| | Mike Wilhelm Live At The Cactus CD - Import Mike Wilhelm Discography of CDs
After 5 years spent playing with The Charlatans, the influential psychedelic rock band that played a pivotal role in the development of the San Francisco music scene in the 60's, 7 years with Loose Gravel, and 7 years with The Flamin' Groovies, one can say that Mike Wilhelm had one of the hell of a career! This live record finds Mike alone on stage with his 12 strings guitar and back to the roots, with songs by Robert Johnson, Blind Willie Mc Tell and Lightnin Hopkins, but he also played a couple of Flamin Groovies favourites, including the fabulous ''Shake Some Action''. Last Call. 2007. Mike Wilhelm Live At The Cactus Songs | 1. | Going To Canada |
| 2. | Feel A Whole Lot Better |
| 3. | Chimes Of Freedom |
| 4. | 500 Miles |
| 5. | Slow Blues |
| 6. | Devil's Gate |
| 7. | If You Live |
| 8. | Night Time Is The Right Time |
| 9. | Come On In My Kitchen |
| 10. | Dust My Broom |
| 11. | Shake Some Action |
| 12. | Make A Pallet On Your Floor |
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Live At The Cactus Review
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Purchase Live At The Cactus CD To buy, Click on price to add to cart | Trans-Siberian Orchestra Night Castle CDs (2009)
Live At The Cactus album
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NIGHT CASTLE appears just in time for the big 2009 holiday season but don't be fooled: this isn't a Christmas album, even if it's sonically indistinguishable from Trans-Siberian Orchestra's other seasonal releases, and the fact that it's been dubbed "Capra-esque" certainly brings it within the realm of the season. NIGHT CASTLE brims with all the drama, pomp, and circumstance of Trans-Siberian Orchestra's other records but channeling these traits through a newly created narrative does have the effect of hearing it in a somewhat new light, shifting the focus entirely to the band's attack, not melody. Still, there's not that much new here -- and the coda of seasonal covers, including the first sober version of "Nutrocker" ever cut, doesn't do much to break that spell. But for those already enchanted by the Orchestra, this will continue to enthrall.
Night Castle appears just in time for the big 2009 holiday season but don't be fooled: this isn't a Christmas album, even if it's sonically indistinguishable from Trans-Siberian Orchestra's other seasonal releases, and the fact that it's been dubbed "Capra-esque" certainly brings it within the realm of the season. Night Castle brims with all the drama, pomp, and circumstance of Trans-Siberian Orchestra's other records, but channeling ...
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After the initial shock fades, the existence of CHRISTMAS IN THE HEART seems perhaps inevitable. After all, the thing Bob Dylan loves most of all are songs that are handed down from generation to generation, songs that are part of the American fabric, songs so common they never seem to have been written. These are the songs Dylan chooses to sing on CHRISTMAS IN THE HEART, a cheerfully old-fashioned holiday album from its Norman Rockwell-esque cover to its joyous backing vocals. Apart from the breakneck "Must Be Santa," which barrelhouses like a barroom, Dylan doesn't really reinterpret these songs as much as simply play them with his crackerjack road band, dropping ...
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Pink Martini follow the around-the-world-in-a-dozen-songs thrills of HEY EUGENE! with SPLENDOR IN THE GRASS, a mellower, simpler set of small pleasures. These are relative terms, however; the group's music is still well-traveled, with China Forbes singing in five languages (English, Spanish, Neapolitan, French, and Italian) instead of the six or so on EUGENE!. However, Pink Martini opt for a more unified sound here, one that draws on the more straightforward lounge-pop of their debut, SYMPATHIQUE, and the mellowness of '60s and '70s pop. SPLENDOR IN THE GRASS' first half is especially smooth, opening with the beautifully soft Neapolitan ballad "Ninna Nanna" and the title track, on which Forbes sings "I think we should take it slow" over swooping strings, brass, and piano that resurrect the glory days of AM pop; that feeling is echoed by the cover of Joe Raposo's "Sing," the Sesame Street song that gained popularity when the Carpenters performed it (Emilio Delgado, aka Sesame Street's Luis, duets with Forbes here in Spanish and English). The album's first few tracks are among its most playful, including the slinky yet winking "Ohayoo Ohio" and the French confection "Ou Est Ma Tete?" While Pink Martini gets almost too cute for their own good with "And Then You're Gone" and "But Now I'm Back," a pair of songs about a quarreling couple inspired by Franz Schubert's "Fantasy Piano for ...
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