Bravery Sun And The Moon CD

The Bravery: Sam Endicott (vocals); Michael Zakarin (guitar); Michael Barreto Hindert (bass instrument); Anthony Burulcich (drums); John Conway (keyboard programming).
On its second album, THE SUN AND THE MOON, the Bravery keeps its strong 1980s influence intact, but eases up on the synthesizers, allowing for a warmer, guitar-driven sound that is enhanced by ace producer Brendan O'Brien (Pearl Jam, Train). While the New York City-based alt-rock band has largely ditched the glam/New Wave look, it's still clearly indebted to specific British acts--the mid-tempo lead single "Time Won't Let Me Go" features frontman Sam Endicott in full-on Robert Smith mode, and "This Is Not the End" works a riff that distinctly recalls the Clash's "London Calling." However, these blatant nods don't drastically detract from the group's lively, accessible sound, which is best showcased on the slinky "Believe."
THE SUN AND THE MOON COMPLETE is a two-disc revision of the Bravery's 2007 single-disc release THE SUN AND THE MOON. The first disc is the entire 2007 album as it was originally produced by alternative rock hitmaker Brendan O'Brien (Pearl Jam, Michael Penn, etc.). The new second disc is a near-total reworking of the album as helmed by the Bravery's frontman and primary songwriter, Sam Endicott, whose quirkier take on the album's songs emphasizes the band's roots in the new-wave revival scene. This two-disc set's list price is the same as that of a single disc.
Like many of-the-moment bands, the Bravery know that yesterday's trends are today's trash. And, like the band's former sparring partners and fellow new wave revivalists the Killers, the Bravery move away from the style that made them famous (or, at the very least, incorporate new sounds into their music) on their second album. Unlike the Killers, who cross-pollinated their love for Bruce Springsteen, U2, and the mythic American West into the rambling but intriguing Sam's Town, on The Sun and the Moon the Bravery try different ideas on for size, but don't commit enough to make them completely convincing. The band spends a significant chunk of the album trying to be as serious and earnest as they were stylish and giddy on The Bravery. On "Time Won't Let Me Go," they adopt a more mainstream rock sound, ditch the synths, and even name-drop Bryan Adams' "Summer of '69" in the lyrics; "The Ocean" delivers strings, acoustic guitars, and all the other trappings of a formerly fun band getting too serious for their own good. Worst of all is "Tragedy Bound," a song about loving a damaged woman that has questionable lyrics like "I'm starting to suspect she likes the abuse." Elsewhere on The Sun and the Moon, the band delivers competent pop songs that fall just short of being truly memorable; "Bad Sun," which could pass for a Dandy Warhols B-side, is the best of the bunch. In between all of their attempted makeovers, the Bravery return to their bracing, '80s-inspired sound, albeit with sleeker, slicker production than on their debut. And while "Every Word Is a Knife in My Ear" is melodramatic and "Split Me Wide Open" is pure Cure pastiche, this is still the sound that the Bravery seem to feel the most, and do the best. ~ Heather Phares
Like many of-the-moment bands, the Bravery know that yesterday's trends are today's trash. And, like the band's former sparring partners and fellow new wave revivalists the Killers, the Bravery move away from the style that made them famous (or, at the very least, incorporate new sounds into their music) on their second album. Unlike the Killers, who cross-pollinated their love for Bruce Springsteen, U2, and the mythic American West into the rambling but intriguing Sam's Town, on The Sun and the Moon the Bravery try different ideas on for size, but don't commit enough to make them completely convincing. The bandmembers spend a significant chunk of the album trying to be as serious and earnest as they were stylish and giddy on The Bravery. On "Time Won't LetEntertainment Weekly (p.84) - "The propulsive energy is still there, channeled into stadium-size anthems and heartrending ballads." -- Grade: B+