| | Rosendo Canciones Para Normales Y Mero Dementes CD Rosendo Discography of CDs
Canciones Para Normales Y Mero Dementes Music Rosendo Canciones Para Normales Y Mero Dementes Songs | 1. | Fauna |
| 2. | Sire |
| 3. | No Son Gigantes |
| 4. | Otro Espabilao |
| 5. | Evidencia |
| 6. | Sursum Corda |
| 7. | A Dudar Se Aprende |
| 8. | No Es lo Mismo |
| 9. | Alma Se Colma |
| 10. | Marcha Atras |
| 11. | Asi Nos Va |
|
Canciones Para Normales Y Mero Dementes Review
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A classic release from one of Jamaica's greats, NIGHT NURSE shows the Cool Ruler at his best--performing melodic, chilled reggae such as the title track and "Hot Stepper." The title track was a hit for Simply Red when they covered it in 1997. Although at his most prolific in the mid '80s, when he was beset by financial problems, Isaacs managed to maintain the quality of his material as this album proves. The Roots Radics provide excellent backing for Isaacs' smooth vocals. Perhaps a bit too mellow for fans of more militant reggae such as that purveyed by the Revolutionaries, time has nevertheless proved this to be a classic reggae album--the epitome of the feel-good Jamaican sound.
Although his 1981 album, More Gregory, was picked up for international distribution, Gregory Isaacs' 1982 release, Night Nurse, was his first to be designed for an audience outside Jamaica. Accordingly, Island Records head Chris Blackwell upgraded the overall sound quality, making this Isaacs' most professional-sounding record yet, and he brought in synthesizer player Wally Badarou to overdub keyboard parts on the tracks, making them less spare and distinguishing the arrangements ...
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This is one of four volumes of taarab music recorded on location in Zanzibar in February 1988 by Ace Records (the others are single-artist releases by Ikhwani Safaa Club, Culture Musical Club, and Seif Salim Saleh with Abdulla Mussa Ahmed). Taarab music is a beguiling combination of African, Indian, and Arab musical influences, usually delivered by a small, quasi-orchestral ensemble and melismatic vocals. This volume differs ...
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For an artist as perpetually re-inventing as Mingus, it's almost a given that one album will be very unlike the next. OH YEAH is, in fact, quite different than the bassist/composer's other releases for two reasons: Mingus plays piano throughout the entire set, and he sings--not the standard grunts and exhortations that one usually hears from Mingus as bandleader, but an actual hoarse, blues-rattled vocal directly into the microphone. If this weren't enough to distort his already unpredictable program, the compositions, though based primarily on blues patterns, are infused with even more frenzied energy than usual and range into free-form instrumental explorations that shove at structural boundaries.
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HIGH LIFE won the 1997 Grammy Award for Best Contemporary Jazz Performance. "Midnight In Carlotta's Hair" was nominated for a 1997 Grammy for Best Instrumental Composition, and Wayne Shorter's arrangement of "Children Of The Night" was nominated for Best Instrumental Arrangement.
No saxophonist--with the exception of Sonny Rollins--inspires quite the same level of expectation and adulation as Wayne Shorter. From his seminal days with Art Blakey and Miles Davis, he set new standards for improvisational freedom, even as he developed a singular compositional signature. And as a founding father of Weather Report, he continued to distill his solo skills, while developing a more elaborate orchestral approach.
Seven years after his last solo project, Wayne Shorter returns with HIGH LIFE, which proceeds from the point where ATLANTIS, PHANTOM NAVIGATOR and JOY RIDER left off. With the assistance of master bassist-producer Marcus Miller and keyboardist Rachel Z., Shorter has fashioned a sumptuous series of harmonically detailed tone poems, anchored by the contemporary rhythm-n-ning of former Living Colour drummer Will Calhoun.
Based on HIGH LIFE, one can dismiss conjecture about how Shorter was overwhelmed by Joe Zawinul's orchestral vision within Weather Report--Wayne clearly has more than bebop on his mind. Each of these arrangements is elaborately detailed, such as "At The Fair," with its fanciful multi-tracked saxophone variations over a luminous calliope of keyboard colors and brassy big band chords. "Pandora Awakened" features a string section and a dizzying variety of contrasting melodic and harmonic ...
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