White Stripes Icky Thump CD

The White Stripes: Jack White , Meg White.
Following the arty explorations of its predecessor, GET BEHIND ME SATAN, ICKY THUMP finds everybody's favorite platinum-selling, post-modern garage-rock duo returning to their bang-and-stomp rock-&-roll roots. The marimbas and pianos of the former are kicked to the curb in favor of the kind of Led Zeppelin-in-a-trash-can riffs on which Jack and Meg White built their cooler-than-ice reputation.
There's an overwhelming sense of urgency and catharsis on most tracks, as on the title cut, where Jack's Robert Plant-ish wail falls into a near-rap full of breathless cadences. That dirty, primal groove evoked by said title is the organizing principle of the album, sweaty blues-rock writ large and gritty. Even though there are a couple of brief stylistic diversions when the Whites veer into folkier territory, there's no mistaking ICKY THUMP's status as a thick slab of heavy rock capable of handily crushing lesser sonic statements.
A lot changed in the White Stripes' world between Get Behind Me Satan and Icky Thump: Meg White moved to L.A., while Jack White left Detroit for Nashville, married and had a daughter, and formed the Raconteurs, a side project that won so much praise that some fans worried that it meant the end of the Stripes. Those fears were as unfounded as the speculation that White's new hometown meant that the band was going to "go country" (after all, Jack and Meg are wearing the costumes of London's Pearly Kings and Queens, not Nudie suits, on Icky Thump's cover). Though it was recorded at Nashville's state-of-the-art Blackbird Studio and covers everything from bagpipes to metal, Icky Thump is unmistakably a White Stripes album. The eclectic feel of Get Behind Me Satan remains, but is less obvious; interestingly, out of all the band's previous work, Icky Thump's brash and confessional songs most closely resemble De Stijl. "300 MPH Torrential Outpour Blues"' acoustic blues and carefully crafted wordplay hark back to "Sister, Do You Know My Name." Meanwhile, "Rag & Bone" is a cute, ragamuffin cousin of "Let's Build a Home" that casts Jack and Meg as enterprising garbage-pickers; the sly grin in Jack's voice as he says "we'll give it a...home" is palpable. And, while Get Behind Me Satan was heavy on pianos, Icky Thump is just plain heavy, dominated by primal, stomping rock that feels like it's been caged for a very long time and is just now being released. Jack White's guitars are back in a big way; "Catch Hell Blues" is a particularly fine showcase for his playing. Once again, though, the Stripes defy expectations, and their "return to rock" isn't necessarily a return to the kind of rock they mastered on Elephant.
Aside from the searing "Bone Broke," which would fit on almost any White Stripes album (and in fact was partially written in 1998), on Icky Thump Jack and Meg push the boundaries of their louder side. Darker and slower than most Stripes singles, "Icky Thump" is their very own "Immigrant Song," with guitars that chug menacingly and lyrics that run the gamut from fever dream meditations on redhead senoritas to pointed political statements ("Why don't you kick yourself out/You're an immigrant too"). "Little Cream Soda" is also outstanding, pairing ranting, spoken-word verses with grinding surf-metal guitars that make it one of the Stripes' heaviest songs. However, the boldest excursion might be "Conquest," which turns Patti Page's '50s-era battle of the sexes into a garage rock bullfight, complete with dramatic mariachi brass, flamenco rhythms, backing vocals that would do Ennio Morricone proud, and dueling guitar and trumpet solos that capture the band's love of drama. As fantastic as Icky Thump's rockers are, its breathers are just as important. Though the Celtic detour that makes up Thump's heart feels out of place initially, "Prickly Thorn, But Sweetly Worn" is indeed a sweet and genuine sounding homage to Scottish folk, bagpipes and all (and could also be aRolling Stone (p.69) - 3.5 stars out of 5 -- "Jack hauled more than bagpipes to his garage to make ICKY THUMP, which is easily his loudest album....Like his sometime heroes, Led Zeppelin, Jack White builds monuments."
Rolling Stone (p.110) - Included in Rolling Stone's "50 Top Albums of the Year 2007" -- "Delta-garage wallop made from the fewest, finest ingredients."
Entertainment Weekly (p.68) - "Whether howling or crooning, picking or ripping, Jack comes across as earnest and fully invested in every ICKY moment." -- Grade: A
Uncut (p.92) - 4 stars out of 5 -- "By turns direct, quizzical, loose, and intense, it's more eclectic in terms of approach than any previous White Stripes recording."
Vibe (p.72) - "THUMP is a return to form....It sounds like everything here was written on a guitar, bursting with razor-wire anthems..."
Kerrang (Magazine) (p.57) - "[T]he most obvious inspiration throughout is Led Zeppelin....It confirms Detroit's biggest band as a singular talent and a genuinely great American band."
Q (Magazine) (p.88) - Ranked #02 in Q's "The 50 Best Albums Of 2007" -- "[A] classic White Stripes record."