| | Francisco Lopez Untitled #123 CD Francisco Lopez Discography of CDs
Prepared with sounds recorded in Grain Silo #5 in Montreal Quebec.
Presented by the Spanish avant-garde sound artist Francisco Lopez in Montreal, this demanding work was part of a year-long project that turned an abandoned grain silo into a musical instrument upon which a variety of artists performed. Lopez's piece begins with an enveloping silence that gives way to thunderous bursts of machine sounds, which morph in their turn into subsonic ambient noises. The effect is of being massaged by a series of wildly varying sound waves, alternately stunning and relaxing. Untitled #123 Review
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Purchase Untitled #123 CD To buy, Click on price to add to cart | Rod Stewart Soulbook CD (2009)
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| | Mariah Carey Merry Christmas CD (1994)
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At this stage of her career Mariah Carey does not need to prove herself, but her voice is so powerful that with each new recording she, once again, reminds you: "Listen to what I can do." Vocal gymnastics and Christmas songs are not often thought of as a compatible combination, but on MERRY CHRISTMAS Mariah jumps, climbs, crawls, twirls and dashes her way through both traditional fare and original Christmas songs.
She shifts through styles, offering fans from all musical camps a gift of their own. Her "Silent Night" shows off a studied vocalization where liquid phrasing is key. "Miss You Most (At Christmas Time)" shows off a dynamic voice that is hard to match. She has fun with the Phil Spector goodie "Christmas (Baby Please Come Home)," a song straight out of '60s girl-group heaven. There is even a "Joy To The World" medley mixing the old and the new--the traditional ...
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| | Lady Gaga Fame Monster CDs (2009) Deluxe Edition
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Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of "Bad Romance" and the updated ABBA revision "Alejandro," as it is on the rock & roll ballad "Speechless" -- its big guitars lifted from Noel Gallagher -- and the wonderful, perverse march "Teeth." Even the stuttering splices on "Telephone," a duet with Beyoncé, leans to the other side of the Atlantic, which just emphasizes the otherness that's become Gaga's calling card. And even as she's becoming omnipresent, with her songs mingling with those who co-opt her on the radio, she still is slightly skewed, willing ...
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WHO NEEDS PICTURES is an enhanced audio CD which contains regular audio tracks and multimedia computer files, featuring interviews and live performances.
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