| | Hellyeah CD - Import HELLYEAH Discography of CDs
Japanese pressing of Hellya's self-titled album includes one bonus track, 'Alcohaulin' Ass' in acoustic version. 13 tracks total. Sony. 2007. Hellyeah Review
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Purchase Hellyeah CD To buy, Click on price to add to cart | Shrinebuilder CD (2009)
Hellyeah album
 $12.79   
This album is a sort of summit conference of underground heavy music. Guitarists and vocalists Scott "Wino" Weinrich (the Obsessed, Saint Vitus, Spirit Caravan, the Hidden Hand) and Scott Kelly of Neurosis are grizzled veterans whose hoarse, guttural shouts and instantly recognizable, distorted guitar tones carry the authority of years of hard touring and introspective yet still crushing rock, while bassist Al Cisneros (Sleep, Om) and Melvins drummer Dale Crover shake the earth with their gigantic rhythms. The five tracks were laid down in three days, with some minor overdubs done shortly afterward, and they have the organic feel of jams transformed into cohesive songs through application of the group mind. Wino's usual biker-rock riffage is frequently replaced by a more psychedelic, drifting sound with long sustained notes floating over Cisneros's trance-inducing basslines (Ted Nugent's "Stranglehold" seems like a bigger influence ...
| | Swallow The Sun New Moon CD (2009)
Hellyeah CD music
$12.49
| | Kiss Destroyer CD (1976) Remastered
Hellyeah music CDs
$7.85  
Digitally remastered by Joseph M. Palmaccio at Sterling Sound, New York, New York.
Before DESTROYER, Kiss' studio albums were only moderate sellers. But the band's concerts were selling out regularly, and 1975's ALIVE! album had gone gold, putting Kiss on the pop map. DESTROYER, on which they teamed with Alice Cooper producer Bob Ezrin, was the breakthrough that finally got Kiss' grandiose rock ideas down on record.
DESTROYER is a chancy, ambitious album. It opens with a radio announcer reporting a teen's death in a car crash, followed by a snippet of "Rock And Roll All Nite" (which had appeared on 1975's DRESSED TO KILL); then the band launches into "Detroit Rock City," an homage to the first city to make them stars. "Great Expectations" features ornate orchestration, a heavenly chorus and a guitar tone that exposes the band's glam-rock ambitions. DESTROYER also includes ...
| | Gary Hoey Ho! Ho! Hoey: The Complete Collection CDs (2003)
Hellyeah songs
$14.59 
| | Linkin Park Hybrid Theory CD (2000)
Hellyeah album
$12.85
"Crawling" won the 2002 Grammy Award for Best Hard Rock Performance.
Linkin Park's mixture of metal, industrial rock, and rap fits comfortably into the niche created by the likes of Kid Rock, Korn, and Limp Bizkit. The opening "Papercut" is every bit as angular and unavoidable as its title. "With You" opens with electronic squeaks and squiggles before leaping into a mix of heavy guitar riffs and hip-hop rhythms. "Crawling" bears a largely subdued tone and atmospheric synth coloring that provides a respite from the crushing riffs and grinding rhythms that typify HYBRID THEORY, but even this relatively sedate song is full of tension and sonic angst. The five young men of Linkin Park are on a mission to communicate their inner turmoil through a non-stop barrage of confrontational lyrics and aggressive aural constructions, and their debut gets the point across with alacrity.
Additional personnel includes: Ian Hornbeck, Scott Koziol ...
| | Dio Holy Diver CD (1983)
Hellyeah CD music
$7.55
Despite recording two hit studio albums with Black Sabbath (1980's HEAVEN AND HELL and 1981's THE MOB RULES) and playing throughout the world to huge crowds, Ronnie James Dio left the band in 1982-the year of his final release with Sabbath, the in-concert LIVE EVIL. As soon as the announcement of his departure was made official, Dio began to put together his first solo project. Joining him were former Rainbow bandmate Jimmy Bain on bass, former Sabbath bandmate Vinny Appice on drums, ex-Sweet Savage guitar hero Vivian Campbell, and newcomer Claude Schnell on keyboards.
HOLY DIVER, Dio's ...
| | Marco Pereira Original CD (2004)
Hellyeah music CDs
$13.05
| | Pentagram Turn To Stone CD (2002)
Hellyeah songs
$10.49
Even though Pentagram released no new albums in 2002, the year turned out to be big for the doom metal godfathers. First came the grail-like First Daze Here compilation of their hard to find '70s material (issued on Relapse), followed months later by this collection of songs from the band's '80s and '90s Peaceville releases. Of the two, this one is far less earth-shattering, as this material has already been widely available, but for listeners who are still somewhat new to the band and don't already have the Peaceville albums, this is ideal. There are 17 tracks -- six from Relentless, five from Day of Reckoning, and six from Be Forewarned -- totaling nearly 80 minutes in all. (A couple of the songs here, "20 Buck Spin" and "When the Screams Come," actually appear on First Daze Here, meaning they were anywhere from ten to 15 years old or older by the time these versions were recorded.) Pentagram's basic sound changed little from the '70s to the '80s and '90s, keeping the emphasis on blues-based, slow- to medium-tempo hard rock/metal with nods to Black Sabbath, Blue Cheer, Cream, and early Led Zeppelin, among others. Because of this consistency in sound, it doesn't really matter that the songs aren't in chronological order, as there is still a natural flow to this disc (something that has not always been the case with Peaceville's other compilations, such as Darkthrone's Preparing for War, for example). Also worth noting is that although these recordings don't have that authentic early-'70s haze of the First Daze Here material, they're not over-produced either and they don't sound dated. For those who already own Relentless, Day of Reckoning, and Be Forewarned, there is no reason to buy this, but otherwise, this well-assembled compilation ...
