Need For A Crossing: A New New Zealand Vol. 1 CD

Need For A Crossing: A New New Zealand Vol. 1 Music

List Price	$19.97 (You save $3.72)
Category	Rock/Pop Albums, Rock CDs, Lo Fi, Oldies Collections
Label	Table Of The Elements
Orig Year	2007
CD Universe Part number	7416805
Catalog number	113
Discs	1
Release Date	May 22, 2007
Studio/Live	Studio
Mono/Stereo	Stereo
Producer	Regina Greene; Jeff Hunt
Recording Time	42 minutes

Need For A Crossing: A New New Zealand Vol. 1 Songs

	1.	Skies Crimson Tears - Birchville Cat Motel
	2.	Coast Road - Blowfly Saint
	3.	Unknown Rembetika - Greg Malcolm
	4.	Bold/Old - Pumice
	5.	Stars - Pumice
	6.	Mouth of Bloody Vengeance - Gfrenzy
	7.	Naima - Greg Malcolm
	8.	Hymn For Agnes Martin - Leighton Craig
	9.	Drawn Out Fighting - Antony Milton
	10.	Another Gate - Peter Wright

Need For A Crossing: A New New Zealand Vol. 1 Review

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LOADED (THE FULLY LOADED EDITION) is a greatly expanded version of the Velvet Underground's 1970 album LOADED. Disc 1 includes the original album along with outtakes, demos and alternate mixes. Disc 2 - the "Alternate Album" - repeats the sequence of songs from the original album using demos and alternate versions, and adds more demos and outtakes from the same sessions. Principally recorded at Atlantic Recording Studios, New York, New York in spring and summer 1970. Originally released on Cotillion (9034). INcludes liner notes by David Fricke. LOADED was a fitting end for the mighty Velvet Underground. Lou Reed had penned an album seemingly packed with hits, but by now, four LPs into the Velvet's career, only a sad few record buyers appreciated the band. Resignation permeates the album. Reed's voice is noticeably ragged, and bassist Doug Yule ended up recording many of the vocals for the final mix. Drummer Moe Tucker was pregnant, and Yule's brother Billy sat in on drums for most of the sessions. This was no longer the art-rock Velvet Underground, but a far more accessible version, relying on Reed's songwriting over the band's overall musicality. Yet LOADED is arguably VU's most immediately satisfying album. Less overtly experimental than any of their other releases, the record still overflows with hooks, churning grooves, and Lou Reed's irresistibly unique pop sensibility. In addition to the certifiable rock classics "Sweet Jane" and "Rock & Roll" (which alone should elevate the album into the rock pantheon), there are shiny, ironic ditties ("Who Loves the Sun"), cool, folk-rocking groovers ("Cool It Down"), and beautiful, weary ballads ("Oh! Sweet Nuthin'"). LOADED shimmers and gleams for all of its finality. While the album closed the book on the Velvet Underground's life, ...

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This edition of WITH THEIR NEW FACE ON includes an Enhanced bonus disc containing a 1967 documentary about the Spencer Davis Group. Though named Time Seller [Special Edition], this is actually something like an expanded edition of the band's first post-Stevie Winwood album, With Their New Face On. The first disc of this two-CD set consists wholly of With Their New Face On, a not-bad record that nonetheless could not come close to matching the best of what the band had recorded with Winwood in the group, no matter how much some collectors might want to put a different face on that situation. The album veered from fairly decent pop-psychedelia ("With Their New Face On" itself) and rather Traffic-sounding cuts ("Mr. Second Class") to solid blues-rock ("Don't Want You No More," covered by the Allman Brothers) and mundane filler in the same mold. This particular reissue is perhaps more notable for the second disc, a CD-ROM consisting of a 56-minute 1967 documentary film on the group, at the time when the lineup included singer/guitarist Phil Sawyer (who had left the band by the time With Their New Face On came out) and organist Eddie Hardin as replacements for Stevie Winwood and Muff Winwood. There are factors that work against the film being a major enjoyable experience, aside from needing to view the whole thing on your computer screen. Though all the dialogue is in English, the commentary is in German and not subtitled in English (though, conversely, some of the spoken dialogue appears with German subtitles). The scenes in which the bandmembers are shown horsing around, doing photo sessions, and talking business are rather dull. Better is the glimpse of Davis and Sawyer working on a folky tune the band didn't record that year, "Robin Hood," and live footage (including some at the Marquee in London), largely of bluesy songs that were leftovers from the Winwood repertoire. Strangest is the scene of them recording the instrumental track to a tune that sounds much like, though not exactly like, their "I'm a Man" hit; when Sawyer overdubs vocals (which are much like, but hardly exactly like, Winwood's), it turns out to be not "I'm a Man," but a "Great ...