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In His Own Words Review
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Purchase In His Own Words CD To buy, Click on price to add to cart | Andrew Weil The Self Healing Series - Breathing - The Master Key To Self Healing AudioBook
In His Own Words album
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| | Jay Hickman Boat Ride CD (1995)
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| | Richard Pryor Is It Something I Said? CD (1975)
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| | Jay Hickman Don't Hold Nothing Back CD (1997)
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| | Mirah Advisory Committee CD (2001)
In His Own Words music CDs
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Mirah's You Think It's Like This But It's Really Like This, was a sweet, sensitive collection of folky indie pop, but her follow-up, Advisory Committee, is such a stunning leap forward that it feels like a true introduction to her music. The album retains some of the homespun lo-fi charm of You Think It's Like This..., but Advisory Committee is also dramatic, even theatrical, as on the stunning first track, "Cold Cold Water." A sweeping spaghetti Western of a song, its swelling strings, galloping percussion, and haunting vocals portray being in love as a life-or-death situation. Only Björk does this type of drama as well, and a large part of the song's success is due to Phil Elvrum's production. Though he and Mirah have collaborated before on Elvrum's Microphones albums, on Advisory Committee their styles complement each other perfectly: His unique, often trippy production techniques give her gorgeous, ...
| | Rodney Carrington Nut Sack CD (2003)
In His Own Words songs
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Coming on like some kind of cross between the hick satire of Jeff Foxworthy and the country music parodies of Cledus T. Judd, Rodney Carrington connected to the down-home comedy audience in a big way with the not-so-subtly titled NUT SACK. The album is split evenly between live stand-up routines and music. On the stand-up half, Carrington ...
| | Winston Churchill Wartime Speeches, Vol. 2: 1940-1941 CD (2004) Import
In His Own Words album
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| | Nostradameus Hellbound CD
In His Own Words CD music
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| | John Mayer Trio! Live In Concert CD (2005) (Import)
In His Own Words music CDs
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| | Fall Out Boy Infinity On High CD (2007) (Import) Bonus Track; England
In His Own Words songs
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Like My Chemical Romance, the wildly popular emo band Fall Out Boy opted to follow its breakthrough record (in this case, 2005's FROM UNDER THE CORK TREE) with a highly ambitious outing. Although it doesn't quite aspire to the concept-album grandeur of the aforementioned group's BLACK PARADE, 2007's INFINITY ON HIGH showcases a wider musical palette for FOB, which is immediately apparent on the disc's bold first single, "This Ain't a Scene, It's an Arms Race," a dynamic track that mixes a jaunty R&B-tinged melody with the ensemble's signature guitar-fueled energy. Even songs that hew closer to Fall Out Boy's punk-pop template bristle with restless creativity, as on the surging "Carpal Tunnel of Love," which finds frontman Patrick Stump nailing an unexpected soaring falsetto during the remarkably catchy chorus. While INFINITY ON HIGH might rattle fans of the Illinois-based band's less glossy, more direct earlier material, the album is a fitting progression for the earnest group, and stands as an intriguing response to the glare of the mainstream spotlight.
A funny thing happened to Fall Out Boy on the road to Infinity on High: they got famous. Before 2005's From Under the Cork Tree they were just another pop-punk unit from suburban Chicago happy to break even at shows with gas money. Next thing anyone knew, they were headlining arenas and being heralded as the new face of pop-punk alongside their peers in My Chemical Romance. It was a position that never seemed to rest easy with the guys, and because of this, Infinity on High seems a bit conflicted. Fall Out Boy wants to charm everyone here. They want to prove themselves to critics by moving past the confines of emo, allowing a love of all things pop to come right to the forefront. Yet they also want to resonate directly with those day-one fans who may long for the intimate VFW shows of yesterday. This disparity makes points of the record seem awkward, and for the first time, the band appears to over-think things. Pete Wentz's lyrics are oftentimes resentful, full of fame-induced angst, and really emphasize his need to drive home his position that stardom has not changed the band. So it's in weird contrast to these sentiments that Jay-Z is the one opening the album and calling out haters who said FOB would fail. The glorification of their celebrity abruptly switches into Patrick Stump stating (pleading?) that the band is not buying into the hype -- nor do they even want it. "Make us poster boys for your scene/But we are not making an acceptance speech" is defiant, and when his sweet voice asserts, "Crowds are won and lost and won again/But our hearts beat for the diehards," it's clear that FOB still holds their roots close. But this is contradicted by the fact that the album's majority is far and away their poppiest material to date, more pop/rock than pop-punk, which inevitably means more interesting to those who know them just as that "Dance, Dance" band with the media-whoring bassist, Pete Wentz.
So the results are hit-and-miss. The Maroon 5-ish "I'm Like a Lawyer..." is glaringly one of the Babyface-produced tracks, and with a vocal hook uncomfortably close to Phil Collins' "Groovy Kind of Love," it plays like the guys were the ruffled house band for a prom. It's ill-fitting, a notion that continues in cuts like the soft rock piano of "Golden" and the airy "The (After) Life of the Party." But on the flip side, the fizzy urban-pop nugget "This Ain't a ...
| | Unforscene Finger & Thumbs CD (2008) (Import)
In His Own Words album
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| | Side Liner My Guardian Angel CD (2008) (Import) Import
In His Own Words CD music
$17.09
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