| | Vision Of Disorder From Bliss To Devastation CD - Import Vision Of Disorder Discography of CDs
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Our Price: $13.79  CDFor Sale Usually ships in 1-2 days
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Out of print in the U.S.! 2007 reissue of the fourth and (so far) final album from the NY Hardcore/Thrash Metal band. 13 tracks including 'Living To Die', 'Sunshine' and 'Itchin' To Bleed'. Music For Nations. From Bliss To Devastation Music Vision Of Disorder From Bliss To Devastation Songs | 1. | Living To Die |
| 2. | Southbound |
| 3. | Itchin' To Bleed |
| 4. | Sunshine |
| 5. | On The Table |
| 6. | From Bliss To Devastation |
| 7. | Downtime Misery |
| 8. | Pretty Hate |
| 9. | Without You |
| 10. | Overrun |
| 11. | Done In |
| 12. | Regurgitate |
| 13. | Walking The Line |
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From Bliss To Devastation Music From Bliss To Devastation Review
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It's no secret that John Mayer is a 21st Century Fox, wining and dining women all through tabloid headlines, so it's about time he delivered an album that traded upon his loverman persona -- and Battle Studies is that record in spades. Retaining more than a modicum of the slick, soul-blues undertones of Continuum, Mayer fashions a modern groove album, a record that maintains a smooth seductive vibe so thoroughly it spills into a one-man band cover of "Crossroads." Mayer remains somewhat of a disciple of Slowhand, but he shows an unusual interest in the big AOR stylings of Journeyman, along with Stevie Ray Vaughan's In Step, creating a coolly clean blend of synths and Strats, one that's as much about texture as it is about song.something perfectly appropriate for a make-out album like this. Sometimes, Mayer dips too heavily toward the texture, but he can't resist a good, tight melody and builds the bulk of Battle Studies upon them: the elegant "Half of My Heart," the softly soulful "Perfectly Lonely." Here, Mayer is effortlessly ...
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It's a commonly held opinion among fans and band alike that Tom Petty & the Heartbreakers' lone live album, 1986's Pack Up the Plantation, didn't quite capture the group at its peak, so there has been a long-standing need for another live set, which 2009's Live Anthology finally provides. Like its closest cousin, Bruce Springsteen's Live 1975-1985, Live Anthology almost overcompensates for the long wait by offering almost too much music, cherrypicking highlights from 1978 to 2007. In its simplest incarnation, Live Anthology is a super-affordable, four-disc box set running 48 tracks, which is eight cuts longer than Springsteen's box, plenty long enough for most fans, but in its deluxe version, available only through Best Buy, there's an additional CD, plus two previously unreleased DVDs -- a 1978 New Years Eve concert from Santa Monica, a documentary called 400 Days shot during the Wildflowers tour -- a Blu-Ray edition ...
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Black Eyed Peas, the hip-hop crossover juggernaut that propelled singer Fergie and producer Will.I.Am to superstardom, have, since 2003's ELEPHUNK, been ...
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Additional personnel includes: Frank DeBretti (guitar); Malcolm Springer (Wurlitzer piano, keyboards); Bobby Whitlock (Hammond B-3 organ); David Spak (percussion).
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When John Stewart moved to Warner Brothers in 1971, his first album for the label, The Lonesome Picker Rides Again, stuck closely to the formula his Capitol albums did, but with a boatload more energy. Continuing to record in California, Sunstorm uses many of the same musicians who appear on Stewart's previous records, but there are some notable differences in its sound. Sunstorm was the first record where Stewart and producer Michael Stewart moved into the direction of an album that was assembled as much as it was recorded, and the sound is lusher, fuller. In addition, piano maestro Glen D. Hardin handled the musical arrangements. This can be heard from the delicate balance struck between acoustic guitars, pianos, and basslines on "Kansas Rain." The way the choruses fall in the backdrop just above the string section makes an evocative soundscape for Stewart's poignant lyrics. "Cheyenne" is a classic folk ballad cum country rambler with killer crescendos and pedal steel and fiddle solos. But it's not until "Bring It On Home" that the rollicking country-rock comes whistling in for the strike. With the handclaps (some of them done by Billy Mumy, aka Will Robinson from Lost in Space), large singalong chorus, and honky tonk piano that make Hardin's arrangements take full effect, Stewart's production makes the set feel live. Guitar legend James Burton plays not only guitar and dobro but sitar on the title track. There's a touching moment of Stewart with his father on "An Account of Haley's Comet." John Sr. recounts the personal story of his encounter with Haley's Comet, and Hardin assembles the musical accompaniment, with John Jr. and chorus singing the refrain. "Light Come Shine" is a cross-pollination of country-rock and gospel that is, with its grandiose chorus, corny at best, but it is redeemed by the Travis-style picking country of "Lonesome John." ...
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CRAIG RUBANO began his professional theatrical career as a pig when composer Charles Strouse cast him as "Wilbur" in the New York premiere of Charlotte's Web: The Musical.Craig made his Broadway debut as young lover Marius Pontmercy in Les Misérables, performing the role over 700 times. Craig was an original Broadway cast member of Frank Wildhorn's Tony & Grammy Award-nominated The Scarlet Pimpernel (Atlantic Records) and Pimpernel II (Pimp. Encore, Atlantic Records).He played Algy Moncrieff in the first New York revival of Ernest in Love; Dorian in Dorian Gray; and Zeppo Marx in the Goodspeed Opera House's hit revival of Animal Crackers. He performed for a hometown, nightly audience of ten thousand at the St. Louis Muny's An Evening of Richard Rodgers; and he played murderer Winston Moseley in the National Music Theater Conference's development of The Screams of Kitty Genovese at the Eugene O'Neill Theater Center and then at the National Alliance for Musical Theatre's Festival of New Musicals. Craig played Dennis (the Monster) in a VT Crossroads production of Stefania de Kenessey's comic opera The Monster Bed.Craig's concert experience began a cappella. As a member of singing groups Redhot & Blue and, following in Cole Porter's footsteps, The Whiffenpoofs, he performed in 37 US states and 13 foreign countries. Highlights included Carnegie Hall's centennial salute to Cole Porter; a Bangkok debut of lovesongs written by the King of Thailand; a stint at Copenhägen's Tivoli Gardens; and a command performance in Monte Carlo for Prince Albert of Monaco.As a solo artist, he joined the Philip Glass Ensemble in Greece for Monsters of Grace, Glass' 3-D digital opera collaboration with Robert Wilson; he sang in Lyon for the Orchestre National de Lyon's Broadway Parade; he premiered as Edmund in Narnia Suite at Avery Fisher Hall with The Little ...
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