| | Doobie Brothers Live At Wolf Trap CD Doobie Brothers Discography of CDs
Before the Doobie Brothers took over the AM airwaves in the late 1970s and early '80s with their slick, commercial soul-pop, they were a rocking boogie band with a feel-good vibe. The primary difference between the band's two incarnations was soulster Michael Macdonald, and this Macdonald-less line-up finds the band returning to its roots for an exciting live date. Recorded in 2004, LIVE AT THE WOLF TRAP presents a surprisingly energized Doobies in their original form. Moreover, there's a battery of old school Doobies classics on hand, including "Long Train Running," "Black Water," and "Listen to the Music." The concert is also available on DVD.
The Doobie Brothers: Patrick Simmons, Tom Johnston (guitars); John McFee (dobro); Marc Russo (alto saxophone); Marvin McFadden (trumpet); Mick Gillette (trombone); Guy Allison (keyboards); Skylark (bass guitar); Keith Knudsen (drums); M.B. Gordy (percussion).
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Purchase Live At Wolf Trap CD To buy, Click on price to add to cart | Marshall Tucker Band Live On Long Island 04/18/80 CDs (2006)
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Audio Mixer: Buddy Strong.
Liner Note Author: Barry Alfonso.
Recording information: 04/18/1980.
Live on Long Island: 04-18-80 is a significant addition to the Marshall Tucker Band catalog for two reasons: first, the two-CD set marks the only full-length concert by the classic lineup to be released on CD. Second, and more importantly, it was the last concert played by this original lineup. Just ten days after they packed up their gear and left the stage of the Nassau Coliseum (for some reason, the venue is never mentioned in the package), bassist Tommy Caldwell was killed in a car accident, ...
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Initial pressings featured a limited edition, cardboard-stock gatefold sleeve and unpublished archive photos.
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Glitter and Doom Live, a double-disc set, marks Tom Waits' third live effort in his nearly 40-year career, each one summing up his career to the point of its release. The first, Nighthawks at the Diner issued in 1975 on Asylum, is regarded by many as one of the greatest live albums of all time. The second was Big Time, released during his tenure at Island in 1986. The musical performances on disc one of Glitter and Doom Live were culled from Waits' historic sold-out tour of the U.S. and Europe. He compiled and sequenced the set himself, intending to make them sound like a single show. The material ...
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This is the fourth album from Orange County rockers Project 86, who started out in 1996 and have had a rather tortured experience in the industry ever since. Having dallied briefly with a major label and left the Tooth & Nail stable in 2003, the band is back together with the latter label in 2004 and back to making the tough, abrasive (but explicitly Christian) punk metal fusion that has become its trademark. Sonically, this stuff is top-notch, thanks to producers Aaron Sprinkle, J.R. McNeely, and Matt Hyde; the sound is dense and crunchy, the chord progressions are interesting, the various sonic elements nicely balanced. The problem is that there is not a single sung melody to be found on this album. That doesn't have to be a problem -- rock, especially punk rock, does not necessarily require melodies. But the instrumental parts are so well crafted and the chord progressions so logical and interesting that these songs sound like they were written with tunes in mind, and that ...
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