| | Cold War Espionage Made Easy CD Cold War Discography of CDs
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Not available
Our Price: $10.89
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Recording information: Victoria Street Studios, Costa Mesa, CA.
Personnel: Steve Helferich (vocals); Justin Jolley (guitar).
Espionage Made Easy Music Cold War Espionage Made Easy Songs | 1. | Bloodrush | $0.99 | |
| 2. | My Saviour | $0.99 | |
| 3. | The Mountain | $0.99 | |
| 4. | Gotta Be | $0.99 | |
| 5. | Fire It Up | $0.99 | |
| 6. | Intermission | $0.99 | |
| 7. | What Great Purpose | $0.99 | |
| 8. | Outside Of The Incrowd | $0.99 | |
| 9. | Still Kickin | $0.99 | |
| 10. | The Traveler | $0.99 | |
| 11. | To The MaXXX | $0.99 | |
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Espionage Made Easy Review
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After much debate and a labored attempt at completing his contributions to a new studio offering, a disenchanted Matt Barlow chose to step down as vocalist of power-metal veterans Iced Earth. Enter Tim "Ripper" Owens, who was eagerly awaiting a formal announcement that metal god Rob Halford had rejoined his then-band, Judas Priest. Anticipating the obvious (and long-rumored inevitable), Owens weighed a number of offers before joining forces with Iced Earth. He quickly helped them finish their recording, and enthusiastically joined their ranks.
Principal writer, guitarist, and noted history buff Jon Schaffer has crafted a classic metal album that is sure to stand apart from the nu-metal din. THE GLORIOUS BURDEN focuses on conflicts and tragedies inspired by documented world events, steering away from the fantasy concepts of the band's previous works. Metal enthusiasts familiar with the contemporary leanings of Owens' style on Priest's JUGULATOR and DEMOLTION discs will hear a flair for melody and dramatic, soaring vocals, not flexed since his days in Winter's Bane (the singer's little-known original band). The September 11th-themed "When the Eagle Cries" and Civil War epic "Gettysburg," in particular, stand out as career defining moments for Iced Earth, a group reborn.
On their twelfth full-length, Iced Earth indulge guitarist and principal songwriter Jon Schaeffer's passion -- some would say obsession -- for history. On the bonus-disc edition, there are 11 tracks on the first disc, and on Disc Two, a three-part suite entitled "Gettysburg." Disc One begins, appropriately enough, with "The Star Spangled Banner," played in overdrive with plenty of crunch, but nonetheless reverently. That statement aside, the album truly begins with "Declaration Day," an examination of the events leading up to the signing of the Declaration of Independence, and the beginning of the American Revolution. Singer Tim Owens steps into the fray and relates, amid the bone-crushing riffing and half-time drum thud. But interestingly, it's a track that gets juxtaposed with the one that follows it, "When the Eagle Flies." Together they comprise a kind of view across the historical battlefield, from the tyranny of the British Empire to the tyranny of terrorism. The latter cut, with its haunting acoustic ...
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Leading children's music performer Ella Jenkins had been recording for the Folkways or Smithsonian Folkways labels for almost half a century by the time this tribute album was released in 2004. While it's true the artist lineup contains several of the usual suspects from the folkie children's music world (Cathy Fink, ...
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Canadian death metal troupe Gorguts delivered their second album, The Erosion of Sanity, in 1993, and given the general approval accorded their excellent debut two years earlier, expectations for this new effort to supersede it were understandably high. Too high, perhaps, as what initially appeared to be a promising start via the manic flurry of "With Their Flesh, He'll Create" and its more melodically inclined follow-up, "Condemned to Obscurity," soon gave way to a slew of technically astounding but surprisingly featureless death metal songwriting. Other than proving that not even a Franco-Canadian accent can be detected when grunted from the depths of one's bowels, Gorguts vocalist/guitarist Luc Lemay and his crew seemed overly preoccupied with showing off their incredible musicianship to focus on lifting very many outstanding moments above the billowing clouds churned up by their flailing limbs. In the process, new compositions like the title track, "Orphans of Sickness," and "A Path Beyond Premonition" forgo the discreet but crucial melodic finesse that had made the band's debut reminiscent of giants Sepultura and Death, in exchange for a no less carefully constructed but exceedingly one-dimensional sort of brutality -- the sort that was concurrently being championed by newer bands like New York's Suffocation, interestingly enough. In other words, Gorguts were probably just trying to evolve with the times, but in their case such evolution met with slightly less than satisfactory results -- a point driven home by the scant eight songs summoned for The Erosion of Sanity. Still, the album is anything but a failure -- just a questionable change of direction that Gorguts were ultimately unable to vindicate or develop after Roadrunner Records suddenly dropped them a short time later. Gorguts would eventually return half a decade hence, but in a significantly altered form that also failed to advance their career. [Note: In 2004 The Erosion of Sanity was remastered, reissued, and paired with its predecessor, Considered Dead, as part of Roadrunner's Two from the Vault series.] ~ Eduardo Rivadavia
Canadian death metal troupe Gorguts delivered their second album, The Erosion of Sanity, in ...
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