).
Night Group Music | List Price | $15.98 (You save $0.29) | | Category | Rock/Pop Albums, Rock CDs | | Label | Tomlab | | Orig Year | 2007 | | All Time Sales Rank | 329079  | | CD Universe Part number | 7412627 | | Catalog number | 56698 | | Discs | 1 | | Release Date | May 22, 2007 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Engineer | Seth Smith; Andrew Watt; Bertil Mark; Chris Mitchell; Seth Smith; Philippp Janzen; Chris Michell; Bertil Mark; Andrew Watt | | Recording Time | 33 minutes | | Personnel | Crystal Thili - organ, keyboards KC Spidle - drums Nancy Urich - bass guitar Seth Smith Casey Spidle - drums
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Dog Day Night Group Songs | 1. | Lydia | $0.99 | |
| 2. | End of the World | $0.99 | |
| 3. | Oh Dead Life | $0.99 | |
| 4. | Career Suicide | $0.99 | |
| 5. | Know Who You Are | $0.99 | |
| 6. | Vow | $0.99 | |
| 7. | Gayhorse | $0.99 | |
| 8. | Night Group | $0.99 | |
| 9. | Sleeping, Waiting | $0.99 | |
| 10. | Defeat | $0.99 | |
| 11. | Great Pains | $0.99 | |
| 12. | Bright Light | $0.99 | |
| Night Group Review
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Purchase Night Group CD To buy, Click on price to add to cart | Bill Evans Waltz For Debby CD (1961)
Night Group album
$9.15 Recorded live at the Village Vanguard, New York, New York on June 25, 1961. Originally released on Riverside (9399). Includes liner notes by Joe Goldberg.
The 2002 edition of this CD (JVC catalog #XRC 220) is a sonically improved version which replaces JVC catalog #XRCD 60141.
WALTZ FOR DEBBY, along with SUNDAY AT THE VILLAGE VANGUARD, contains material from Scott LaFaro's final recording session with the Bill Evans Trio. He died 10 days later.
Digitally remastered by JVC using XRCD (Extended Resolution Compact Disc) technology.
Digitally remastered using 20-bit K2 Super Coding System technology.
This is a hybrid Super Audio CD playable on both regual and Super Audio CD players.
Recorded on the same night as Sunday At The Village Vanguard, Waltz For Debby captures one of the most important and well-integrated piano trios in the history of jazz, working on a superbly inspired night. It is clear, listening to this record, that bassist Scott Lafaro had a very special rapport with Evans, and drummer Paul Motian's subtle, ...
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$11.35 The late Oliver Nelson had such a successful career as a composer of film and TV music ("Theme From the Six Million Dollar Man") and arranger that it often overshadowed his abilities as a jazz musician. In 1961, Nelson assembled a fantastic small ensemble, including Eric Dolphy, Bill Evans, and Freddie Hubbard, for a session of six original compositions. Nelson was also an excellent, bluesy-toned saxophonist (heard here on tenor and alto) and his tunes cover a variety of moods, from the elegiac "Stolen Moments" to the wryly humorous, Aaron Copeland-like "Hoe-Down" to the rippling "Cascades." Dolphy's edgy, vocally inspired alto sound, the surging brassy tone of Hubbard's trumpet, and the swinging lyricism of Bill Evans make a potent combination, contributing to BLUES's status as a classic of post-bop jazz.
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