| | Sidney Bechet 1952, Vol. 2 CD Sidney Bechet Discography of CDs
 |
|
Our Price: $12.89 CDFor Sale Usually ships in 1-2 days
|  |
The celebrated jazz clarinetist Sidney Bechet had a lifelong affinity with Europe, making his first visit there in 1919 and finally settling in France in the late 1940s. These recordings, made both with a trio consisting of Louis Armstrong's first wife Lil on piano and Zutty Singleton on drums, and with the French bandleader Claude Luter, display Bechet's skills as a soloist and ensemble player. In a set that ranges from the ragtime of "Big Butter and Egg Man" and the bluesy "Rockin' Chair" to the sophisticated medley of tunes from the musical SHOWBOAT.
Volume 16 of the recordings of Sidney Bechet opens with the remaining items taped during a concert at "Salle Pleyel" in Paris. The following date by a trio ranks among the most remarkable sessions Bechet made that year. Most of the songs stem from Louis Sidney Bechet 1952, Vol. 2 Songs | 1. | House Rent Blues | $0.99 | |
| 2. | Mean Blues | $0.99 | |
| 3. | Jailhouse Blues | |
| 4. | Foolin' Me | |
| 5. | Texas Moaner | |
| 6. | Early In The Morning | $0.99 | |
| 7. | You've Got The Right Key, But The Wrong Keyhole | $0.99 | |
| 8. | I'm So Glad I'm A Brownskin | |
| 9. | Off And On Blues | |
| 10. | Mandy, Make Up Your Mind | $0.99 | |
| 11. | I'm A Little Blackbird | $0.99 | |
| 12. | Nobody Knows The Way I Feel Dis Mornin' | |
| 13. | Early Every Mornin' | |
| 14. | Cake Walkin' Babies From Home | |
| 15. | Who'll Chop Your Suey When I'm Gone | |
| 16. | Done Made A Fool Out Of Me | |
| 17. | Eva Taylor With Clrence Williams' Blue Five | |
| 18. | Pickin' On Your Baby | $0.99 | |
| 19. | Junk Bucket Blues | |
| 20. | Harlem's Araby | |
| 21. | Ghost Of The Blues | |
| 22. | Ich Lass Mir Meinen Korper Schwarz Bepinseln | |
| 23. | Kind, Dein Mund Ist Musik | |
| 1952, Vol. 2 Review
GuidelinesRemember to focus your comments on Sidney Bechet 1952, Vol. 2 CD. Check our review guidelines for specific details regarding customer review policy. To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days. Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.
Purchase 1952, Vol. 2 CD To buy, Click on price to add to cart | Slim Gaillard At Birdland 1951 CD (1951) (Import) Ireland
1952, Vol. 2 album
$14.95
| | Duke Ellington Okeh Ellington CDs (1991)
1952, Vol. 2 CD music
$16.09 Features Duke Ellington and His Orchestra in various incarnations under the names ...
| | Dizzy Gillespie 1951-1952 CD (2003) (Import) Import; France
1952, Vol. 2 music CDs
$15.59
| | Jazz Ambassador: Scott Robinson Plays The Compositions Of Louis Armstrong CD (2004)
1952, Vol. 2 songs
$9.65
| | Sidney Bechet 1952 CD (2005) (Import)
1952, Vol. 2 album
$14.55
| | Joe Bushkin 1940-1946 CD (2007)
1952, Vol. 2 CD music
$18.05
| | Les Paul Blowing The Smoke Away From A Trail Of Hits CD (2000) (Import) United Kingdom
1952, Vol. 2 music CDs
$13.15
| | Rob Mcconnell Tentet CD (2000)
1952, Vol. 2 songs
$14.65
| | Pee Wee Crayton Blues After Hours CD (2001) Import
1952, Vol. 2 album
$19.39 There are much better annotated Pee Wee Crayton anthologies out there, but the dark horse import Blues After Hours offers an extremely well-rounded collection of material, compiling sides from Crayton's memorable stints at both the Modern and Imperial labels (a feat that has yet to be accomplished by any domestic single-CD reissue of Crayton's work). This is a great starting point for blues guitar fans -- especially Texas- and West Coast-style enthusiasts -- who may be unfamiliar with Crayton's often overlooked career. The seven instrumentals alone (including the classics "Blues After Hours," "Texas Hop," and "Poppa Stoppa") are worth the price of admission, and the vocal cuts are just as impressive, with a young Crayton showing off his keen ability to switch from "over the top blues shouter" mode to "dapper R&B crooner" mode at the drop of a downbeat. In addition to the tracks culled from the Modern and Imperial sessions (originally recorded between 1947 and 1955), Blues After Hours includes "The Telephone Is Ringing," a slow blues that Crayton cut for Vee-Jay in 1956. Ignore the skimpy liner notes and the cheap cover art; the songs assembled in this package are all first-rate, and they represent an ...
