| | Tomoka Tattahitotsuno Shiawase-Tateyama Kok CD - Import Tomoka Discography of CDs
Tattahitotsuno Shiawase-Tateyama Kok Music | List Price | $22.99 (You save $2.00) | | Category | World Albums, Japanese CDs | | Label | Phantom | | CD Universe Part number | 7423695 | | Catalog number | 678589 | | Discs | 1 | | Release Date | May 08, 2007 |
Tattahitotsuno Shiawase-Tateyama Kok Review
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"Cemetery Gates" was nominated for a 1998 Grammy Award for Best Metal Performance.
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A classic release from one of Jamaica's greats, NIGHT NURSE shows the Cool Ruler at his best--performing melodic, chilled reggae such as the title track and "Hot Stepper." The title track was a hit for Simply Red when they covered it in 1997. Although at his most prolific in the mid '80s, when he was beset by financial problems, Isaacs managed to maintain the quality of his material as this album proves. The Roots Radics provide excellent backing for Isaacs' smooth vocals. Perhaps a bit too mellow for fans of more militant reggae such as that purveyed by the Revolutionaries, time has nevertheless proved this to be a classic reggae album--the epitome of the feel-good Jamaican sound.
Although his 1981 album, More Gregory, was picked up for international distribution, Gregory Isaacs' 1982 release, Night Nurse, was his first to be designed for an audience outside Jamaica. Accordingly, Island Records head Chris Blackwell upgraded the overall sound quality, making this Isaacs' most professional-sounding record yet, and he brought in synthesizer player Wally Badarou to overdub keyboard parts on the tracks, making them less spare and distinguishing the arrangements more. Isaacs and his backup band, the Roots Radics, ...
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At least as well known for being a party girl par excellence as she is for being an actress, author, and debutante, Paris Hilton added singing to her resume with the release of 2006's PARIS. The album is not exactly full of musical revelations: this is slickly produced, commercial dance-pop bearing the blinding gloss of celebrity on its 11 breezy, yet undeniably catchy tunes. Yet for a Jill-of-all-trades, Hilton does a fairly convincing job, thanks in part to her fine producers' (Scott Storch among them) knack for creating hip-moving grooves.
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