| | Three Inches Of Blood Fire Up The Blades CD - Import Three Inches Of Blood Discography of CDs
With falsetto vocals and a bass-heavy, volume-and-speed attack, 3 Inches of Blood's sound hearkens back to such NWOBHM bands as Iron Maiden (with whom they toured once) and stadium-rock acts like The Darkness. This 2007 album, their third, was produced by Slipknot's Joey Jordison.
2007 Japanese edition of the third full length from the hard rockin' favorite sons of Vancouver. This edition includes the song "Nocturnal Command" that does not appear on the US equivalent.Alternative Press (p.166) - 3.5 stars out of 5 -- "Guitarists Justin Hagberg and Shane Clark synchronize as brilliantly as their ADVANCE AND VANQUISH predecessors....[Their solos] provide the record's strongest selling point..."
Kerrang (Magazine) (p.54) - "[A] spectacular album and Vancouver's finest are free to flex their musical muscles and indulge their creative side." Fire Up The Blades Music | List Price | $44.98 (You save $1.89) | | Category | Rock/Pop Albums, Heavy Metal CDs, Rock | | Label | Roadrunner | | Orig Year | 2007 | | All Time Sales Rank |  436698  | | CD Universe Part number | 7427130 | | Catalog number | 21286 | | Discs | 1 | | Release Date | Jul 31, 2007 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Additional Info | Bonus Track; Japan; United Kingdom |
Three Inches Of Blood Fire Up The Blades Songs | 1. | Through the Horned Gate | |
| 2. | Night Marauders | |
| 3. | Goatriders Horde | |
| 4. | Trial of Champions | |
| 5. | God of the Cold White Silence | |
| 6. | Forest King | |
| 7. | Demon's Blade | |
| 8. | Great Hall of Feasting | |
| 9. | Infinite Legions | |
| 10. | Assassins of the Light | |
| 11. | Black Spire | |
| 12. | Hydra's Teeth | |
| 13. | Rejoice in the Fires of Man's Demise | |
| 14. | Nocturnal Command | |
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Fire Up The Blades Review
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Purchase Fire Up The Blades CD To buy, Click on price to add to cart | Nile Those Whom The Gods Detest CD (2009)
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It's hard to not be impressed by the sheer sonic onslaught that is otherwise known as Nile. Except to the most hardened death metal fanatic, the genre has a way of sounding the same after a while, but Nile is one of the few exceptions -- able to put their own unmistakable fingerprints on this heavy duty style (Egyptian-influenced lyrics and musical bits, highly impressive instrumental dexterity, etc.). And on their sixth studio effort overall, 2009's Those Whom the Gods Detest, Nile has once again proven that they are a step ahead of the rest of the pack. Although some of the sonic depth has to be attributed to producer Neil Kernon (after all, he worked with such sticklers for audio perfection as Queensr˙che in the past), it's the true metallic fury that Nile create themselves that makes it all extremely impressive. Case in point, such delicious death metal ditties as "Kafir!," while on selections such as the title track and what's sure to be top metal song title of 2009, "Yezd Desert Ghul Ritual in the Abandoned Towers of Silence," Karl Sanders shows why he is considered ...
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With most contemporary country artists, you could guarantee that a song called "American Ride" would be a slice of jingoism, but Toby Keith isn't like most country singers. His "American Ride" casts a cynical eye at desperate housewives and wannabe pop stars, not celebrating down-home values but wondering where we're all headed on this American Ride at the end of the 2000s, a sentiment not all that far removed from some of Keith's previous social commentary, which makes it a mild surprise that it is the only song here that doesn't come from his own pen. As superb and striking as it is, it's not necessarily a good keystone for the rest of the record, which does have a few tougher numbers that pick up on the lean, mean vibe of 2008's THAT DON'T MAKE ME A BAD GUY -- "Every Dog Has Its Day," the sly "If I Had One," and the heavy blues stomp "Loaded" -- but spends more time on the softer side, even when he kicks up a bit of dust on the dancefloor on "You Can't Read My Mind" or does a funny, respectful salute to military life on "Ballad of Balad." In other words, the real touchstone for the rest of the record is "Tender as I Wanna Be," where he lets his guard down and lets the romance flow. This doesn't turn AMERICAN RIDE into a schizophrenic jumble, as Keith has always balanced these two extremes, but after spending a little bit more time swaggering than wooing, he's back to crooning and it's amiable and appealing.
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