| | Roberto Gatto Traps CD - Import Roberto Gatto Discography of CDs
Roberto Gatto Traps Songs | 1. | Hands |
| 2. | Whispering |
| 3. | Traps |
| 4. | Octagonal |
| 5. | Monkish |
| 6. | North |
| 7. | Night in Salzau |
| 8. | Was Zahlen Sie [From der Silbersee] |
| 9. | Flow |
| 10. | Catch the Drums |
|
Traps Review
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Henry Threadgill has, in the framework of abstract music, been a stalwart, spontaneous composer whose personal sound is near impossible to identify, or certainly codify. A listener who enjoys very challenged music would have difficulty in discerning what is made up or written out. The elusive nature of Threadgill's kind of progressive jazz has to confound even those most oriented to his quirky pieces. Where the quintet Zooid lands in this quirky quandary of pegging a signature sound is subject to guesswork, but it definitely has its own brand of concentrated cohesion. Between Threadgill's scattershot flute and alto sax, the sleek tuba or trombone work of Jose Davila, and Liberty Ellman's thorny electric guitar, sparks are always flying about in a collective discourse that is completely unpredictable. Electric bass guitarist Stomu Takieshi and drummer Elliot Humberto Kavee are practically secondary in this mix of give-and-take improvisation that needs little rhythmic support or urgency. What seems telepathic or in zig-zag patterns is bursting with colors to the point where those lines are blurred with the virtuosity of these players. Then again, most of the ...
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A sequel of sorts to Chris Botti's 2006 PBS special, LIVE WITH ORCHESTRA & SPECIAL GUESTS, the September 2008 event LIVE IN BOSTON found the sartorially splendid cool jazz trumpeter accompanied by the Boston Symphony and a collection of celebrity vocalists. Also available as a DVD, the concert delivers an overview of popular music, with jazz standards like "I've Got You Under My Skin" right alongside "Ave Maria" and Sting's "If I Ever Lose My Faith in You." Whether featuring rocker Steven Tyler, AMERICAN IDOL chanteuse Katharine McPhee, or pop-opera superstar Josh Groban, all the tunes are presented in Botti's inimitable, Chet Baker-influenced uber-smooth style.
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The Pure Gold collection Hurt includes only 12 tracks of country-soul paragon Timi Yuro, but after considering the preponderance of re-recordings flooding the market, the compilation earns marks simply for sticking to the originals. After leading off with Yuro's biggest hit, the orchestral heartbreak of "Hurt," it only picks ...
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High Contrast's 2002 debut was entirely unpretentious. Its giddy rookie drum'n'bass skitters went ballistic into vintage vocal sample atmospheres with nary a pander to the electronic music community's savagely permutational itch. In '04, after a year of stellar remix work, Contrast (aka Welshman Lincoln Barrett) returns with High Society, a remarkable statement-maker that drops its share of can't-miss dancefloor moments, but also revels in posing hyperkinetic percussion against gently swelling, almost melancholic basslines. This dynamic in the emotions and music makes Society as much an album as Contrast's first recording was, but also highlights where he's grown. Grime-hopeful Nolay spits hollow-point bullets ...
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BIOGRAPHY A linebacker, a fur trapper, a ballet dancer, a stockbroker, an actor, a computer programmer and a yoga teacher all walk into a room… You know, birds of a feather… Actually, there's only one guy standing there. And it's dobro-spanking singer of songs, Bret Mosley. Yes indeed, he's had a none-too-mundane trip. And it has shaped a voice and vibe like none you've ever heard before…yet it all feels dearly familiar. Music flows raw and steady through this native Texan's veins. Born into a musical family, his first performance was at age 6 when he lit a fire under a retirement home audience with his rendition of "Wildwood Flower." At age 11 – a good while before turntables became musical instruments – he turned a Chet Atkins record by hand to learn "Yakety Axe" note-by-note. He still has the guitar, even though some dear soul at UPS drove a forklift through it several years ago as the culmination to an extremely uphill stint in L.A. It was that experience, though, that helped him wring out his first song, "Lord, Girl". Brooklyn-based Mosley recently released his first studio album Light & Blood on Woodstock MusicWorks (12/04/07)…thirteen tracks recorded over a two-day span in March 2007 by Pete Caigan (Bad Brains, Tony Levin) at Flymax Studio in Woodstock, NY, and mixed by Grammy-nominated engineer Roman Klun (Sarah McLachlan). Every track was performed live with no overdubs or punch-ins. The result is at once lean and lush...a smoldering confessional work…soulful Americana laced with a driving groove. He topped off 2007 with a bang, invited to sit in with the renowned Jerry Joseph on a late-night set after the SRO Light & Blood NYC release party at the Living Room. 2008 highlights so far include opening for Big Brother and The Holding Company, and the Blind Boys of Alabama. Bret's December 6, 2007 release party at the Bearsville Theater in Woodstock was listed in the Top 5 Live Shows of 2007 (just behind Jack Ingram, Ted Nugent, Queen Latifah and Bob Dylan) by upstate New York critic Sandy Tomcho. He's just fine to go it alone with his dobro and stompboard—and when he doesn't he's with his new band featuring drummer Craig Santiago (Kaki King, Malcolm Burn), bassist John Trent, and cellist extraordinaire Trevor Exter. The band recently debuted on the air at NPR affiliate WAMC 90.3 FM to hundreds of thousands of lucky listeners. His unreservedly original sound, a deeply authentic soulful rockin' funky blue Americana groove – has gathered an audience ranging from cowhands to bankers, from rastas to cops. You know, birds of a feather…PRESS QUOTES"…the whole album is like a hot summer night. There is neon glowing...you're driving down a long, lonely road with too ...
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