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Purchase Blow Up/Concerts CD To buy, Click on price to add to cart | Joe Zawinul Zawinul CD (1971)
Blow Up/Concerts album
 $11.65
Conceptually, sonically, this is really the first Weather Report album in all but name, confirming that Joe Zawinul was the primary creative engine behind the group from the beginning. It is also the link between WR ...
| | Jean-François Zygel: Improvisations CD (2008)
$10.95  | | Melody Gardot My One And Only Thrill CD (2009)
Blow Up/Concerts CD music
$12.05  
| | Diana Krall Christmas Songs CD (2005)
Blow Up/Concerts music CDs
$10.49 
| | Louis Armstrong Christmas Collection: 20th Century Masters CD (2003) Remastered
Blow Up/Concerts songs
$9.99
| | Miles Davis Kind Of Blue CD (1959) Bonus Track; Remastered
Blow Up/Concerts album
$6.39 
With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz.
Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was ...
| | Ron Horton Genius Envy CD (1999)
Blow Up/Concerts CD music
$13.15
In this, his debut recording as a leader, trumpeter/flugelhornist/composer Horton pushes the progressive mainstream envelope with music that is witty, risk-taking, and brimming with vigor and soul. A flawless technical player, Horton's lyrical lines and steadfast approach to pure melody and harmonic invention earmark this recording not only as his breakthrough, but as a potent reminder that there's still original music to be discovered in modern jazz. The musician hears sound through a "who's who" of topnotch players, including soprano saxophonist Jane Ira Bloom, tenor John McKenna, pianist Frank Kimbrough bassist Ben Allison, and drummer Rich Rosenzweig. At their most evocative, the group perfectly depicts the title "Stark Winter's Day"; chilling, bitter, two-note phrases are sandwiched between a sluggish, lugubrious melody and rhythm while a two-note Native American drum beat and a slow-motion bass solo accent the motif. During the title track, Horton's choppy, staccato horn races frenetically, arming a free section for drum explosions with ensemble and solo, while Bloom's signature sweeping soprano notes waft by. "Carla Blake" for Carla Bley and Michael Blake is a mysterious processional; it is caravan-like, with spiraling, sliced piano repetitions and a powerful horn chart -- quite a contrast. Nodding his head to dance rhythms, "Long Term Memories" has a bassline copped from "Cool Jerk" -- a fleet, funky line that buoys fluttering horns and quite an animated solo ...
| | Carmen McRae Birds Of A Feather CD (1958) Spec Packaging; Remastered
Blow Up/Concerts music CDs
$13.49
| | 3rd Dan Guess I Wanted More (2005)
Blow Up/Concerts songs
$10.99
| | Valentin Elizalde En Vivo CD (2006)
Blow Up/Concerts album
$11.59
| | Bob Marley One Love At Studio One 1964-1966 CDs (2006)
Blow Up/Concerts CD music
$15.85
| | Eric Alexander It's All In The Game CD (2006)
Blow Up/Concerts music CDs
$13.85 
Over the dozen years since his debut recording as a leader, Eric Alexander has developed into one of the most important tenor saxophonists of his generation. Joined once again by one of his favorite pianists, Harold Mabern, along with bassist Nat Reeves and drummer Joe Farnsworth, Alexander kicks off this studio affair with a gritty hard bop treatment of "Where or When." "It's All in the Game" dates from the early part of the ...
| | Susanne Abbuehl Compass CD (2006)
Blow Up/Concerts songs
$13.19
Susanne Abbuehl startled listeners in 2001 with her debut release, April, in which she took on the poems of e.e. cummings, and created lyrics for a Carla Bley composition. A studied and original vocalist -- she worked with Jeanne Lee -- she is also a solid composer. Her aesthetic and restrained approach lend themselves easily to Manfred Eicher's production M.O. On Compass, Abbuehl and her band, which features the wonderful clarinetist Christoph May, dig deep into the words of James Joyce, William Carlos Williams, and the music of Sun Ra and Chick Corea. The project is once more refined and mannered yet utterly ambitious beginning with her original composition "Bathyal." Here May's bass clarinet introduces Wolfert Brederode's piano that is given dimension by drummer Lucas Niggli's brushed cymbal and snare work. Abbuehl's voice enters not as whisper but as soft yet full-throated, "Do not run just yet/Do not hide..." ushering in a call to wait and observe, to look around and be touched by the bloom of flowers, by the environs as a balm for a fallen heart. The rippling piano sends waves just above the lyric, and offers the listener a way in. On "Black Is the Color of My True Love's Hair," (a daring chance in a jazz setting after Patty Waters '60s recording broke all the rules), is not so much referential as reverential. She bases her read of John Jacob Niles' tune on Luciano Berio's folk song arrangement. It's nearly pastoral, ...
| | Jorge Vinas En Escencia CD (2008) (Import)
Blow Up/Concerts album
$13.15
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