| | Monoral Tuesday CD - Import Monoral Discography of CDs
Tuesday Music | List Price | $17.99 (You save $0.90) | | Category | Rock Albums, World CDs, Japanese | | Label | Phantom | | CD Universe Part number | 7416044 | | Catalog number | 678466 | | Discs | 1 | | Release Date | May 15, 2007 |
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Purchase Tuesday CD To buy, Click on price to add to cart | Zac Brown Foundation CD (2008)
Tuesday album
 $10.49    
| | Owl City Ocean Eyes CD (2009)
Tuesday CD music
$10.19 
| | Fleetwood Mac - The Dance DVD (1997)
Tuesday music CDs
 $18.95  
| | U2 No Line On The Horizon CD (2009)
Tuesday songs
$10.49 
There's no shortage of legendary producers in line to work with music world titans U2; when work with Rick Rubin broke off, Brian Eno and Daniel Lanois stepped in. The resulting NO LINE ON THE HORIZON, 2009's offering from the Irish rockers, continues in the grand U2 tradition, as soaring pop anthems like opening single "Get on Your Boots" pair with experimental melanges like "Tripoli," on a striking album featuring touches of all ...
| | Whitney Houston I Look To You CD (2009)
Tuesday album
$10.69
| | Love Lost CD (2009)
$14.04 | | Screeching Weasel Anthem For A New Tomorrow CD (1993)
Tuesday CD music
$9.49
It seems that Ben Weasel and company have matured a great deal upon the release of Anthems for a New Tomorrow. Now playing as a four-piece, Screeching Weasel aren't slowing down with their continual aggravations toward everyday life and all-around stupid people. Songs like "I'm Gonna Strangle You" and "Rubber Room" continue in that tradition, but what's different are the callings for a social change on "A New Tomorrow" and the lack of individuality in American culture with "I, Robot." Not as raw and punchy as their previous album, Wiggle, but with the slick production and ability to jam keyboards in the mix without sounding "artsy," Screeching Weasel remain one step ahead ...
| | Briana For Your Safety And Mine CD (2002)
Tuesday music CDs
$6.69
Sometimes only music can touch us where we need to be touched. Only poetry can say the unspeakable things that need to be said. Only walking though the darkest night of the soul can release us into more joy and freedom than we've ever known.Through simple, unsentimental ballads and poems, this CD traces a woman's profound journey from the despair of facing sexual abuse in her family to the spiritual healing that allows celebration of her whole self - including the "inner child" parts that still hurt. For people who like their music (and their life) deep and real, at times lyrical, sweet, and soothing, at times haunting and sad, at times feisty and inspiring. Always filled with nuance and the kind of compassionate awareness that goes beyond blame or anger. "These songs are truly healing, honest, and brave. And Briana's voice is just so lovely. There's a purity and clarity in her voice that's really special." Ellen Bass, Co-Author of COURAGE TO HEAL and Pablo Neruda poetry prize winning author of the new MULES FOR LOVE.What other people are saying:"I've been playing it all the time because it's so incredibly soothing - more than soothing - it affects me on so many levels." "Thank you. What you've ...
| | Pete Jolly Seasons CD (1970)
Tuesday songs
$11.39
| | Johnnie Ray Walking In The Rain CD (2008) (Import) Import
Tuesday album
$30.19
| | Yohawks MPH CD (2008)
Tuesday CD music
$20.49
ABOUT USThe story of The Yohawks dates back to the days of the “British Invasion”, just before the Summer of Love, and long before commercial radio became formatted for specific music genres and listener demographics. “Back in the day” in Ottawa, Canada, bands would book four hours of studio time in Montreal (Ottawa didn’t have a professional studio then) and record an A side and a couple of B sides, send the master off to the Smiths Falls RCA pressing plant, and hear themselves on CFRA, CKOY, or CJET two weeks later.THE PLAYERSIn the late sixties, as part of the Five D, an Ottawa band which enjoyed success throughout eastern Ontario, Dave Poulin, Brian Bradfield, Brad Campbell and Keith Richardson formed a lasting friendship that, forty-two years later, has resulted in their first album of fresh, original songs. While each member went on to other musical endeavors after the Five D, it’s only now that time and technology has allowed the group to explore their collective creativity without any constraints.THE PROCESSIt was Brian’s suggestion a few years back that the boys get together to jam. As the owner of the recording facility studioNINE, Dave suggested that there be a purpose to these jams and proposed that everyone present their original material to work on as a group. These weekly get-togethers ...
| | Erasure Innocents CD (1988) With DVD; Limited Edition
Tuesday music CDs
$19.98
Erasure's third album, 1988's THE INNOCENTS, features the US breakthrough hits "A Little Respect," and "Chains of Love," and is a welcome departure for the duo. With this release, Vince Clarke and Andy Bell move away from the strictly-synthesized Hi-NRG dance-pop of their earlier albums, adding horns and gospel-tinged backing vocals for a more soulful, organic sound, while maintaining the disco vitality of earlier albums like WONDERLAND or THE CIRCUS.
Bell's lyrics are more overt in their social commentary, as on "Phantom Bride" and "A Little Respect," and he pointedly leaves the original gender references intact in the CD-only cover of Tina Turner's classic "River Deep, Mountain High." However, the duo is still capable of camp silliness like "Sixty-Five Thousand" and "Yahoo!" giving the album a balanced sensibility. THE INNOCENTS ranks with 1989's WILD! and 1994's I SAY I SAY I SAY as one of Erasure's best albums.
Having built up a strong fan base and back catalog in just a couple of years, Erasure turned into a full-blown pop phenomenon thanks to The Innocents, winning the British equivalent of the Grammy for album of the year and spawning a big American hit single, "Chains of Love." Stephen Hague took over as producer from Flood, perhaps smoothing out some points for a more general mainstream appeal, but otherwise letting the strengths of the songs speak for themselves. It begins with another single and stone-cold classic, "A Little Respect," with a charging beat/acoustic guitar/synth arrangement, and a flat-out fantastic performance from Bell, especially on the ascending chorus. Guest performances help flesh out a number of songs quite well. Wheeler and others reappear ...
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