Essential Benny Goodman CD

Essential Benny Goodman CD music A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune"). All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth. Those familiar with the Live Adventures album these two recorded at the Fillmore West know how brilliant they could be on stage, and here's another gem, recorded at the Fillmore East this time and featuring 'One Way Out,' 'It's My Own Fault' (with Bloomfield trading licks with Johnny Winter...Johnny was signed to Columbia after this gig!). Newly remastered & now with 4 bonus tracks, 'Albert's Shuffle' (2002 Remix w/o Horns), 'Season of the Witch.' (2002 Remix w/o Horns), 'Blues For Nothing' (Studio Outtake) & 'Fat Grey Cloud' Previously Unreleased Live Track). Features 12-page booklet with unpublished photos from the recording session, new liner notes by Al Kooper & the Rolling Stone Hall Of Fame review by David Fricke. 60 scintillating minutes! 13 tracks. Colunbia/Legacy. 2003. Includes liner notes by Al Kooper, Michael Thomas. Includes liner notes by Michael Thomas. Full performer name: Mike Bloomfield/Al Kooper/Steve Stills. Personnel: Mike Bloomfield (electric guitar); Al Kooper (vocals, 12-string & electric guitars, piano, organ, ondioline); Steve Stills (electric guitar); Barry Goldberg (electric piano); Harvey Brooks (bass); Eddie Hoh (drums). Personnel: Mike Bloomfield (electric guitar); Al Kooper (piano, organ, ondioline, vocals, 12-string & electric guitars); Steve Stills (electric guitar); Barry Goldberg (electric piano); Harvey Brooks (bass); Eddie Hoh (drums). Reissue producer: Bob Irwin.

Essential Benny Goodman buy CD music Initial pressings of THE ULTIMATE COLLECTION included a limited edition bonus disc featuring four previously unreleased tracks. Recorded between November 1964 and June 1982. Includes liner notes by Matt Kent and Andy Neill. When it comes to a ground-breaking, iconic band like the Who, dubbing an anthology THE ULTIMATE COLLECTION is no small claim. The kicker here is that it happens to be the truth. Without venturing into the realm of the box set, there's never been such a definitive batch of Who tunes all under one roof before. Virtually all the bases are covered here, from such attitude-laden mid-'60s mod anthems as "My Generation" and "Anyway, Anyhow, Anywhere" to the conceptual expansiveness of TOMMY-era tunes ("I'm Free," "See Me Feel Me"). We get the full-on long-haired, bare-chested glory of the early '70s ("Won't Get Fooled Again") as well as the tapered, synth-flecked smartness of the early '80s ("Eminence Front," "You Better You Bet." For someone looking for an entry point into the work of this larger-than-life group, or just somebody who wants a great all-purpose who disc, THE ULTIMATE COLLECTION is truly a case of truth in advertising. Get one. Keith Moon, Kenney Jones (drums). Additional Tracks The Who: Roger Daltrey (vocals, harmonica); Pete Townsend (guitar, keyboards, background vocals); John Entwistle (bass, background vocals); Producers include: Shel Talmy, The Who, Kit Lambert, Glyn Johns, Jon Astley. Compilation producers: Andy McKaie, Bill Levenson. Recording information: 1964-1982.

Essential Benny Goodman songs Although there's no shortage of Electric Light Orchestra collections on the market, 2005's ALL OVER THE WORLD finds the middle ground between 1995's extensive two-disc STRANGE MAGIC set and 2003's THE ESSENTIAL ELO. Except for the baffling omission of "Can't Get It Out of My Head," the majority of the British band's majestic 1970s pop hits are here. This disc's real service, however, is its inclusion of lesser-known selections, including "The Diary of Horace Wimp" (from 1979's DISCOVERY)--which is, along with the epic "Mr. Blue Sky," one of the group's finest Beatlesque tunes--and the soaring title song (from the XANADU soundtrack). Throughout the compilation, bandleader Jeff Lynne's brilliantly layered production and keen sense of popcraft are more than evident, particularly on the deft, unbelievably catchy disco/rock hybrids "Evil Woman," "Turn to Stone," and "Shine a Little Love." The non-chronological order and lack of individual song dates here can be frustrating, but ALL OVER THE WORLD attempts to make up for this by featuring liner notes by Lynne himself. In most respects, this 20-track collection trumps THE ESSENTIAL ELO, making it an excellent starting point for newcomers to the glorious pop sounds of Electric Light Orchestra. Photographers: Michael Putland; Ian Dickson; Gary Merrin; Fin Costello. Electric Light Orchestra: Jeff Lynne (vocals, guitar); Bev Bevan. Liner Note Author: Jeff Lynne.

