| | Weatherbox American Art CD Weatherbox Discography of CDs
(1 Customer Review)
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Weatherbox took their name from a song by Mission of Burma, the band formed by Peter Dayton, the former frontman of Boston punk heroes La Peste. Heartbroken fans found it inexplicable that Dayton had turned his back on the aggressive, edgy sounds of La Peste for Mission's experimentalism. Surely commercial suicide...few foresaw the influence Mission would have. Which brings us neatly back to Weatherbox. Their The Clearing EP garnered attention and raised many eyebrows with its eccentric guitar riffs and juttery rhythms. It was perhaps then unwise to slightly revise three of its numbers -- "Atoms Smash," "Snakes, Our Ground," and "The Clearing" itself -- for their debut album American Art. Fans may feel cheated, but that aside, the band more than hold their own here. Which means Weatherbox aren't so much breaking new ground as consolidating old territory. A pusillanimous mix of indie rock and post-punk art-rock, the band boldly bash their way through a baker's dozen of tracks, many of which careen right up to the abyss of accessibility before sounding the retreat. The dreamy "The Drugs," for instance, features lovely acoustic guitar and harmonica, over which singer Brian Warren bleats in rather distressing fashion. The untitled fifth track is a haunting ballad, over which Warren emotively rips himself to shreds. "The Dreams," in contrast, are anything but, wakened by the buzzsaw guitar and thundering drums, then whisked off into driving rock. Careening from hard rock into punk rock, on "Wolfbank, Doff Thy Name" the band flirt with emo, with the equally wittily titled "A Flock of Weatherboxes" they dally with New Romantics, while "Atoms Smash" together hardcore and melodic punk. The set's most experimental number, "Trippin' the Life Fantastic," takes the piss out of funk, the blues, and perhaps religion, before wandering off into exuberant indie-dom. There's always something unexpected on this set, a twist in the time signature, a surprising lyric, a sudden genre shift. Weatherbox delight in keeping listeners off-kilter, and although they're far from the only band out there playing these games, American Art makes for an entertaining pursuit. ~ Jo-Ann Greene
Recording information: Love Juice Labs, Riverside, CA.
Weatherbox: Mike Longfield, Brian Warren, Ryan Hill, Marc Deriso.
Audio Mixer: Daniel Mendez.
Alternative Press (p.159) - 4.5 stars out of 5 -- "Frontman Brian Warren willingly exposes his psyche over 50 minutes....Buy this record with confidence, champion it with conviction; memorize it with dedication." Alternative Press (p.128) - Included in Alternative Press's '10 Essential Albums Of 2007' -- "[A] rock album for the ages, full of confidence, gusto, self-awareness, raw emotion....[and] good songs..." Weatherbox American Art Songs American Art Music Review Purchase American Art CD To buy, Click on price to add to cart | Sweet Smell Of Success DVD (1957) Widescreen
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American Art music CDs
$12.95 Pianist Crosara uses mostly acoustic piano and some Fender Rhodes to play jazz in a manner unmistakably linked to Chick Corea. He has that bouncy, light, leprechaun-like feel and hyper-melodic, slightly Latin tinge that is all things Chick. There are some change-ups, employing Chicago tenor saxophone veteran Von Freeman on five cuts, one also with vocalist Claudia Perez for the Portuguese lyrics on "Passion/Paixao," and using synthesizer for the aforementioned cut and on a complex "Plutonium 239," a time shifting dramatic open with free section from Freemen to a hard bop to swinging blues and back multi-faceted original. There are many tender moments where Crosara puts Corea a bit aside, like the beautiful intro of "Dolphin Dance" before Freeman comes in late on the second time through the melody. His solo interpretation of "Spring Can Really Hang You Up the Most" cascades, flowing into repeated statements that eventually hint at stride. The slightly flat Freeman is masterful on the title track, a piano-tenor duo ballad, and the rhythm section joins them for "I Loves You Porgy/Bess, You Is My Woman." A funky 6/8 Rhodes driven "Someday My Prince Will Come" with trio, and the marvelous twelve-and-a-half minute "Suite Venus" (recorded in Honolulu with Hawaiian jazzsters) on acoustic piano and Rhodes really rams the point across: Chick being the main influence on Crosara's musical thinking. There's no real rehash here, and Corea is still doing this type of jazz better than ever. But on the ground ...
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