| | Emilie Claire Barlow Like A Lover CD - Import Emilie Claire Barlow Discography of CDs
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Our Price: $23.65  CDFor Sale Usually ships in 1-2 days
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Emilie Claire Barlow Like A Lover Songs | 1. | Like A Lover |
| 2. | On The Sunny Side of The Street |
| 3. | Someone To Watch Over Me |
| 4. | A Time For Love |
| 5. | So Danço Samba |
| 6. | The Things We Did Last Summer |
| 7. | (I've Got) Just About Everything I Need |
| 8. | Retrato Em Branco E Preto |
| 9. | Our Love Is Here To Stay |
| 10. | Blame It On My Youth |
| 11. | Like A Lover (Remix) |
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Like A Lover Review
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Purchase Like A Lover CD To buy, Click on price to add to cart | Vince Guaraldi Charlie Brown Christmas CD (1977)
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| | Chris Botti In Boston CDs (2009) With DVD
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A sequel of sorts to Chris Botti's 2006 PBS special, LIVE WITH ORCHESTRA & SPECIAL GUESTS, the September 2008 event LIVE IN BOSTON found the sartorially splendid cool jazz trumpeter accompanied by the Boston Symphony and a collection ...
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| | George Winston Autumn CD (1980) Windham Hill 20th Anniversary Edition
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| | Very Best Of Julie London CDs (2006)
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LET ME BE THE ONE was nominated for the 2001 Grammy Award for Best Reggae Album.
With his death from respiratory failure ...
| | Miles Davis Nefertiti CD (1967) Bonus Tracks; Reissue
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Digitally remastered using 20-bit technology by Mark Wilder and Rob Schwarz (Sony Music Studios, New York, New York).
NEFERTITI represents the final "straight-ahead" offering by Miles Davis' legendary '60s quintet, the culmination of a creative arc which began with E.S.P.. On four subsequent albums--MILES IN THE SKY, FILLES DE KILIMANJARO, IN A SILENT WAY and BITCHES BREW--Davis forged a fresh creative arc in which he allowed elements of electronics, blues, funk and rock to intermingle with his own post-modernist sensibility to launch the jazz-rock fusion era.
NEFERTITI was the fruition of all Davis' experiments in free form, bebop, cool and modal jazz. Davis's signature as an improviser and musical editor is writ large on each composition, particularly in the provocative use of space. On Shorter's famous title tune, the trumpet and tenor saxophone shadow each other's line in a deliberately inexact manner, almost like a ...
| | Fear My Thoughts Great Collapse CD (2004) Enhanced CD
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Germany's Fear My Thoughts has been described as a band that went from playing old-school hardcore to more modern metalcore. But truth be told, The Great Collapse isn't pure, unadulterated metalcore in the way that ferocious bands like Brick Bath, Rotten Sound, Hatebreed, and Throwdown are pure, unadulterated metalcore. Although metalcore is definitely an influence -- a strong one, in fact -- what Fear My Thoughts does on this 2004 release is best described as an intriguing blend of the screamo/melodic hardcore/post-hardcore aesthetic and the melodic ...
| | Keith Jarrett Radiance CDs (2005)
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| | Willy Eberlein Exothermia CD (2002)
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Biography:Willy Eberlein has amassed three decades of experience on his instrument of choice. Raised on a steady diet of 60's Rock 'n Roll ( Beatles, Stones, Hendrix) supplied by his older siblings, at age 10 Willy first heard Jeff Beck, and that was it- a passion for guitar was born. He studied the various rock guitar greats in depth. At age 14, Willy got his first BB King album, and discovered a true love for the Blues, a passion quite evident on his debut disc. His study of the blues took full force upon meeting Albert Collins, the fiery Texas guitar slinger. If you listen carefully, you may notice a touch of the staccato outbursts characteristic of AC's playing. Other early blues influences included Luther Allison and Son Seals. A bit of reggae influence would also creep into WE's repetiorre during these years. After a year a Europe, WE returned to the US in July 1984. Upon arriving, a friend turned him on to SRV's debut album, one which would leave an indelible impression. WE moved to San Diego, where he frequently appearanced as a guest with local blues bands. WE soon teamed with veteran rockers Alvin & Calvin Coker to form the "Coker Brothers' Band." The group played a diverse mixture of music, but Jimi Hendrix and Santana songs were the mainstay of their setlist. After the band broke up (for the third time in three years), WE resolved to pursue a steady gig, with the hopes of financing a recording project. He noted, "the trouble with bands is they break up...you play something great, and it's there for a few minutes for those individuals who heard it, but then it's gone forever...just a memory." Over the years the dream of making an album remained alive, and fueled many a marathon practice session.Now, 15 years and about 500 set of strings later, that recording is complete, and the dream has been realized. Willy is currently working on his second disc, with an anticipated September release date. Initial reviews:"It's great, thanks for laying that on me." -Marcus Miller"The overall impression is that of a soundtrack, not for a film - no film ... is quite up to the material on Exothermia. As a reflection of the state of the world, it's nothing less than a soundtrack for our times. And only a world filled with fear and paranoia could inspire music such as this. Yet ... merely by existing in the face of it all, by virtue of being an artistic statement, tentative, perhaps, in its defiance but defiant nonetheless, it offers hope ...Willy plays lead, rhythm, bass, and keys, all quite competently. But it's his electric guitar, at times searingly intense, at others moody and atmospheric, that's a constant throughout. This is truly one of the more unusual releases I've encountered this or any other year. ..for the adventurous, it may well qualify as essential. At any rate, no one will remain entirely unchanged by it in some way. " (copyright © 2002 by John Taylor, and Blues On Stage at: ...
| | Jack & Chris Bradshaw Takes Two CD (2006)
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Notes:The Bradshaws' 'Takes Two' is their first CD. As they wend their way through Jack's arrangements in various ragtime styles, the sound they produce ranges from sprightly, crisp and clean, to full and luscious, reminiscent of a player piano. With 21 tracks of toe-tapping, lively selections, this CD is a joy-ride through 100 years of ragtime piano music.Review:The Bradshaw's 'Takes Two' A Splendid DebutBy Nan BostickGilroy's Chris and Jack Bradshaw are in trouble now. They've just released 'Takes Two,' their first CD, and it's so terrific, they'll have a heck of time matching their effort on their next CD. Jack's four-hand arrangements totally shine. Their precision playing and double-the-pleasure styling is spot-on. And though they recorded this must-have CD in their home, they involved a nephew for the mixing and mastering. Result -- a studio quality sound that passes my fidelity criteria (and I'm real picky about that). Their beautiful Steinway actually sounds like a beautiful Steinway. The balance between Chris at the lower end and Jack on treble is perfect. Best of all, the two sound as if they're having the time of their life playing each piece. 'Takes Two' is plain fun listening, a CD you'll want to hear over and over. The Bradshaws provide a wonderful variety of styles and tunes, classic rags, of course, and some familiar compositions, but also rarely heard and brand new pieces, all played with great gusto and sensitivity. Several really stand out. For example, after presenting Scott Joplin's 'March Majestic' as written in straight 6/8 tempo, they offer up Jack's ragged 2/4 arrangement of the piece. It's an absolute delight (sounds quite natural that way, too). This is followed by two deliciously interpreted cakewalks, ...
| | Kayliah On A Tous Besoin De Croire CD (2005)
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