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Llach, Luis - Ara I Aqui CD Cover Art
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Luis Llach Ara I Aqui CD - Import

 Luis Llach Discography of CDs

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Ara I Aqui Music


Detailed Ara I Aqui Music Information



List Price $29.99 (You save $2.40)
Category World Albums, Latin CDs, Latin Vocal
Label MSI Music / Super D
All Time Sales Rank   471299  
CD Universe Part number 7427774
Discs 1
Release Date Oct 31, 2002
Additional Info Import
Luis Llach Ara I Aqui Songs


Luis Llach Ara I Aqui Album Track Listing



1.Temps I Temps
2.Despertar
3.Per Un Tros Del Teu Cos
4.Jo Se
5.Cal Que Neixin Flors A Cada Instant
6.Jo Tambe He Dormit A L'alba
7.Damunt D'una Terra
8.Aquel Vaixell
9.Cant Miner
10.Somni (Sueno)
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Lhasa's earlier work included arrangements that drew on ranchera and Gypsy music, as well as American, Canadian, and Mexican folk, French chanson, and pop. The international flavor is more subtle on LHASA, without vanishing entirely. The songs on the album all deal with love, usually of the obsessive, hopeless, and doomed variety, and even at her most seductive, as on the subtle rock/tango "The Lonely Spider," Lhasa's vocals hint at grief and despair. The song's Latin standup bassline and subtle chiming guitar combine with a muted tango beat to give the song a deeply melancholy air. "Is Anything Wrong" is a bluesy pop song with a haunting melody ...
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An ambitious world fusion project, SIWAN brings together the Norwegian pianist Jon Balke, Moroccan singer Amina Alaoui, the Early Music ensemble Barokksolistene, minimalist trumpeter Jon Hassell, and others in a cross-cultural melange that imagines itself somewhere back in the medieval times of Andalusia, during the era when Spain was dominated by Muslim rule. With the expert help of Barokksolistene (Baroque solists), Balke has composed authentically evocative, Arabic-flavored settings for medieval Christian and Muslim ...
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Songwriter/librettists Leslie Bricusse and Anthony Newley followed their triumph with Stop the World -- I Want to Get Off, a musical that played successfully in the West End and on Broadway, with The Roar of the Greasepaint -- The Smell of the Crowd, which opened a pre-London British tour in Nottingham on August 3, 1964. Unlike its predecessor, the new show did not feature Newley as its star, although he did direct the production. That casting error and the somewhat forbidding plot (it was, as Bill Rosenfield, in his liner notes to the 1990 reissue of the original Broadway cast album, calls "a comic allegory about the class system in contemporary Britain") doomed the musical, which closed without reaching the West End. Meanwhile, however, two good things happened: American producer David Merrick, who had seen the show in Liverpool, agreed to put it on Broadway if Newley stepped into the starring role of Cocky, and Tony Bennett recorded one of the songs, "Who Can I Turn To (When Nobody Needs Me)," which went on to peak in the Top 40. A cast for the U.S. led by Newley and Cyril Ritchard (as the upper-class character Sir) was quickly assembled, and The Roar of the Greasepaint -- The Smell of the Crowd embarked on a lengthy tour of America. To take advantage of the hit song, the cast album was recorded well in advance of the Broadway opening on February 28, 1965, and released 11 days later, breaking into the charts on April 10 on its way to a peak in the Top 100; the show finally premiered in New York on May 16, by which time the score was familiar to everyone in the theater. (This is the exact opposite of typical practice. Usually, cast albums are recorded a week or so after the Broadway opening, when a show's popular reception has been confirmed.) This circuitous route to success depended heavily on that score, and it does not disappoint. The story line, in which the "have-not" Cocky continually confronts the "have," Sir, may be simple on-stage, but it makes for excellent musical possibilities that Bricusse and Newley exploit. Their gift for catchy tunes has not deserted them, and their lyrics are by turns witty and moving, with Ritchard and Newley inhabiting their parts masterfully and such minor performers as Gilbert Price (the soulful "Feeling ...
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Mara Kiek vocals, tapan, darrabukka, percussionLlew Kiek bouzouki, acoustic and electric guitars, backing vocals Jim Denley alto saxophone, flute, piccolo, darrabukka, daireh Danny Thompson double bassMara! have developed a unique musical style which fuses folk roots with modern jazz expressionism, adding influences from rock to early music, ...
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