| | Destination: Berlin CD - Import
Destination: Berlin Music | List Price | $16.98 (You save $1.89) | | Category | Rock/Pop Albums, World CDs, International, R&B, Dance, World Beat, Oldies Collections, Box Sets | | Label | Bar De Lune | | Orig Year | 2007 | | All Time Sales Rank |  315174  | | CD Universe Part number | 7419783 | | Catalog number | 14 | | Discs | 3 | | Release Date | Jun 05, 2007 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Mark Broom; Fantasy Flight; Patricia Müller; X Wing; Matt Cogger; Tony Power; X Wing; Matt Cogger; Tony Power; Stefan Roberts; Simon Simson; M.O.R.P.H.; Future Funk; Mark Broom; Masquerade; Eclipse; P. Muller; Pure; Willis; Bug; Fantasy Flight; Cubase; Phazer; G.S.P. | | Recording Time | 178 minutes | | Additional Info | France |
Destination: Berlin Songs | | Destination: Berlin CD DISC 1: |
| 1. | Stormwatch - Morph |
| 2. | Time - Mark Broom |
| 3. | Hypnotic State - Fantasy Flight |
| 4. | Maximum Impact - X Wing |
| 5. | Fall Out - Cubase |
| 6. | Astrofarm - Digital Source |
| 7. | Can You Feel It - The Spirit |
| 8. | Next Level, The - Nexus |
| 9. | Breakneck - Paradise |
| 10. | Generational Love - Resource |
| | Destination: Berlin Songs DISC 2: |
| 1. | Tour - De Force |
| 2. | Below & Above - Trio |
| 3. | Collision - Eclipse 8 |
| 4. | All the Rises - Pure |
| 5. | Planet Surfing - Masquerade |
| 6. | Blue Chip - Future Funk |
| 7. | Freebase - Insomnia (Dilemma Mix) |
| 8. | Path, The - DJ Neon (Submission Mix) |
| 9. | Terminal Velocity - Enforcer (Event Mix) |
| 10. | Substance - Acetate (Mash Mix) |
| | Destination: Berlin Album DISC 3: |
| 1. | Cuban Timewarp - Neuropolitique |
| 2. | Progression - Mantra |
| 3. | Source - Phazer |
| 4. | Dominions Complete - Florence |
| 5. | Time Zone - Logic |
| 6. | Plastic Love - Delta |
| 7. | Tip - Ultra X (Slammin' Mix) |
| 8. | Stay Alive - Tormentor |
| 9. | Skyline - Satellite |
| 10. | Evolution - Red Zone |
|
Destination: Berlin Review
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Purchase Destination: Berlin CD To buy, Click on price to add to cart | Gimme Shelter DVD (1970)
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This documentary of the Rolling Stones' 1969 US tour has become a legendary, harrowing symbol of the tragic demise of the "Peace and Love" era. After a successful tour across the United States, the Rolling Stones gave a free December concert at Altamont Speedway in California with the Grateful Dead (not seen performing), Ike and Tina Turner, Jefferson Airplane, and the Flying Burrito Brothers (all seen performing one song each). The poorly planned show was fraught with problems from its inception. The band unwisely selected the Hells Angels ...
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At a time when seemingly every band with access to an analog synthesizer and a tube of hair gel was aping the New Wave sounds of the early 1980s, NOUVELLE VAGUE put a unique spin on the phenomenon. Their self-titled album is full of covers of classic tunes by the Cure, Modern English, Depeche Mode, et al. The striking twist, however, lies in the fact that all the songs are performed in old-school bossa nova mode, the lyrics delivered in a vintage Astrud Gilberto style. The cooing, breathy vocals and gentle acoustic guitar rhythms successfully transmogrify not only the pop-friendly confections of the aforementioned ensembles, but some edgier material as well. One hasn't truly lived ...
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The second entry from sui generis singer/songwriter Sufjan Stevens in his absurdly ambitious project to make a record for every state in America outdistances even 2003's superb GREETINGS FROM MICHIGAN in scope and beauty. A sweeping paean to the Lincoln state, ILLINOIS weaves together history, personal confession, and detail-filled scenarios with chamber folk, expansive orchestral pop, and back-porch pastoral settings for a stunningly progressive indie gem that sound like Brian Wilson, Stereolab, and Neil Young holding hands in heaven.
Remarkably, in its intricate, gorgeously crafted surfaces, ILLINOIS lives up to its aims. In addition to its symphonic grandeur, the album also showcases Stevens's heartland folk, and some of the album's most shimmering moments are its most spare. "John Wayne Gacy, Jr.," for instance, is an absorbing narrative that features Stevens's sweet tenor couched by guitar, piano, and backing vocals. "Casimir Pulaski Day," similarly, rides a rootsy banjo and guitar groove while ...
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With a concept that could have failed on so many levels in lesser hands, Ry Cooder stuns once again in MY NAME IS BUDDY and demonstrates why he is one of America's most adventurous musicians. His chosen material is a loose collection of animal character sketches--the titular Buddy is a cat--based on labor struggles and the lower class in Depression-era America. Think of it as Woody Guthrie meets Beatrix Potter.
While an odd construct on page for a man that jammed with Beefheart, the Stones, and the Buena Vista Social Club, MY NAME IS BUDDY flies with every track. The stellar cast of musicians includes the brothers Seeger, Van Dyke Parks, Jim Keltner, Paddy Moloney of the Chieftains, and Flaco Jimenez, and grounds the fairy tale atmosphere with musical blood and guts. The ensembles tear through early-19th-century forms (country blues, bluegrass, and old-time arrangements) with a rollicking flair.
Photographer: Susan Titelman.
Personnel: Ry Cooder (vocals, guitar, bajo sexto, banjo, mandola, keyboards); Ry Cooder (bass instrument); Buddy Red Cat (vocals, guitar); Roland White (vocals, ...
| | Gene Ammons Greatest Hits: The 50S CD (1998)
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Ten long years after the release of Gene Ammons' Greatest Hits, Vol. 1: The Sixties, the de facto second volume finally emerged in 1998, summing up the 1950s on a single disc of short-play singles and long, glorious blowing sessions. The three singles, all succinct little summaries of progressive bop, cover the years 1950 and 1955, and then the real meat and potatoes kick in: five extended tracks (including the definitive jam of this period, "The Happy Blues") with plenty of ecstatic blowing room for Jackie McLean's alto, Art Farmer and Donald Byrd's trumpets, and Mal Waldron's piano. Throughout, Ammons' massive, booming tone hovers over the disc like a majestic yet benign presence, always funky, always in charge. Unlike the first volume, Greatest Hits: The 50s is sequenced in chronological order, which makes more programmatic sense, and almost all of Ammons' Prestige LPs from the '50s are touched upon. With this release, Vol. 1, and Greatest Hits: The 70s, you can acquire a decent overview of the soulful Ammons mystique. ~ Richard S. Ginell
Audio Remasterer: Joe Tarantino.
Liner Note Author: Bob Porter.
Recording information: Van Gelder Studios, Hackensack, NJ (03/05/1950-05/02/1958).
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Unknown Contributor Role: Pepper Adams.
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