Essential Benny Goodman album for sale All tracks have been digitally remastered using 20-Bit technology. The Benny Goodman Orchestra was in top form when this concert was performed on January 16th, 1938. But this is more than just a concert; this date is significant because it represents the first time a jazz ensemble ever played in a concert hall. The full Goodman orchestra is featured on many tracks of this two-disc set. Goodman also splits up the evening with some performances by his trio and quartet. Additionally, he gives a 20-year retrospective of jazz, highlighting the Dixieland sound and innovators such as Louis Armstrong, Duke Ellington, and others. (On "Blue Reverie," some of Ellington's musicians even sit in with Goodman.) Highlights include "Sing Sing Sing (With a Swing)," a classic tune that helped to define the Swing Era itself. This piece features the charismatic drummer Gene Krupa, whose tom-tom rhythms convey a kind of "jungle feel," as the brass figures mimic the call of elephants. On "Avalon," another Goodman favorite, vibraphonist Lionel Hampton really shines. His meticulous arpeggiated runs up and down the vibes are just as exciting today as they must have been in 1938. LIVE AT CARNEGIE HALL 1938 is truly a jazz milestone. Recorded at Carnegie Hall, New York, New York on January 16, 1938. Includes liner notes by Phil Schaap and Turk Van Lake. Reissue producer: Phil Schaap. Personnel: Benny Goodman (vocals, clarinet); Martha Tilton (vocals); Hymie Schertzer, Johnny Hodges (soprano & alto saxophones); Lester Young (tenor saxophone); Harry Carney (baritone saxophone); George Koenig, Art Rollini, Babe Russin (reeds); Ziggy Elman, Chris Griffin, Harry James, Cootie Williams, Buck Clayton (trumpet); Bobby Hackett (cornet); Red Ballard, Vernon Brown (trombone); Lionel Hampton (vibraphone); Jess Stacy, Teddy Wilson, Count Basie (piano); Alan Reuss, Freddie Greene (gyuitar); Harry Goodman, Walter Page (bass); Gene Krupa (drums). Producer: Albert Marx. (1938)

Essential Benny Goodman CD music While there's no shortage of Glenn Miller collections, there aren't many that rival Bluebird/Legacy's THE ESSENTIAL GLENN MILLER. This two-disc, 38-track compilation covers the peak years of the iconic bandleader/trombonist's career, and includes a welcome handful of numbers recorded with his Army Air Force Band in 1943 and '44 , shortly before his death. Though it's difficult for modern-day listeners to grasp Miller's massive stardom during the 1930s and '40s, undeniably catchy big-band tunes such as "In the Mood" and "Little Brown Jug" easily give a sense of the swing giant's wide appeal. This set skillfully mixes Miller's instrumentals (a dynamic take on "A String of Pearls") with numerous vocal tracks (most notably "Over the Rainbow," featuring the butter-smooth voice of Ray Eberle), all of which boast stunning interplay between the rhythm and horn sections. THE ESSENTIAL GLENN MILLER rivals 2003's PLATINUM GLENN MILLER and covers most of the selections featured on 2004's THE CENTENNIAL COLLECTION, making it one of the best Miller retrospectives on the market. Recording information: 04/04/1939-04/29/1944. Arrangers: Ralph Wilkinson; Jerry Gray; Bill Finegan; Mel Powell; Billy May. Personnel: Glenn Miller (trombone); Murray Kane, Johnny Desmond (vocals); Al Klink (tenor saxophone); Dale McMickle (trumpet); Tex Beneke (vocals, tenor saxophone); Marion Hutton, Ray Eberle, The Modernaires (vocals). Liner Note Author: Mike Plaskett.

Essential Benny Goodman buy CD music ESSENTIAL is an appropriate title for this double-disc collection of Artie Shaw's music. The temperamental, progressive bandleader and clarinetist was one of the top figures in swing, and his arrangements and recordings of classic songs (Cole Porter's "Begin the Beguine," for example) are definitive documents of the era. Shaw's own prowess as an instrumentalist, and his innovative techniques--his use of exotic melodies ("Frenesi") and orchestral strings ("Temptation"), for instance--further heighten his appeal. All of these qualities and more are represented on this comprehensive, superbly compiled set. Recording information: Chicago, IL (12/23/1936-08/02/1953); Hollywood, CA (12/23/1936-08/02/1953); New York, NY (12/23/1936-08/02/1953). Arrangers: Artie Shaw; Jerry Gray; Lennie Hayton; William Grant Still. Personnel: Artie Shaw (clarinet); Artie Shaw; Tony Pastor (vocals, tenor saxophone); Tony Gottuso, Jimmy Shirley (guitar); Jerry Jerome, Dick Clark (tenor saxophone); Johnny Best (trumpet); Jack Jenney, Vernon Brown (trombone); Bob Kitsis (piano); George Wettling, Nick Fatool (drums); Hot Lips Page (vocals, trumpet); Helen Forrest, Lena Horne, Leo Watson, Billie Holiday (vocals); Al Hendrickson (guitar, electric guitar); Barney Kessel (guitar); Harry Bluestone (violin); Les Robinson (alto saxophone); Georgie Auld (tenor saxophone); Manny Klein, Henry "Red" Allen, Max Kaminsky, Roy Eldridge, Billy Butterfield (trumpet); George Arus, Ray Conniff (trombone); Johnny Guarnieri (piano, harpsichord); Dodo Marmarosa, Skitch Henderson, Les Burness (piano); Buddy Rich (drums). Liner Note Author: Lloyd Rauch.