| | Adam Freeland Global Underground: Mexico City CD Adam Freeland Discography of CDs
DJ Adam Freeland initially cut his teeth within the burgeoning U.K. breakbeat scene; becoming an in-demand producer, he scored remixes for both mainstream and underground artists as diverse as Sarah Vaughan, the Orb, and Nirvana. MEXICO CITY, his latest mix CD, takes on a suitably eclectic track selection that reflects Freeland's diverse influences. Incorporating everything from '80s-style electro, glitch-ridden minimal techno, and banging breaks into the seamless set, MEXICO CITY is a rough and rugged ride through the grittier side of dance music. Global Underground: Mexico City Music Adam Freeland Global Underground: Mexico City Songs
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Click on the  buttons below to play song samples |
| | | | Global Underground: Mexico City CD DISC 1: |
  | 1. | In the Trees - (Carl Craig C2 Remix #1, Carl Craig C2 remix) |
| 2. | Walking Machine - (Sebastian Remix, SebastiAn remix) |
| 3. | Fuck |
| 4. | Wet N Wild - (Midnight Juggernauts Mix) |
| 5. | Half an Edit |
| 6. | Silverlake Pills |
| 7. | By the Time They Reach You - (Bagraiders Mix) |
| 8. | Floating - (Alex Metric Remix, Alec Metric remix) |
| 9. | Disco Sux - (Stone Lions Mix, Alex Metric remix) |
| 10. | 37o |
| 11. | Phantom |
| 12. | Deadly Weapons - (Optimo Mix) |
| 13. | Bump - (Switch Remix, Switch remix) |
| 14. | Signatune - (Thomas Bangalter Edit) |
| 15. | Sharpen the Knives |
| 16. | One, The - (Para One Remix, Para One remix) |
| 17. | Testarossa - (Sebastian Remix, SebastiAn remix) |
| 18. | Happy Ending |
| | Global Underground: Mexico City Songs DISC 2: |
| 1. | Ecstasy Symphony |
| 2. | Butterflies & Zebras |
| 3. | There Comes a Time - (Prins Thomas Miks) |
| 4. | Advance |
| 5. | Come out, Come Down, Fade out, Be Gone |
| 6. | Terminal |
| 7. | Lump |
| 8. | Dump Truck |
| 9. | Lazy Eye - (Adam Freeland Mix) |
| 10. | Immersion |
| 11. | Ankle Injuries - (Adam Freeland Mix) |
| 12. | Feathers |
| 13. | Nowhere Girl - (Adam Freeland Mix) |
| 14. | Paris 400 - (Aswefall Remix, Aswefall remix) |
| 15. | Self Indulgent Ending |
| Global Underground: Mexico City Music Global Underground: Mexico City Review
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Purchase Global Underground: Mexico City CD To buy, Click on price to add to cart | Steve Lawler Global Underground: Nubreed CDs (2000)
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| | Paul Westerberg Eventually CD (1996)
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It took Paul Westerberg three years to issue a follow up to his 1993 solo debut, 14 SONGS. But when his sophomore effort, 1996's EVENTUALLY, finally appeared, Westerberg fans were treated to his finest work since the days of his former band, the late, great Replacements.
EVENTUALLY has a slightly glossier production than its predecessor, but the excellence of the work makes up for any sonic slickness. Westerberg certainly hasn't ...
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| | Heikki 2 CD (2005)
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Heikki, the collaboration between the Concretes' Maria Eriksson and producer Jari Haapalainen, is virtually a Swedish indie pop mini-supergroup. Their first full-length (and Stateside debut) Heikki 2 shows off the duo's unique mix of '60s pop, folk and country influences. Initially, the way the album switches between sugar-buzz pop and pastoral ballads seems a little jumbled, but with repeat listens, it feels more eclectic than scattered. Eriksson's sweet-but-strong vocals, aided and abetted by Ellekari "The Tiny" Larsson and Tove Leander's backing harmonies, hold Heikki 2 together despite its stylistic shifts. Eriksson and Haapalainen have affection and understanding for early-'60s pop that is second to none, as well as an understanding of how to adapt it into something that sounds fresh and timeless all at once. Indeed, songs like the fantastic album opener "Former Hero" and "Give It Back to You" are so strong and immediately catchy that they almost overpower Heikki 2's more delicate moments; however, ballads like "Election Day" and the gorgeous, unconventionally romantic "I Can't Stand (To See Someone Hurt)" are also standouts, albeit gentle ones. Though the band's pop skills are undeniably impressive, it's equally impressive that Heikki's forays into other styles never seem self-conscious or forced. "Still You Don't Know Me" sounds like it could appear on some lost, alternate version of Carole King's Tapestry, while "Lovely Hands" starts out slow and sprawling and turns into a breathless, joyous jamboree. Free-flowing song structures and unusual arrangements, which include upright bass, melodicas, trumpets and accordions give songs like "Smiling Liar" and "Don't Ask Me Why" a sweet, homespun feel. The bonus tracks on the U.S. version of the album feel a little tacked-on and make it seem like the album has three endings, but "Nothing Lasts" and "Tender Is the Night (The Long Fidelity)" are good enough to justify their inclusion. Though Heikki 2 is definitely a pop album, it's an unconventional one that isn't always about immediate gratification. Still the band tries so many things on the album -- and ends up pulling nearly all of them off -- that it can't help but be a refreshing listen. ~ Heather Phares
Armored Frog, slow motion provocateurs, have outgrown their britches and hit the road in support of Weasel On a Weathervane, their third release since they formed in 2000. Jake Baker turns the screws and George Ayres rides a slow wave of poetic pseudo-sensuality as the predictably erratic and occasionally brilliant duo of Erin Cadigan and Elliot Hartlerode waltz off into the sunset playing every instrument they can carry.Armored Frog creates art music fit for populists and politicos. In the beginning, Armored Frog was two young men who played with synthesis and whispers, preferring drones to bombast. As the band grew, so did the beast. The two became four, and the ...
| | Gorky's Zygotic Mynci Sleep/Holiday CD (2003)
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As trite as it may be, Sleep/Holiday's name is an apt reflection of the album's sound: dreamy and atmospheric, the perfect soundtrack to a quiet fall and winter out in the country. Delicately warm songs like "Happiness" and "Shorelight" are some of the prettiest songs that Gorky's Zygotic Mynci has written, and among the group's most atmospheric too. Aside from the quirky Spanish Dance Troupe-esque outburst "Mow the Lawn," nearly all of Sleep/Holiday trades in the intimate, slightly whimsical folk-rock that the group has been perfecting since Barafundle. On the surface, this approach isn't as challenging or as immediate as their earlier work, but songs like "Single to Fairwater" -- a maple syrup-sweet song with lyrics like "And of all of my boyfriends/Well I hate you the most/To look in your eyes/You're a f*cking disgrace" -- prove once again that the band hasn't lost its edge but has merely changed the way it's used. And while ...
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Originally released on Capitol. Includes liner notes by Chris Morris.
Digitally remastered by Larry Walsh (August 1990, Capitol Recording Studios).
When ...
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