| | David Hazeltine Cleopatra's Dream CD - Import David Hazeltine Discography of CDs
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Our Price: $31.79  CDFor Sale Limited Availability
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Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. 2007. David Hazeltine Cleopatra's Dream Songs | 1. | Cleopatra's Dream | |
| 2. | Tempus Fugit | |
| 3. | Glass Enclosure | |
| 4. | Wail | |
| 5. | Bouncing With Bud | |
| 6. | Danceland | |
| 7. | Strictly Confidential | |
| 8. | Dance Of Infidels | |
| 9. | I'll Keep Loving You | |
| 10. | This One's For Bud | $0.99 | |
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Cleopatra's Dream Review
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Purchase Cleopatra's Dream CD To buy, Click on price to add to cart | Vijay Iyer Historicity CD (2010) Digipak
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| | Henry Threadgill This Brings Us To, Vol. 1 CD (2009) Digipak
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Henry Threadgill has, in the framework of abstract music, been a stalwart, spontaneous composer whose personal sound is near impossible to identify, ...
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| | Dave Koz Smooth Jazz Christmas CD (2001)
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| | Chris Botti In Boston CDs (2009) With DVD
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A sequel of sorts to Chris Botti's 2006 PBS special, LIVE WITH ORCHESTRA & SPECIAL GUESTS, the September 2008 event LIVE IN BOSTON found the sartorially splendid cool jazz trumpeter accompanied by the Boston Symphony and a collection of celebrity vocalists. Also available as a DVD, the concert delivers an overview of popular music, with jazz standards like "I've Got You Under My Skin" right alongside "Ave Maria" and Sting's "If I Ever Lose My Faith in You." Whether featuring ...
| | Fred Hersch Focus CD (2000)
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Well-known for his superb songbook tributes and sensitive solo ventures, this time Fred Hersch enters more impressionistic territory ...
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| | Nelly Suit CD (2004) Edited
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Nelly broke out in 2000 with his debut, COUNTRY GRAMMAR, and its infectious summer-anthem title track. Two years later, the St. Louis rapper dropped the multi-platinum NELLYVILLE and another summer anthem, "Hot in Herre," which balanced raw carnality with a deft pop hook. Nelly has always possessed this duality of unrefined energy and a melodic sensibility, and, in 2004, he decided to break the two aspects of his music into separate albums, SWEAT and SUIT.
On SUIT, he focuses on his more cultivated side with a constantly engaging, tightly produced record, filled with memorable singles. Just because there's a measure of manner pervading the record doesn't mean that Nelly's not having fun, as the disc ranges from the inspired balladry of "My Place" and the borderline-chopped-and-screwed haze of "Woodgrain and Leather wit a Hole." SUIT is still a party, and, as it's a Nelly party, there are tons of VIP guests crowding in. Most excitingly, both Snoop Dogg and Ronald Isley appear on the sly "She Don't Know My Name," and Nelly shows off his versatility with the odd mix of country and rap on "Over and Over" with Tim McGraw. Nelly knows how to go pop without losing his street edge, and SUIT is a prime example of this prowess.
Nelly's decision to release his Sweatsuit project as two respective albums, Sweat and Suit -- the former clubby and insincere, the latter refined and mannered -- is somewhat of a mixed blessing. On the one hand, it's nice to pick whichever side of Nelly's persona you prefer, whether in general or at any particular moment; on the other hand, the separate-album concept makes for two very one-dimensional albums that begin to sound formulaic by their respective conclusions. The thing is, Nelly has plenty of great songs here on these two albums. Quality certainly isn't an issue -- he works with a who's who of pop-rap circa 2004, from the Neptunes to Christina Aguilera to Snoop Dogg to Missy Elliott, and ends up with a wealth of certified and ...
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| | Culture Two Sevens Clash: 30th Anniversary Edition CD (1978) Deluxe Edition
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One of the masterpieces of the roots era, no album better defines its time and place than Two Sevens Clash, which encompasses both the religious fervor of its day and the rich sounds of contemporary Jamaica. Avowed Rastafarians, Culture had formed in 1976, and cut two singles before beginning work on their debut album with producers the Mighty Two (aka Joe Gibbs and Errol Thompson). Their second single, "Two Sevens Clash," would title the album and provide its focal point. The song swept across the island like a wildfire, its power fed by the apocalyptic fever that held the island in its clutches throughout late 1976 and into 1977. (Rastafarians believed the apocalypse would begin when the two sevens clashed, with July 7, 1977, when the four sevens clashed, the most fearsome date of concern.) However, the song itself was fearless, celebrating the impending apocalypse, while simultaneously reminding listeners of a series of prophesies by Marcus Garvey and twinning them to the island's current state. For those of true faith, the end of the world did not spell doom, but release from the misery of life into the eternal and heavenly arms of Jah. Thus, Clash is filled with a sense of joy mixed with deep spirituality, and a belief that historical injustice was soon to be righted. The music, provided by the Revolutionaries, perfectly complements the lyrics' ultimate optimism, and is quite distinct from most dread albums of the period.
Although definitely rootsy, Culture had a lighter sound than most of their contemporaries. Not for them the radical anger of Black Uhuru, the fire of Burning Spear (although Hill's singsong delivery was obviously influenced by Winston Rodney), nor even the hymnal devotion of the Abyssinians. In fact, Clash is one of the most eclectic albums of the day, a wondrous blend of styles and sounds. Often the vocal trio works in a totally different style from the band, as on "Calling Rasta Far I," where the close harmonies, dread-based but African-tinged, entwine around a straight reggae backing. Several of the songs are rocksteady-esque with a rootsy rhythm, most notably the infectious "See Them Come"; others are performed in a rockers style, with "I'm Alone in the Wilderness" an exquisite blend ...
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