| | Loudness 8186 Live CDs (2005)
Hellyeah album
$13.59
Designed to commemorate the band's five-year anniversary, this double disc isn't as ferocious as Live-Loud-Alive, but it definitely serves as a thorough overview of the group's history up to that point in time. On this 15-song, three-solo showcase, Loudness are tenacious in their delivery of some of the group's finest hits as well as a ...
| | Tom Sauber Carve That Possum CD (2005)
Hellyeah CD music
$13.05
| | Brian Eno Spinner CD (1995)
Hellyeah music CDs
$14.29
SPINNER originated as the soundtrack to Derek Jarman's final film, "Glitterbug."
Brian Eno's 1995 collaboration with ex-Public Image Limited bassist/producer Jah Wobble is of a piece with Eno's partnership with U2 as the Passengers, applying his idiosyncratic talents to mid-'90s dance music. A third of SPINNER consists of solo keyboard pieces by Eno which would not sound out of place on any of his ambient records, but the rest marries his trademark soundscapes to Wobble's booming, reggae-influenced bass and the polyrhythmic drums of Can's Jaki Liebezeit, with others providing ...
| | Orthrelm Split CD (2006) Extended Play
Hellyeah songs
$7.29
This EP contains one song apiece by two of America's most devastating avant-prog-metal outfits. Orthrelm is a duo of drums and guitar: harmless enough on paper, but when the two instrumentalists in question are guitarist Mick Barr (formerly of Crom-Tech) and drummer Josh Blair--guys who play with an exacting, mind-meld precision unheard outside of those who carry "virtuoso" status--then sparks will fly. 64th-note string destruction and bombastic drums weave around one another on the frenetic offering "Pithot 1." Brooklyn's Behold... The Arctopus mine a more traditional progressive rock model, but are no less engaging. Their claim to fame has been guitarist Colin Marston's unique 12-string touch ...
| | Doo Dew Kidz 30 Minute Workout CD (2006)
Hellyeah album
$16.45
The Doo Dew Kidz which consist of Grant "DJ Boo Man" Burley III, Kenny "KW Griff" Wilkens and James "Jimmy Jones" Jones has been blazing Baltimore's ...
| | Grimskunk Fires Under The Road CD (2006)
Hellyeah CD music
$16.45
Three years since their last release GrimSkunk has teamed up with producer Gggarth Richardson to bring us their latest album titled 'Fires Under the road'. Once again Grimskunk comes back with a creative force that knows no limits.. For this new album the band went to The Farm studio in Gibsons BC, and produced a heavy rock album with punk, strong melodies and psychedelic tendencies, the unique sound that has made GrimSkunk stand out on the musical landscape. Elaborate gleefully grim keyboards, crunching raw guitars, powerful drumming and melodic vocals, their unique and eclectic sound prevails throughout the entire album with songs like the title track 'Fires under the road', 'Psychedelic wonder drug', 'America sucks' and 'Divide and Conquer'. Fires under the road was mixed by Mike Fraser and will be released on October 31st 2006.History:Planting trees up north one summer, the seed was planted, GrimSkunk sprouted (also proving a dominant force on the latter of the name). The creative team started by founding members Joe 'Evil', Franz Schuller & Peter Edwards stuck and properly gelled into GrimSkunk upon their return to Montreal in the autumn. Determined to offset the more organic, hippy side of their ideology, the band added Grim to their name in order to represent the ying and yang. Grim defined the darker side, more brooding and less appealing commentary on society that crept into the majority of their songs. For over fifteen years now GrimSkunk has proven themselves to be unstoppable, exerting a ferocious blend of what is best described as 'hybrid rock' to all ears that cross their path. Always maintaining the highest regards for musical integrity, GrimSkunk has become one of Canada's most successful and influential rock groups to date. After a run of indie CDs and a relationship with Montreal's infamous Cargo, the band found itself without a distributor and a support system for their touring. Instead of giving up and going 9-5 like many indie bands in Canada during the late 1990s, GrimSkunk created it's own label, Indica Records, in 1997. Not only did fill a noticeable void in the Canadian music landscape, it gave them the ability to sign other domestic indie artists as well European and American bands with whom ...
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