| | Hoppy Kamiyama Havel City/No One Is There CD (2004)
1952, Vol. 2 CD music
$10.09 Gods have trembled at the sound of Bill Laswell's bass. The legendary master of the low end has always brought the skill of a jazz master and the soul of a reggae dub seer into his post-everything playing, which has extended from working with Jah Wobble to remixing Miles Davis. Paired with quirky Japanese keyboardist Hoppy Kamiyama, one would expect this album to feature both attempting to out-freak the other in a dense sonic stew. Quite to the contrary, these players know when to let the other work. And more impressively, they leave ample room for the drumming of one Kiyohiko Senba, whose history with Japanese popsters Cornelius and Soukichi Kina barely hinted at the stellar playing found on the tumultuous end of "Azlo." Throughout each song, Senba rapidly switches from pan-everywhere tappings to effortless jazz swing or hyper-kinetic explosions at a moment's notice. That anyone can keep up with Laswell's molten lower register is impressive. The fact that it often appears to be Senba who is driving the nimble-fingered bassist is nothing short of astounding. They lock into a groove that sounds like it could ride forever, only for one of the pair to do a quick fake and the chase to resume. Through all this, Kamiyama stays on the sidelines, refereeing the match with light touches that only sparingly invade the playing field, the exception being the liquid funk rev-up on "Sad Emission." Fans of both Laswell and Kamiyama should be happy with this release. And expect followers from both sides to discover a new hero in ...
| | Willis Jackson After Hours CD (2004)
1952, Vol. 2 music CDs
$9.59 Like Arnett Cobb, Willis "Gator" Jackson was a hard-blowing tenor saxophonist who had no problem making the transition from the honker school of the '40s and early '50s to the soul-jazz and organ combos of the late '50s and '60s. The '60s, in fact, were an extremely productive time for Jackson, who recorded for Prestige throughout that decade and got into the studio often. A 79-minute CD that Fantasy assembled in 2004, After Hours offers two of Jackson's '60s LPs back to back: 1963's Loose and 1967's Soul Grabber (both of which employ Carl Wilson on organ and underscore Jackson's fondness for the Hammond B-3). While Soul Grabber is heard in its entirety, one of the songs from Loose ("Y'all") was omitted due to space limitations. During the '60s, Jackson wasn't afraid to look in a variety of places for material -- his repertoire ranged from original compositions to Tin Pan Alley to Burt Bacharach/Hal David, ...
| | Ann Richard Quartet + 8tet CD (1997)
1952, Vol. 2 songs
$16.89 Vee Jay Records, started in 1953, was the first black-owned record company. It put to disc a wide variety of artists and styles, and was the first U.S. company to ...
| | Lee Grenwood Proud To Be An American CD (2007)
1952, Vol. 2 album
$7.59
| | Marcelo Lupis SHHHH CD (2006)
1952, Vol. 2 CD music
$10.15 "Shhhh is not a request to shut up. It is a request to Listen! Mr. Lupis delivers material that is a rare find in today's Latin music market: Música en Español WITH BRAINS. No cheesy stereotype licks, just plain Jazz – Pop – Rock with beautiful poetic lyrics. He is well backed up by some of Argentina's best players, but without loosing his unique creative control. In just 10 seconds you can recognize this young musician has got lots of talent to deliver."----------------- 'Shhhh' is not a request to shut up. It is a request to Listen! "One of the big names ...
| | Biker's Holiday CD (2007)
$7.05 |
|
|